So unfortunately my internet modem decided to start acting wonky over the weekend so I’m currently without internet for the next day or two. That’s gonna be a bit of an issue as far impressions go, so some of these are gonna come a little later than I would have wanted. Gonna do my best to go through as many of these as I can though, so bear with me
Decent: Has some okay elements to it. Might be worth giving a couple of episodes to see how it goes
Good: Fairly solid show. Should be worth keeping up with for now
Great: Really good show. Definitely worth seeing if you get the chance
Excellent: Really outstanding show. Absolutely worth following .
- All series synopsis from Anime Planet ———————————————————————————————–
Synopsis: Yuuta Hibiki can’t remember who he is, and now he’s seeing and hearing things that others don’t! A voice from an old computer tells him to remember his calling, and he sees a massive, unmoving creature in the distance. Nothing’s making sense—until the behemoth springs to life! Suddenly, Yuuta is pulled into the digital world, reappearing in the real one as the colossal hero—Gridman!
First Impressions: While that other Trigger mecha show this year was a pretty massive disappointment, I was still relatively optimistic about this show. For one thing it’s paying homage tokasatsu (which is a level of camp I’m always down for), and it’s also being directed by Akira Amemiya, the mad man behind Inferno Cop. Thankfully that optimism seems to have been pretty well rewarded so far. While this premiere kicks off with the ye old trope of an amnesiac protagonist, we’re introduced to the important people in his life almost immediately and the mystery isn’t who he is so much as why he (seemingly) lost his memory out of nowhere. While he’s something of a blank slate so far, the rest of the cast comes off as pretty likable, and their interactions feel pretty natural. Of course if you’re just here to watch giant robots kick the crap and out of Kaiju, there’s plenty of that too, and in addition to featuring one of the most effective blends of 2D/3D mecha animation I’ve seen out of any anime, I appreciated the extra detail of the Kaiju being animated in a way that makes them intentionally look like plastic compared to everything else, which feels right at home with the tokatsu aesthetic. Tonally it’s a bit more grounded than what I’ve come to expect from Amemiya at this point, but there’s enough inherent silliness that I’m pretty sure it won’t take itself as seriously as that other Trigger mecha show and should probably be a fun time. While I wasn’t completely blown away by this premiere, I certainly had a good time with it, and there’s more than enough potential here for me to stick with it. Here’s hoping Trigger can redeem themselves.
Release the Spryce
Synopsis: To everyone around her, Momo lives a quiet life of solitude: going to school and keeping to herself. To the members of the private intelligence agency Tsukikage, she is their newest recruit, learning to hone her skills to help fight against a global crime organization. Under the guidance of senior member Yuki, Momo undergoes a series of dangerous, deadly and diabolical training scenarios and missions. With each victory, Momo’s confidence in her skills grows but it’ll take more than that to help keep not just her home but the world safe.
First Impressions: Based on the previews this seemed like something that could be up my alley but I wasn’t totally sure what I was gonna get. An all-girls spy show sounds like a pretty good time, but it’s being written by one Takahiro who was responsible for both Yuki Yuna is a Hero which was good, and Akame ga Kill which was…not. As such I had no clue which camp it would fall into and the premiere hasn’t cleared that up any. Much of the premiere is spent introducing us to the main heroine before she’s thrust into the world of spies, and while she didn’t come off as super interesting, the episode does a good enough job of painting her desire to help people versus her fear of getting in a fight, that I’m at least mildly curious to see how she changes. The other girls don’t stand out too much either, and mostly just feel like an assortment of moe archetypes (the character designs don’t help much here) though hopefully that’ll change before long. The actual spy show aesthetic here is pretty good though, since it manages to put some solid animation on display as well as well as a pretty kickin’ soundtrack, and while it’s hard to say exactly how seriously this will take itself in that respect, there was a consistent enough mix of action and humor to keep me entertained throughout. I’d be lying if I said I wasn’t still worried this could go south quickly (there were a couple of instances where Takahiro’s more problematic tendencies almost felt like they were seeping through) but for now I guess I’ll willing to be optimistic.
