Category: First Impressions

Happy new year, everyone! Hard to believe it’s almost been five years since I set up this blog, and life since then has certainly had its share of surprises and disappointments. Of course while things may change, anime is eternal and as always, the new year means a wave of new shows to check out. Fortunently Japan had the decency to wait until the weekend for premieres which certainly worked to my benefit, so I guess it’s time to dig in.

Ratings Scale

Bad: Stay away far away from this one.  Not worth watching

Boogiepop and Others

Synopsis: There is an urban legend that children tell one another about a shinigami that can release people from the pain they may be suffering. This “Angel of Death” has a name: Boogiepop. And the legends are true. Boogiepop is real. When a rash of disappearances involving female students breaks out at Shinyo Academy, the police and faculty assume they just have a bunch of runaways on their hands. But Nagi Kirima knows better. Something mysterious and foul is afoot. Is it Boogiepop, or something more sinister…?

First Impressions: So I actually do own Boogiepop Phantom since I blind bought it on impulse at a con earlier this year, but I sadly haven’t gotten any further than the first couple of episodes because the whole thing felt way too obtuse and confusing for me (the lackluster dub didn’t really help much either). Even so I was pretty determined to give this show a shot because it’s being helmed by director Shingo Natsume, and while everyone mostly associates him with One-Punch Man (and to a lesser extent Space Dandy), his work on ACCA 13 Territory Inspection Dept. proved that he’s a versatile director, and I was curious to see how he’d handle this kind of series. This show ended up premiering with two episodes, and it’s a good thing too because I would have walked away a lot more confused otherwise.

The first of these episodes involves a highschooler and his girlfriend who has apparently taken on a split-personality named Boogiepop who claims he was summoned to save the world, while the the other involves two other pairs of high schoolers, one of which is apparently the clone of an alien sent from space to judge humanity. Needless to say it’s pretty weird, and the storytelling format only pushes that further because a lot of the events are told in non-sequental order and require that you pay close attention to piece it altogether. Framing a story this way can be kind of hit or miss for me since for every Bacanno, you get other shows that just end up being a confusing mess, but so far this has me intrigued and the weirdly atmospheric nature of the presentation grabbed me even though the animation is honestly a little shakier looking that I was expecting. I’m honestly not sure exactly how much I liked this double premiere, but I’m certainly very curious to see how it’ll all fit together so if nothing else, the show seems to have accomplished it’s goal in that area.

Rating: Good

 

The Price of Smiles

Synopsis: On a planet far, far away from Earth, there reigns a kingdom overflowing with smiles. Princess Yuki is twelve years old and beginning to ride the roller coaster of emotions that comes with adolescence. Each day brings with it tears, laughter, and even a little romance. The palace is full of fun, and the vassals who serve her there add color to her life. Seventeen-year-old Stella is a brilliant warrior. Even though she is cool as a cucumber, she never fails to smile. That’s because smiling is essential to life. This is a story about two girls born on a distant planet.

First Impressions: So I knew going into this that it was an anniversary project for Tatsunoko Productions, and while Tatsunoko’s produced their share of good shows, they’ve also had their share of stinkers so I wasn’t quite sure which end this would fall on. As of the episode 1 premiere however, it’s somewhere in the middle, and I mostly walked away feeling a giant shrug. The setup here seems to involve two warring nations, and I say seems because much of the premiere is spent focusing on one of these kingdoms and it’s princess. Said princess comes off as pretty likeable for the most part as do her subjects but nothing about the characters feels particular fresh and the production looks equally by the numbers from the character designs to the mecha CG. I wish I had a stronger takeway from this but this feels like the sort of thing where you kind of know exactly what you’re going to get, and even the episode’s last minute “twist” doesn’t really do much to help there. I might give this another shot if the rest of the season looks barren but right now it’s not looking like a priority

Rating: Decent

 

W’z

Synopsis: Inspired by house music from a young age, Yukiya spends his free time as a DJ for a crowd of one and uploads his videos online. Like any young teenager, he yearns for something greater than his current life. He wants recognition and importance, but breaking out of his comfort zone means he runs the risk of getting hurt, so the cycle continues. That is, until the day he crosses the line of no return and stumbles across a mysterious live broadcast that will change his world forever.

