Animation Talk- 6 Common Misconceptions Fans Have About the Anime Industry

The anime industry is a pretty tricky thing for  fans as there are a lot of things unknown to us and some who have been following the industry still don’t know everything. Nevertheless there are some things we do know that some fans both new and old have often gotten confused so here are some common misconceptions anime fans have about the industry.

DISCLAIMER: I do not claim to be an industry insider or super expert as there’s frankly a lot of things I don’t really know myself. These are just the things I do actually know. I am not legally liable for any confusion  or mistatements you may have/make afterwards. Now let’s begin

6. Everyone in Japan Loves Anime

Since anime is such a beloved, though niche medium internationally and has often garnered the attention of those who normally wouldn’t give two craps about any other kind of animation it’s generally assumed that Japanese people have a lot of respect for the medium since their the ones who make it. In reality what we consider anime is a niche medium even in Japan and outside of shows designed to sell toys like Beyblade or super mega hit shonen titles like One Piece, the majority of anime airs late at night and only a very specific audience (i.e. otaku) generally watches it, though there are exceptions every now and then In fact big animated movies from the west such as Disney titles are better know and more popular to the general public in Japan. Though the industry is obviously bigger there than elsewhere, that doesn’t mean it’s mainstream.

5. The Amount of Source Material Determines How Long an Anime will Run

Admittedly this is something I used to believe was the case for awhile because on the surface it kinda makes sense as something that’s run 5 years or so would have a lot of material to adapt and could run a lot of episodes. The actual truth is far from the case as anime production commitees don’t really care about that sort of thing. If they don’t  think it’s worth the risk then it could have 10 years of material to run with and could still potentially end up with a 13 episode run (see the Zetman anime for an example). In the older days adaptions would generally run a bit longer but these days 13 episode adaptions are more or less the norm. What seems to be the defintive factor currently (and this is partially a guess on my part) is how large the pre-existing fanbase is sales-wise and recently only things that were already kind of a hit to begin with receive 24 episodes or beyond.

4. Studios Have a Say in How Much of Something/What Gets Made

Tying into the above misconception, some also assume that studios have a say in how much of a show is actually made. Production committees fund the actual shows so they’re the ones who hold power over how long stuff is, even for original works. There’s also the misconception that studios have full control over the production of the shows they work on and there is some truth to it as the creative staff does generally determine how a series will function. However the executive staff does have some control in that department as well and they can override creative decisions if they so please. One of the biggest examples of this was the entire second season of Code Geass being rewritten from what the creators had originally planned due to some of Sunrise’s meddling.

3. The Studio Determines the Quality of the Show

This is another one with a little bit of truth to it as some of the larger studios such as BONES or Production I.G. generally produce shows with a high animation budget, get popular japanese bands to do the theme songs, etc., but there’s generally no direct correlation between the studios and the shows themselves in terms of what’s good. For instance, Studio Pierrot is generally met with scorn as their known these days for their badly paced battle shonen adaptions like Naruto or Bleach but they’ve also produced shows such as Yuyu Hakusho, which stands today as the most well paced adaption of an (at the time) ongoing action series, and Hikaru no Go (similar deal), both of which (arguably) outdid their source material. Additionally some of the larger and more popular studios like A1 Pictures have (again arguably) produced somewhat medicore anime adaptions like Blue Exorcist alongside some of their more popular works like Sword Art Online. Production committees again generally determine things such as the actual budget of the show or the episode count but the biggest deciding factor for a show is generally the staff itself and that’s not always directly tied to studios so the staff list is generally what’s worth paying attention to more.

2. Japan Cares About the International Market

While there are some exceptions such as what’s currently going on with Space Dandy airing new episodes on Adult Swim before Japan gets them, Japan generally doesn’t care much for the international market. Due to middlemen distributors such as Funimation, Viz Media, Sentai Filmworks, etc. only a small percentage of sales actually makes it back to the japanese producers. Japan has made several attempts (such as the existance of Aniplex of America) to directly penetrate the english market themselves but for the most part their concerned with japanese audiences since that’s where most of the direct sales come from. The middlemen companies do of course have their benefits like bringing us more affordable prices and dubs, since they’re here, don’t expect to have any direct say in what gets made.

1. US Distributors Have a Direct Say in What/How Stuff Gets Made 

It’s a mistake generally only made by newer fans who don’t know much about how the industry works and it’s died down for the most part, but there’s still the occasional suggestion that Funimation or Viz have some direct say in anime. They don’t. Funimation doesn’t own Dragonball Z, Viz doesn’t control when we get new episodes Naruto and they can’t promise you future seasons of anything. Again it’s rare that anyone actually makes this mistake but it can be a bit frustrating to see.

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And there you have it. These are mistaken assumptions often made and hopefully someone’s a little more aware now. There’s a lot we can’t know without actually working inside the industry but there are some things we can avoid having to guess.

 

 

 

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