Stealth Symphony is the 3rd of the 4 new series recently added to Weekly Shonen Jump in Japan and in many ways it was the most anticipated which is why Viz Media was so quick to add it to the English lineup of the magazine. With the story being helmed by Ryohgo Narita of Durarara and Baccano fame the manga has quite the pedigree to live up to and the first chapter generally succeeds in showing it’s potential.
The story kicks off when main character Jig travels to Jinbo-cho a city filled with elves, dwarves and other kinds of magical beings. His goal is to remove a curse he recieved when he got sick as a kid and was forced to recieve it in order to save his life. Since it apparently makes him a disaster magnet and he almost causes a big one on the beginning of the chapter he decides to get bodyguard protection so that he can prevent himself from hurting others with his powers. It’s around then that we’re introduced to the other main character Troma who is invisible save for a mask and becomes Jig’s bodyguard for the duration of the chapter. It’s soon revealed that Jig’s accident in the beginning of the chapter was no accident and that he’s being targeted which sets off a rather cruel plot twist that will likely be what drives the story from here on out.
Those familar with Narita’s works will immediately recognize that the one thing that stands out as being different here is that the protagonist of the story is clearly defined where as Baccano and Durarara functioned off more of an ensemble cast (though there’s still plenty of time for it to go down that route later on) and the first chapter is devoted to his story though it also helps us to dive into one of the other main characters as well. Jig comes across as pretty likeable so far and though his motivations are a bit cliche at first the ending to the chapter suggests his development may go in an atypical direction for a Jump protagonist. The other lead character Troma is the that seems to have the most potential for something cool between the two though since his invisibility is played with in a pretty unique way since he feels as hollow on the inside as he does on the outside so it’ll be interesting to see where his character is eventually taken.
The artwork for the series is also pretty fantastic as artist Amano Youchi delivers on his speciality in that area and the designs look very detailed for a weekly series though it feels a bit similar to Takeshi Obata’s (Death Note) artwork so hopefully it evolves a bit. The setting also looks as though it could lead to some pretty cool setups as the concept of a city filled with magical beings and dragon artifacts could make for some interesting world building.
Overall the series is off to a strong start and though it feels a bit different than Narita’s usual style it has the potential to live up to his other works and could be the kind of series Jump needs right now.
Available through Viz’s Weekly Shonen Jump Digital Magazine