First Impressions: Whoo boy, where do I begin? So I have a complicated history with GoHands in that I like the K franchise (even if the second season was overly padded) but everything they’ve made outside of that has looked progressively worse, and Hand Shakers in particular was a downright baffling (if amusing) travesty. Even so, I figured their newest show was probably worth a peak for better or worse, so imagine my surprise when it of all things, it turned out to be a Hand Shakers sequel all along. Now in fairness, Hand Shakers did end on a note that threatened the possibility of another season but no one actually thought GoHands would be insane enough to follow through on it, and the fact that this show so brazenly references its predecessor makes you wonder if they learned anything from that show’s shortcomings.

I suppose the nicest thing I can say here is that this premiere doesn’t look quite as messy as Hand Shakers did (no CG chains to be had here…yet) but even thing from the camera angles to the nearly-seizure inducing color filters pile on bad decision after bad decision, and that’s not even getting into how bad the storytelling is, and the awkward attempts to create a sense of mystery regarding what the main character’s deal is. Everything I’ve said probably gives the impression I’d drop this in a heartbeat, but Hand Shakers was a gloriously fun hatewatch and I’d be lying if part of me wasn’t curious to see how this’ll follow up on that show’s sins. If you’re into watching stuff ironically then it might be worth your time, but if not, I’d suggest running for the hills while you still can

Rating: Bad

 

The Rising of the Shield Hero

Synopsis: Naofumi Iwatani, an uncharismatic Otaku who spends his days on games and manga, suddenly finds himself summoned to a parallel universe! He discovers he is one of four heroes equipped with legendary weapons and tasked with saving the world from its prophesied destruction. As the Shield Hero, the weakest of the heroes, all is not as it seems. Naofumi is soon alone, penniless, and betrayed. With no one to turn to, and nowhere to run, he is left with only his shield. Now, Naofumi must rise to become the legendary Shield Hero and save the world!

First impressions: So Crunchyroll has been promoting this to high heaven as the next big thing in isekai shows, but I’ve been pretty apprehensive about it for a while. This was mostly due to musings about parts of the source material being problematic, and one element in particular sounded potentially awful, but as with most things I figured I should at least see part of it for myself. This…this was a mistake. So before I get into the really big problem with this show, I’ll talk about the rest first, though there’s not really much to that. This show kicks off with the typical isekai set up of an otaku getting transported to another world with video game mechanics with the twists being that the main character isn’t the only hero, and that alongside not being a gamer, he has the weakest ability of the heroes. On paper this could have been an interesting setup for a more atypical isekai story but much of this premiere features the same bland setups from the barebones worldbuilding, to long dumps of exposition, with the only major thing of note being the other heroes, who for the most part seem like they would be way more interesting to follow than our actual main character until the “twist” happens.

And speaking of said twist *sigh* this is where everything gets rough. And by rough, I mean repulsive. So towards the end of this premiere the main character gets falsely accused of rape by his only party member who was planning to backstab him all along. This is a pretty nasty scenario in and of itself, and a cheap way to garner sympathy for the protagonist, but the specific framing that’s used here, turns the gross factor up to eleven. See, the show just happens to take place in a country that’s predominantly a matriarchy where women have more say over men, and the crime for sexually assaulting a woman is death (though in MC-kun’s case he “gets off” with having his name besmirched). To anyone who can’t quite connect the dots here, this is implying that men are falsely accused by women who just want to take advantage of them, and that women shouldn’t be blindly believed when making said accusations.

