It’s time for round 2 of the winter anime season. I’ve already burned my way through a few things, but there’s still plenty more to go through, and a lot more potential suffering to be had so let’s get to it
Bad: Stay away far away from this one. Not worth watching
Decent: Has some okay elements to it. Might be worth giving a couple of episodes to see how it goes
Good: Fairly solid show. Should be worth keeping up with for now
Great: Really good show. Definently worth seeing if you get the chance
Excellent: Really outstanding show. Absolutely worth following .
- All series synopsis from Anime Planet
Synopsis: “Mumbling” Chuta Kokonose doesn’t have many friends. In fact, the only conversations he has anymore are with voices inside his head. Little does he know that this voice doesn’t mean he’s crazy. It just means he has an alien living inside his body!
First Impressions: Once upon a time I was a huge fan of Reborn, and while the final parts of the manga soured things for me, I still feel enough fondness for it, that I’d be more or less willing to check out anything else Akira Amano put ot. That’s where this series comes in, and having set my expectation levels somewhere around moderate, I more or less got what I figured I would here. There’s nothing particularly standout about the storytelling here as it’s all pretty by-the-numbers but mostly entertaining, and the tone hearken’s back more towards Amano’s gag series routes than the action heavy material from the later parts of Reborn, although that could certainly change given Chuuta clearly has some sort of ominous backstory. The one major feather in it’s cap though is some solid visual direction as the show has some really nice scene transitions, and while the color pallette isn’t exactly mindblowing, it feels lively enough to match what this is going for. I was pretty much going to watch this one either way, but for right now it seems like a moderately good way to spend Sunday afternoons
Synopsis: The story is set in a parallel Japan very similar to the modern Japan we known today. Increasing income divide, creeping environmental pollution, unsolvable garbage problems, childcare waiting lists being disputed while those directly involved aren’t present, repeated cases of corruption… Japan’s government, entrenched in its own vested interests, can do nothing about the abundant problems and discontent throughout the land. Now, at long last, idols are taking a stand to rescue a nation with no way out! The Heroine Party, the Sunlight Party, the Starlight Party, the Bishoujo Party, the Wakaba Party, the Subculture New Party, and the SOS Party: idols from these seven idol political parties who have become Diet members representing each prefecture will crash through the sense of stagnation that surrounds Japan with their song and dance! They will bring back the people’s smiles and envelop Japan in their shining aura!
First Impressions: From high strung comedies to action shows, idol shows have been inserted into just about everything at this point, so idols fusing together with politics was pretty much just a matter of time. On paper this sounds like a wonderfully dumb premise as it seems like something that could generate a lot of comedic mileage. In execution however, it’s a pretty standard idol show, and the politics hook just comes off more as awkward than funny. From the characters, to the tone, everything feels too safe and cookie-cutter for how potentially funny it could have been and while it’s not exactly short on visual gags, it really needed to be executed in a manner as over-the-top as possible to really work. There’s hints of that towards the end as we get a Love Live esque musical number towards the end, but it’s enough to elevate the rest of it, and nothing here really grabbed me. Still it’s an idol show and a fairly harmless looking one so if you’re into that sort of thing this might work out for you, but I’ll probably end up skipping this one unless I’m really starved for Sunday shows.
Synopsis: An angel at the top of an angel school has descended to the human world! However, she has already acclimated to the life of the human world so much that she ends up leading a self-indulgent life, skipping school all the time and being absorbed in online games. Gabriel soon forgets about her original goal to make human beings happy and has turned into a lazy and hopeless angel, or a “sloppy angel” in short. Amazingly, she swears to continue to fully enjoy the pleasure of various entertainments of the human world.
