Wow it’s been…about 2 years since I’ve actually done one of these, but I guess now’s as good a time as any to hop back into it. Given the amount of stuff that was packed into the spring season, I have to admit that I was wasn’t too excited about rolling into this one. Of course the good thing about not having high expectations means there’s more fun (and headache) in sampling stuff. So without further ado, let’s get started
Bad: Stay away far away from this one. Not worth watching
Decent: Has some okay elements to it. Might be worth giving a couple of episodes to see how it goes
Good: Fairly solid show. Should be worth keeping up with for now
Great: Really good show. Definently worth seeing if you get the chance
Excellent: Really outstanding show. Absolutely worth following .
*All series synopsis from Anime Planet
Synopsis: Spurred by the flame raging in his heart, the Black Swordsman Guts continues his seemingly endless quest for revenge. Standing in his path are heinous outlaws, delusional evil spirits, and a devout child of god.Even as it chips away at his life, Guts continues to fight his enemies, who wield repulsive and inhumane power, with nary but his body and sword—his strength as a human. What lies at the end of his travels? The answer is shrouded in the “night.” Strain your eyes and stare into the dark!
First Impressions: I spent a few weeks last year reading about 25 volumes worth of the Berserk manga through my local library and between that and the film trilogy that preceded this current adaption I’d pretty much cemented myself as a Berserk fan. That said like most fans, I was also super skeptical of this adaption due largely in part to the fact that it’s primarily animated in 3DCG (and the fact that Linden Films is helping to produce it didn’t help things) and Japan’s track record on that is pretty horrible. Those fears were pretty well founded since the show does indeed look ugly as sin, and even by 3DCG anime standards, this show’s production is definitely on the lower end. That said, it does manage to capture one aspect of Berserk pretty well and that’s the atmosphere. This is the portion of the series where it’s horror elements start playing a larger role, and a lot of the direction here really captures that sense of dread. For me that’s enough to give it a slight pass, and while I can’t really recommend this to anyone who isn’t already a big fan of Berserk (and even then this would be a hard sell), I’ll probably end up following this one through to the end just to see where they take things.
Synopsis: Arata Kaizaki (27) quit the job he landed after graduation in only three months. His life did not go well after that. Now his parents are threatening to stop sending money, and want him to come back to the country. He has no friend or girlfriend to share his troubles with…as he hits rock bottom a strange man named Ryo Yoake appears. Yoake invites Kaizaki to join a societal rehabilitation program for NEETs called ReLife. This program uses a mysterious drug to make him look younger, and sends him back to high school for a year…
First Impressions: So I’ll admit I’m kind of cheating here since the entire show was made available on Crunchyroll the moment it aired, and I sat through every episode, but I don’t think I’ll end up doing a full-review on it so I’ll just cover it here and keep my thoughts brief. The idea of “reliving high school” is one that’s been done a million-times before and there are as many cases of it being interesting as there are of it being a gross fantasy. Thankfully this lands in the former category, and largely due the fact that its protagonist Arata, is portrayed more as a real-life loser than an anime one, and that makes his character a lot more relatible. That more grounded approach applies to the show as a whole, and it’s centered pretty heavily around the theme of youthful optimism v.s. the more cynical realities of adulthood, which it explores in great detail. The series does occasionally come a bit too close to having Arata potentially macking on high school girls he’s hanging around, but manages to more or less avoid this pitfall and it’s a pretty smooth ride overall. If your’re looking for a series to burn through in an afternoon or two, this one’s certainly a solid pick.
Food Wars: The Second Plate
Synopsis: After the qualifying test with curry dishes, eight contestants have entered the quarterfinal of Autumn Elections: Souma, Megumi, Takumi, Hisako, Alice, Kurokiba, Hayama, and Mimasaka. Their next challenge: bento.
First Impressions: Food Wars makes it’s triumphant return and it’s better than ever. That’s not much of an exaggeration either, because compared to the rather shoddy looking production values of season 1, this already looks way more polished, and the characters a lot more expressive. It also helps that the show’s already kicking things off with good material, as we get our food-off between Souma and Alice, and the food porn here is so perfect that I regretting not waiting until the episode started to have my lunch today. On the downside, this season’s almost in too much a hurry to get started, and jumps straight into new material without a refresher on anything that’s happening, but Food Wars is simple enough that this isn’t a major problem, and when the series is this much fun, it’s pretty easy to get back into the swing of things. Bring on the food!
Synopsis: Green City Kazamatsuri is a city built on the ideal of a harmonious relationship between civilization and environment.. However, the peaceful Kazamatsuri will soon be faced with its annual commotion, the Harvest Festa at the turn of the year. It’s an event that is much like a massive school festival, and Tennoji Kotaro decides to head out to research topics for his articles. It’s an easy decision for him, because the town is filled with rumors about unidentified creature sightings and various other occult occurrences. At the same time, strange things start happening to Kotaro himself.
First Impressions: So this series is the latest of Key game based melodramas, though it lacks two of the things that those tend to have. The first would be Jun Maeda as the scriptwriter for better or worse, and the second is lavish production values courtesy of studios such as KyoAni and PA Works. As it turns out, those two things were pretty important because compared to the others, this was pretty much impossible for me to sit through. I’ll be the first to admit that I got into Key adaptions during a time where I was more susceptible to melodrama regardless of actual quality and that I’d probably be pretty averse to them now, but to Jun Maeda’s credit, he’s gradually improved as a writer, and while his stuff isn’t perfect, he’s gotten closer and closer to writing characters that feel fleshed out. This however, is comprised of all the cookie-cutter archetypes that you’d expect from most visual novels, and the humor even more intolerable. This could be somewhat bearable if the show at least looked good like other Key adaptions, but the production values here range from average, to something that looks straight out of 2006, and I couldn’t get through a full 20 minutes of it (the first episode is a whopping total of 47 if you can believe it) before calling it quits. Maybe I’ll give it a shot later down the line if I hear enough good things about it, but for now it’s a definite pass
Love Live!! Sunshine
Synopsis: Nothing is more appealing than the bright, sparkling world of School Idols! The girls of Uranohoshi Girls’ High School are swept into idol fever, wanting nothing more than to become the next-best School Idol group. And they plan to do just that. Chika Takami brings together eight of her classmates to form Aqours, their own idol group. As long as they don’t give up, any dream can come true!
First Impressions: So once upon a time I was the world’s most un-reluctant Love Live fan. I mean this in that I acknowledged the show was techincally good, but it was so clearly composed of things I normally can’t stand in anime, that I was kind of waiting for it to get bad so I could drop it. That moment never came though, and in time I fully converted myself over to the glory of Love Live. Now it’s time for a whole new series in the franchise, and while I didn’t have any major expectations for this one way or the other, I can safely say it’s good. All of Love Live’s energy and charm is in full effect here, and the show’s already done a pretty good job of selling on Chika and some of the other girls who made their brief cameos in this first episode. I’ve generally appreciated how well the original series managed to frame itself more as a family-friendly sitcom than an obvious otaku product, and this looks like it’ll continue that, so as long as that sticks, I’ll be in this one for the long haul.
And that’s it for now. I’ll try to get around to more later this week, but for now, this season seems like it’s off to a safe start, if not necessarily a great one.