This, to pardon my french, is a load of horseshit. Roughly 98% of reported rape accusations turn out to be true, and this promotes a dangerous narrative that makes it harder for women to go public about being sexually assaulted because they don’t know if anyone will believe them. That this show is promoting this kind of shit is beyond infuriating, and to make matters worse, immediately following the rape accusation, the main character grows into an edgelord and seems willing to purchase a slave girl because “she can’t betray him”. I’ve seen a lot of bad isekai shows, some that were really, really gross, but this may well be one of the most repulsive ones I ever sat through, and even making it to the end of the episode was a challenge. Simply put: I hate this show, and while I imagine I can’t really dissuade anyone from watching, hopefully everything I’ve said here has at least given you all fair warning

Rating: SCREW THIS

 

How Clumsy You Are, Miss Ueno

Synopsis: Not only is Ueno the president of the science club at her junior high school, she’s a genius inventor, too! However, despite everything she has going for her, there’s one big problem she can’t seem to solve: no matter what she does, she can’t figure out how to confess to her crush, Tanaka! Can she find a way to give her heart what it truly yearns for?

First Impressions: And so we’ve arrived at our first short of the season. I haven’t reviewed one of these in a long while but’s a slow day so here we are. The basic gist of this is that the main character Ueno is a genius with a crush on her classmate who’s a bit too dense to notice her feelings, and rather than directly confessing, she uses her weird gadgets to help him get a clue. Comedies like this can be a little hit or miss for me since they ultimately have to rely on the staying power of a single joke and some get more mileage out of that than others. As far as this show goes, it was fairly charming in it’s own way, but my own personal aversion to gross out jokes meant that it kinda lost me when it decided to spend the first segment on a pee joke. The second one was a little funnier to me, but wasn’t quite able to give the impression that it would offer my kind of crass jokes. On the whole this seems harmless enough and if nothing else pops up for Sundays I might give it another go, but for now I’m kind of on the fence here.

Rating: Decent

 

Pastel Memories

Synopsis: Akihabara is known as a shining beacon for otaku culture everywhere. But in a not-to-distant the future, that culture is on the decline due to a mysterious affliction causing widespread memory loss.  As a result, Akihabara has lost its luster. However, in one of the few remaining otaku shops, Izumi and a handful of comrades hatch a plan to restore lost memories and return “Akiba” to its former glory.

First Impressions: I didn’t really know anything about this going in, and at first glance it seemed like it was going to be a cute girls doing cute things kind of a deal. Most of this premiere involves our large group of heroines searching for an out of print manga for their cafe, and it’s about as entertaining as that description sounds. About the only thing that stood out to me here was how contrived it would be to have trouble finding manga in Akihabara of all places, but apparently that was the point because apparently this actually involves some kind of reality warping shenanigans involving a virus determined to wipe otaku culture out of existence. While that is admittedly a little more interesting, it takes to the end of the episode for that bit to drop, and even then, it wasn’t really presented well enough to hold my attention. This could be made somewhat more passable, if the girls seemed cute, but in addition to coming off as generic moe archetypes, the character designs themselves are so samey that all the girls quite literally have the same bust size, which honestly gave the impression that the people working on this didn’t care much about what they were doing either. I’m sure someone will find this entertaining enough to give a pass, and I didn’t exactly hate this, but time is short, and this was a little too boring to feel like it was worth a second glance.

Rating: Decent

 

Dororo

Synopsis: One day, a man entered a temple that housed forty-eight statues possessed by demons and made a deal: in exchange for ultimate power, they could each take a piece of his soon-to-be born son. Soon after the child came into the world and the demons held up their end of the bargain; the man then left the crippled child in the river to die. Found by a kind doctor, the boy grew older with the help of prosthetic limbs and enhanced senses, but soon demons began to follow him, and the boy – who his new father named Hyakkimaru – left to find a way to complete himself. He searches for the forty-eight demons; each one he vanquishes returns a piece of his body. Alongside the child thief Dororo, Hyakkimaru travels from place to place, hoping to one day become whole.