First Impressions: I wasn’t originally planning to watch this one originally, but today was light on premieres so I figured I’d give it a shot. This turned out to be a pretty wise decision on my part, as this one actually turned out to be rather enjoyable. Anime having fun with classical archangels and archedemons isn’t a particularly new thing as we got The Devil is a Part Timer a couple of years back, and while this certainly doesn’t seem like it’ll be nearly as clever as that, it’s seems like another okay take at the concept. Archangel Gabriel turning into a NEET seems like kind of a weird thing, but having her be the snarky one seems rather appropriate, and I got a few laughs out of Satan being a chunni since that seems like a gag that’s a lot truer to form (not sure what’s up with Raphiel being a sadist, but I don’t recall everything about the Archangels so it’s possible there’s something in the stories to go along with the joke). Nothing here was too mindblowing, but it certainly made me laugh more than some of the other “comedy” premieres I’ve sat through this season so that counts for something. For now this seems like a solid watch, and I’m curious to see how much mileage it can get out of it’s premise (I’d certainly be curious to see what it’s versions of Micheal and Lucifer are like)
ACCA: 13-Territory Inspection Department
Synopsis: “ACCA” is a giant unified syndicate residing in a kingdom split into 13 autonomous regions. ACCA was formed back when there was threat of a coup d’etat, and it has continued to protect the peace of civilians for almost one hundred years. Jean Otus, the vice-chairman of the inspections department at ACCA headquarters, is one of the most cunning men in the syndicate’s history with the nickname “Jean the Cigarette Peddler.” Whimsically puffing his cigarettes, he wanders through the 13 districts, checking to see if there is any foul play afoot. Meanwhile, Jean is monitored by gazes, threatening rumors, and… snack time. Jean’s quiet everyday life slowly gets swallowed up into the world’s conspiracies!
First Impressions: As the director responsible for bringing us Space Dandy and One-Punch Man, Shingo Natsume has made quite a name for himself in the last couple of years. Given that this series is carrying over some of the staff from the latter, that made this one a potential darkhorse for the season and one that I was pretty eager to check out. However if like me, you were coming into this expecting a sakuga-fest ala Natsume’s previous titles, this…definently isn’t that. Instead what we get here is a somewhat low-key spy show ala last year’s Joker Game, and much of this first episode is spent giving us a rough idea of the protagonist’s personality and setting up the various procedural work that’s to be expected in this kind of show. Unfortunently that means this is pretty lacking in the excitment department, but at the same time this premiere doesn’t make much in the way of any notable mistakes, and exhumes just enough confidence and style to work as a competent genre piece. The last few minutes of the episode suggest things might get more thriller-esque later on, but I’m not exactly holding my breath on that, and it feels like it’ll probably keep things more on the slow, methodical side. All that said, this show’s genre is one that I’m usually pretty happy with, and while I wasn’t exactly thrilled by what I watched, I was certainly intrigued, so for now I’m willing to see where this goes.
Synopsis: Tazuna is a high school student, living in Osaka, who loves to fiddle around with machines. One day, he receives a repair request from an university laboratory. He accepts the request and ends up meeting a girl named Koyori, who has been bedridden for a very long time. Suddenly, Tazuna and Koyori get pulled into a whole different world called “Ziggurat”. In this world, there are Hand Shakers, two people who touch hands and create the Nimrod. Their goal is to defeat other Hand Shakers in order to gain an audience with “God”, who will grant them wishes. Protect with your own Hands!
First Impressions: So out of the new shows this season, this was one of the ones I was the most curious about. While GoHands’s previous series, K: The Animation, was a pretty big exercise in style over substance, I enjoyed it’s first season quite a bit, and figured that a series by mostly the same people could at least be fairly entertaining. Sadly though, it turns out that this show is bad. Like REALLY bad. So much so that I was getting PTSD flashbacks to last winter’s Divine Gate, and that’s something I never wanted to experience again. Much of the episode is spent as one big “how we got here” moment in an attempt to add clarity to it’s super awkward opening scene but somehow manages to come out as even more confusing by the end of it. About all the show really manages to establish is that the protagonist has some weird obsession with fixing things, and that he has some sad backstory involving his dead sister that’s now being projected onto some white-haired loli. Aside from that, most of the episode is just one big overly-long fight scene and it feels like an absolute mess. The minimal explanation wouldn’t be too much of a deal breaker normally, as K’s first episode was pretty similar in that respect, but it’s script was just grounded enough to follow, where as this is all over the place.