Synopsis: Itsuki Yuuge is a high school student who finds out on the day of his graduation ceremony that his cousin and childhood friend Mahiru is pregnant. Immediately afterward, Itsuki and Mahiru are taken to a magical world called Granvania, which is currently being invaded by monsters. The only people who can fight and exorcise the monsters are the “star children,” and the star children can only be produced by the 12 “shrine maidens of the constellations.” In order to defeat the monsters and return to his own world, Itsuki must father the star children with the maidens.
First Impressions: So in the interest of fairness, I guess I’ll confess that I actually have played the first hour or two of the game (franchise?) this is based on before. However it was a pretty long time ago. So long in fact that I’m genuinely surprised someone decided to resurrect this from the grave for an anime adaption, but I guess if anyone was gonna do it, it would be Studio GONZO who’s been digging into the well of old video games to adapt for the last couple of years or so. In essence this show is based on a fantasy RPG involving being sent to another world where they have to defeat giant monsters. The catch, of course, is that doing so involves impregnating girls with magic babies in order to destroy them. It’s a premise so silly it feels like it’d be right at home with Darling in the FRANXX in terms of how much it wants to sell the idea that having kids is great, but weirdly this premiere is…lacking. With something so inherently over the top in nature, you’d expect the anime to completely revel in it and be as overtly horny as possible in adapting it, and while it’s not totally lacking in that area it feels a bit too conservative. A lot of the first episode just feels like the show going through the motions of watching someone else playing a video game, and although it at least has the decency to poke fun at that a bit, it doesn’t change that the direction feels blander than it should be. I suppose in fairness if this show HAD fully embraced it’s premise, it’d probably feel a little repulsive, but I’d at least be able to respect it’s commitment. I guess if you’re REALLY desperate for a fan-service show this season, it’ll work out for you, but I ended up being a lot more bored than I was expecting so I’m gonna have to give this a no.
My Sister, My Writer
Synopsis: Yuu Nagami, a high school student aiming to become a light novel author has a little sister named Suzuka. Suzuka is an excellent student with good grades and great looks, but she’s very cold toward her older brother. Every year Yuu keeps failing at the preliminary rounds of the light novel contest, but one day Suzuka reveals a shocking truth. The flirty sibling romantic comedy that Suzuka wrote has won the light novel contest! To make matters worse, Suzuka doesn’t understand anything about light novels or moe so she begs Yuu to stand in for her under her pen-name, Towano Chikai!
First Impressions: It’s been a while since I’ve had to deal with the eternal curse of imouto shows, but I suppose our paths were destined to cross again, and my suffering was inevitable. Ever since Oreimo pulled a bait and switch from being a fun slice of life comedy about siblings to full on incest, imoto shows have been the bane of my existence and suffice to say this didn’t really change anything for me in that area. To this show’s “credit” the premiere dispells any pretext that this won’t ultimately end in incest as despite her tsundere attitude, it’s made extremely clear she’s horny for her brother, and it’s only a matter of time before MC-kun decides he’s down with that. Putting aside my personal distaste for incest though, this was straight up boring. Every story beat of the premiere is extremely obvious, to the point where you can easily predict where it’s going well before any of the “twists” happen, and that low energy writing is only further let down by the show looking kinda ugly, with character designs and “buy the blu-ray” fanservice shots that look like something from the late 00’s. Even if imoto shows are something you’re down for, I have a hard time imagining anything about this would catch your eye since stuff like Oreimo and Eromanga Sensei at least had decent production values going for them, and while this didn’t feel quite as soulless as Conception’s premiere this felt a lot more by-the-numbers than I was expecting too. Again, if you’re desperate for a fanservice show this season I guess you could do worse, but this is another big pass for me
Synopsis: Masaru Saiga is a fifth-grade boy who aims to become a puppeteer. After Sadayoshi Saiga — the CEO of the giant home telephone maker Saiga and Masaru’s father — passes away, Masaru inherits 18 billion yen. Masaru is targeted for his wealth, and is saved by two people. Narumi Katō is a man who has studied Kung-Fu and has a weird illness called “Zonapha Syndrome,” and Shirogane is a silver-haired woman who controls the puppet “Arurukan” (Harlequin). Together, Masaru, Narumi, and Shirogane get thrown into various conspiracies by those who would try to steal Masaru’s fortune.