First Impressions: So there wasn’t too much stuff that I was actively anticipating this season, but this was definitely one of them. Partially because it’s a studio MAPPA production and their projects are usually interesting but mainly because it’s an adaptation of a manga by the legendary Osamu Tezuka. For those unaware, Osamu Tezuka, otherwise known as the creator of Astro Boy, is by and large considered to be one of the most important creatives in the history of manga and anime as a whole, and was more or less responsible for helping to pioneer the industry into what it is today. As such, I was pretty excited for the opportunity to check out some of his non-Astro Boy work, and this show is off to a pretty interesting start. The basic gist of this premiere is that a feudal lord desperate to save his people from famine, decided to abandon the ways of Budda and make an exchange with demons for prosperity. The sacrifice was his newborn son who was cursed by the demons and was promptly abandoned and left for dead. The boy survived, and ends up having a run-in with a young thief named Dororo who’s amazed at his ability to sense demons. In many respects this feels more like something out of an old folktale than a manga, but that’s a good thing because it gives the show a dusty sense of atmosphere that helps it to stand out, and it feels appropriate for a series as old as this one. That atmosphere carries over into some of the art design choices, as the mostly painted backgrounds help to carry the old-timey feel of the story, and while the character designs are admittedly a bit more modernized than I’d like, it’s not so much so that the show looks completely indistinguishable from any other modern production. Story-wise it’s hard to say where this is headed, and from what little familiarity I have with Tezuka’s works, I know his stuff can get weird, so I’m very curious to see what we’ll end up with. For now I’m more interested in the show’s potential than anything else, but this is a solid enough premiere that if you’re a little starved for content this season, then it should more than likely be worth your time.

Rating: Great

 

Wataten: An Angel Flew Down To Me

Synopsis: Miyako is a shy college student who is also an otaku. One day she happens to meet some angelic grade school kids! When Miyako sees her little sister’s new friend Hana-chan, Miyako’s heart won’t stop racing! Miyako tries to get along with them but struggles… A sketch comedy all about trying to get along with the super cute girl is about to begin!

First Impressions: *siiiggghh* Welp, it’s another one of these. At first glance this seemed like it was going to be a cute comedy, but the “joke” on display here is definitely going to be…divisive to say the least. This show is primairly about a college girl who finds herself with a crush on her younger sister’s friend. The catch here though is that both her younger sister and her friend are grade schoolers, and I’m pretty sure you can see where this is headed from here. I figured that last season’s Uzamaid was going to be the exception rather than the rule concerning well produced comedies where the gag involves paedophilic undertones, but I guess I was wrong and this show is here to darken my door once again. Unlike Uzamaid though, where the heroine was openly predatory to her intended target, the protagonist of this show hasn’t quite realized she’s in love, which is presumably meant to make her advances less creepy, but in some ways might actually be worse since it kind of feels like this series is trying to have it’s cake and eat it too. To this show’s credit, the fact that it wasn’t super brazen about its premise allowed me to actually make it through to the end of the episode, which is a lot more than I can say for Uzamaid, and it’s final gag was pretty amusing in isolation from everything else. I imagine that if the undertones of this show don’t particularly bother you than you might get some mileage out of it, but this sort of thing is my personal kryptonite so I’m gonna have to give it a hard nope.

Rating: Bad

 

My Roommate is a Cat

Synopsis: The story of Mikazuki Subaru, a novelist who is shy and struggles in relationships with other people, and a cat who was dumped by humans and lived a tough life on the streets. Through a twist of fate, the two of them end up living together. This heartwarming tale illustrates day-to-day life through the eyes of both man and cat. These moments seem trivial, but as they build upon themselves, the two become family and find happiness in their life together.

First Impressions: This is another series I went into blind, but with a title like this one I figured it might be a good stop for a wholesome slice-of-life show. The premiere pretty much delivered on that feeling as we’re introduced to the protagonist Subaru, who’s an introverted author that recently suffered the loss of his parents. On a whim he decides to take in a stray cat to use them as inspiration for his next work, and his interactions with the cat help in stretching out a bit beyond his shell. It’s fairly charming, but it was so by the numbers for the first few minutes that I wasn’t sure if it was going to be able to hold my attention. However things changed pretty quickly for me when the show suddenly switches to the cat’s perspective, and seeing its simple yet sensible takes on the Subaru’s shenanigans did a lot to give the episode an extra bit of life and by the end I found myself feeling like I could totally be up for more of it. This show probably isn’t going to set the world on fire or anything, and the overall tone is fairly low-key, but if you’re looking for something wholesome and relaxing for the season, this seems like a safe pick

Rating: Good

 

Girly Air Force

Synopsis: Mysterious flying creatures called Zai suddenly appear and overwhelm all of mankind’s aerial combat forces. To fight them, mankind modifies existing aircraft frames to create mechanized soldiers called “Daughters,” which are operated by automated piloting mechanisms called “Anima” that have the appearance of human girls. The story begins when Narutani Kei, a boy who yearns to take to the skies, encounters a shining red aircraft and its pilot, an Anima named Gripen who has been named mankind’s trump card.