Further adding to the show’s sins is that it’s also horrendously ugly. GoHands’s weird obsession with bright filters has always looked a little jarring, but this show looks like a spectacularly technicolor-ed mess, and the “dynamic” camera angles that are clearly meant to make the action look more bombastic just come off as obnoxious (the hefty amount of 3DCG doesn’t help either). To make matters even worse, said camera angles are also used rather skeevisly for boob jiggle fanservice, which comes off as downright gross in regards to one of the female characters who spends every scene being abused in a way that’s clearly supposed to be “sexy”. Pretty much everything about this is one big NOPE, and while I certainly wasn’t going to be surprised if this one ended up being a stinker (K’s second season was kind of a letdown), I sure wasn’t expecting anything this horrible, and of all the bad things I’ve sat through so far this season, this one’s easily the worst. Stay far, far away from this one.
Miss Kobayashi’s Dragon Maid
Synopsis: Miss Kobayashi is your average office worker who lives a boring life, alone in her small apartment–until she saves the life of a female dragon in distress. The dragon, named Tohru, has the ability to magically transform into an adorable human girl (albeit with horns and a long tail!), who will do anything to pay off her debt of gratitude, whether Miss Kobayashi likes it or not. With a very persistent and amorous dragon as a roommate, nothing comes easy, and Miss Kobayashi’s normal life is about to go off the deep end!
First Impressions: Kyoto Animation is synonimous with high quality productions and solid content, but every now and then they tend to dip into the anime well and put out a low-key light novel adaption that ends up with better production values than it probably deserves. This season that distinction goes to Dragon Maid, which is an odd but mostly un-funny comedy about a lesbian dragon maid who decides to work for an office lady after the latter invites her over in drunken stupor. What ensues is a solid 23 minutes of gross out humor, boob jokes and lots of over-excited yelling, none of which managed to get a giggle out of me the entire time. My standards for anime comedies usually aren’t too high, but nothing about this one clicked with me, and I spent half the episode waiting for it to be over. Since this is a KyoAni show, it pretty much goes without saying that it looks good, and there’s some nice stuff on display here from the how the maid girl’s dragon form is animated, to some of the visual gags, but none of it’s really enough to change the fact that the comedy didn’t work for me and nothing about it left me curious for more. Of course everyone’s taste in comedies are different so maybe this one will work out well for other folks, and I don’t want to be too hard it since it’s not as though it’s attempting to be anything more than a low-end comedy, but this one’s a definite skip for me.
Synopsis: Shibuya, 2015. In a city recovering from the “Shibuya Earthquake” which devastated it six years ago, Takuru Miyashiro, a student at the newly built private high school “Hekiho Academy” investigates a series of serial killings known as “The Return of the New Generation Madness” as part of his work for the school’s newspaper club…
First Impressions: Looks like it’s time for yet another semi-colon show, and unlike Occultic;Nine which was apparently just a light-novel adaptation, this one’s the real deal. It also happens to be a sequel to Chaos;Head which was the first of these to come out and easily the weakest of the bunch. This is supposedly due more to poor choices made by the adaption than anything else, but it still left something of a bitter taste in my mouth, so you can probably imagine my annoyance when the first 20 minutes of this 47 minute long premiere turned out to be a literal recap of Chaos;Head. Unfortunently the new material here hasn’t done much to engage me either, as none of the main characters really do too much to make themselves endearing here, with the focus instead being almost entirely on the mystery that the show’s setting up. Nothing about said mystery really did too much to make me feel like it was worth sticking around for, but offers just enough suspense to keep things from getting boring. For all these complaints though, it’s far from the worst thing I’ve had to sit through while going down the list of winter premieres, and none of it’s choices have struck me as particularly awful so far. In a stronger season I’d probably give this one the boot, but since there’s nothing else really competing for it’s attention on Thursdays, I may give it a couple more episodes and see if things improve.
And that’s it for me and the winter season. There’s still a couple of small premieres left and a few things I didn’t cover, but none of them seem like things that would appeal to me so this is probably as good a cut off point as any. By this point I’m used to jumping the gun on declaring a season to be weak, only to later eat my words and find enough enjoyable stuff to get by, but for the first time in a while I feel confident enough to say with absolute certainty that this is a really weak season. Usually I can find at least one or two non-sequels that feel compelling but so far the sequels (which I didn’t cover here since I felt they’d be redundant this time around) really are the best this season has to offer. Surprisingly though I don’t feel as frustrated by this as I’d expect since not having too much stuff to keep up with means I can finally tackle more of my massive backlog pile, but weak seasons tend to affect everyone, including the industry so in that respect it’s disappointing. At any rate I’m pretty much done here, and until next season, stay animated.