First Impressions: While I was certainly interested in what the series had to offer going in, I was pretty surprised that Ushio & Tora turned out to be as strong as it was, and now stands as one of my favorite shonen anime. As such, it pretty much goes without saying that I was excited for Karakuri Circus, since it’s not only based on a manga penned by the same author, but has the same staff members that helped to make Ushio & Tora such a comprehensible adaption in spite of how much material it had to cram. Sadly that excitement turned to rage when I learned this show was destined to be an Amazon Prime exclusive for streaming, and the premiere has only helped to further elevate that rage because it was pretty fantastic. Trading in fights between yokai for fights between puppets is a bit of a weird trade, but puppeteers always seemed like a concept you could probably build a decent battle shonen around, and the fight we get in the premiere makes me think we’re in for a good time on that end. The main trio is also really likable so far with Narumi in particular managing to come off as a lot more big-hearted than his brash attitude would suggest and it makes for a decent foil with the more calm and polite Shirogane, even if the premiere makes it a little too obvious they’re destined to hook up. Production wise it’s pretty much on par with the look of Ushio & Tora so if you liked how well that was able to capture the look of 90’s shonen, this will definitely please you. My only real gripe here is knowing that Amazon’s involvement is going to make the likelihood of a dub, or even a physical release in general, one heck of an uphill battle, but while we wait for that to get settled, you should absolutely give this a watch.
Merc StoriA: The Apathetic Boy and the Girl in a Bottle
Synopsis: Yuu, a young healer with the power to heal the hearts of monsters, receives a mysterious bottle from his father as a gift. When Yuu touches the bottle, Merc, a girl made of liquid, appears from it. Merc has no memories from before she met Yuu and wants to learn more about who she is, so the two of them set out on a journey through various countries. And thus begins the comical fantasy of Yuu, an apprentice healer with a fear of monsters, and Merc, the girl in the bottle.
First Impressions: This is the second video game adaption I’ve previewed but unlike Conception which was far more boring than it’s absurd premise would suggest, I was reasonably entertained by this. One point in this show’s favor is that it does a pretty fair job of disguising it’s origins and feels like fairly genuine, if extremely low-key, fantasy show. It helps that rather than having the usual trappings of a hero fighting giant monsters, the magic in this series is instead used to heal the hearts of monsters, and prevent them from causing harm. While I wouldn’t necessarily say that this premiere makes full use of that concept, it’s an interesting enough idea that it managed to catch my attention, and I’m curious what might be done with. The other point in the show’s favor is that the leads Yuu and Merc have a pretty fun dynamic and even though none of their antics were laugh out loud funny, they came off as more charming than I was expecting going in. All that said, this looks to be a pretty low-key affair both in tone and in terms of visual presentation, so it’s hard to say how long it’ll be able to maintain my interest, but I was happily surprised enough that for now it’s worth a couple more episodes.
And that basically wraps up my fall impressions. I know I missed a few things thanks to my internet being out over the weekend but I don’t really have the time to spare to do a ton of backtracking and I’m pretty content with what I managed to cover. So far this season hasn’t had many surprises in terms of what shows managed to catch my attention, but I suppose it’s fine to get that every once in a while, and fortunately there was a fair amount I was interested in, so it’s not like I won’t have anything to watch. Hopefully we’ll be able to end this year on a strong note, anime-wise, but until then, stay animated.