First Impressions: About all I really knew about this going in was the basic plot description, and going off of that and the character designs I figured this would be something resembling a magic high-school show (which weirdly in the endless sea of isekai every season I’ve almost found myself nostalgic for. Instead this seems to be something more akin to Arpeggio of Blue Steel (for the 10 people besides me who vaguely remember that show) as our hapless main character who wants to join the JDSF in order to take down a force known as the Xi, and doing so requires that he helps a bunch of fighter jets with AI’s that happen to resemble cute girls obtain the flying skills they need to do so. Admittedly it’s pretty different than what I was expecting but I’m not totally sure if that was for the better. Much of this premiere is spent introducing us to the protagonist and his childhood friend who are fine, but not particularly interesting, and while there’s a fair chance I’m reading too much into it, I kind of raised my eyebrows a bit at the villains apparently hailing from China of all places, given Japan’s rather complicated history with them. It doesn’t help that the technical merits of the show don’t stand out much either, and while I wasn’t super bored with this premiere, I didn’t feel all that engaged either. I might consider giving it another go if I can’t find anything else decent for Thursdays, but for right now it doesn’t feel too likely that I’ll stick with this.

Rating: Decent

 

The Quintessential Quintuplets

Synopsis: One day, a poor high school second-year named Futaro Uesugi comes across a private tutoring gig with good pay. But his pupils are his classmates!! And they’re quintuplets!! A-and they’re all gorgeous girls, but they’re also troublemakers who hate to study and are on the verge of flunking out! And his first task is simply gaining the sisters’ trust?! Every day is a party! The curtain is rising on the Nakano quintuplets’ quirky romantic comedy with five times the cute!!

First Impressions: So I knew going into this that it was a classic harem show, and weirdly it feels like it’s been a long time since we got one of those without any crazy gimmicks attached to it so I was kind of curious to see what we were going to get here. What we get here is pretty much par the course for mid 00’s harem comedies as our story kicks off with the protagonist Futaro being roped into tutoring rich quintuplets in order to support his poor family. It drew some pretty strong parallels to the We Never Learn manga series from Shonen Jump, which has a very similar premise and is slated for anime next season, which is a feeling that never quite left me throughout the premiere. Aside from laying down the premise, the goal of the first episode is to introduce the girls as fast as humanly possible, and each of them have their own quirks that fits pretty nicely into your standard anime harem with a tsundere, an onee-san, and an introvert among the inevitable contenders for Futaro’s affections. There was a time where this sort of thing would have felt pretty exhausting for me, but it’s been such a long time since I saw a harem show so unabashedly honest about what it is (the episode literally ends by teasing the mystery of “which girl will he marry?”) that I found myself being pretty amused with it. It helps that Futaro has enough a personality not to feel like a blatant male insert, and while none of the jokes were particularly funny, I was surprised at how restrained the fanservice was compared to some of its contemporaries. I’m probably being a little too kind here, and this season’s prospects have been so barren thus far that I’m kind of willing to settle for anything that kept me entertained, but I feel like I’m probably gonna give this another episode. Hopefully I won’t come to regret that decision

Rating: Good

 

Domestic Girlfriend

Synopsis: Natsuo is a high school boy who is experiencing the crushing despair of unrequited love. To make matters worse, the person he is in love with is his teacher, Hina. In an attempt to lift his spirits, he attends a mixer where he meets a girl named Rui. The two sleep together, expecting never to see one another again, but fate has other plans. His life suddenly becomes more complicated when his father comes home and announces he has remarried a woman with two daughters whom Natsuo has met before: Hina and Rui!

First Impressions: I recall skimming through the first couple of chapters of this a while back since it was available through Crunchyroll’s digital manga library and my impression was that it seemed pretty trashy and over the top. The first episode of the anime more or less gave me the same impression, as the core plot basically boils down to “dude bangs girl who becomes his stepsister while also harboring a crush for his other much older stepsister”. It’s about as NTR a setup as it gets and the show doesn’t waste any time in playing up all the sexual elements as being super scandalous. It’s about as silly as it sounds though I’ll at least give the episode credit in trying a little harder than it needed to in making Natsuo and Rui’s feelings seem somewhat grounded, which gave the impression that there might be something more thoughtful underneath the surface than what the premise suggests. Of course a lot of that drama is looped in with wacky rom-com hi-jinks so there’s a pretty high chance I may be giving it too much credit. Either way I can at least say I wasn’t bored with this, and like I said with some of my other impressions, the season’s looking sparse enough that “not boring” may have to work as an endorsement. If nothing else I’m not really averse to trash so long as it’s fun so I feel like there’s actually a decent chance I may stick around for another episode.

Rating: Decent

 

Kaguya-sama: Love is War 

Synopsis: As leaders of their prestigious academy’s student council, Kaguya and Miyuki are the elite of the elite! But it’s lonely at the top… Luckily for them, they’ve fallen in love! There’s just one problem—they both have too much pride to admit it. And so begins the daily scheming to get the object of their affection to confess their romantic feelings first…Love is a war you win by losing.

First Impressions: And sounding off this round of impressions is a show I wasn’t sure I was gonna like. I’ve been hearing positive things about the manga for a good while now, and the premise certain sounded amusing, but as much as I love a good rom-com I kind of tend to get annoyed when they don’t go anywhere with the romance half of that genre, and in this case doing that would mean the end of the series so I didn’t know if it’d be my cup of tea. To my surprise though, those conflicted feelings went away after the first couple of minute because this show is a treat. While the concept of two characters refusing to admit their feelings for each other sounds like it would be pretty annoying on paper, the episode is immediately able to sell Kaguya and Miyuki as the kind of egotistical snobs who WOULD think confessing their feelings is somehow “beneath” them, and subsequently makes their attempts to dodge each other a lot funnier than I expected them to be. It helps that the show has some stylish visual direction, and while it does feel a little over the top in a couple of shots, it mostly serves to the show’s benefit in helping the jokes to land, though I can’t quite say the same for narration since that was a bit more hit or miss to me. I’m still a little concerned the joke here could get old fast, but the last of the episode’s three shorts veers in an almost completely different direction than the first two, so it seems like this will be able to branch out for its gags if it needs to. All in all I enjoyed this more than I expected, and while I wouldn’t quite peg it down as appointment viewing, if you’re in the market for a good rom-com this season, this show seems it’ll be the place to go

Rating: Good

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And that’s pretty much it for me this time around. There’s still a few more premieres left in the season, and a few shows I didn’t quite get around to checking out but if I’m being honest the general direction of this season’s premieres thus far haven’t really made me motivated to try digging through more of them. It’s not the first time where a season basically boiled down to “the stuff I liked was the stuff I figured I would like” but I’ve only had a couple of surprises here, and even then they aren’t ones that particularly blew me away. Of course not every season needs to stand out, and The Promised Neverland is here, so as long as I can gush over that every week I should be content until spring. Till’ next time, stay animated.

So unfortunately my internet modem decided to start acting wonky over the weekend so I’m currently without internet for the next day or two. That’s gonna be a bit of an issue as far impressions go, so some of these are gonna come a little later than I would have wanted. Gonna do my best to go through as many of these as I can though, so bear with me

 

Ratings Scale

 Bad: Stay away far away from this one.  Not worth watching

 

Conception

Synopsis: Itsuki Yuuge is a high school student who finds out on the day of his graduation ceremony that his cousin and childhood friend Mahiru is pregnant. Immediately afterward, Itsuki and Mahiru are taken to a magical world called Granvania, which is currently being invaded by monsters. The only people who can fight and exorcise the monsters are the “star children,” and the star children can only be produced by the 12 “shrine maidens of the constellations.” In order to defeat the monsters and return to his own world, Itsuki must father the star children with the maidens.

First Impressions: So in the interest of fairness, I guess I’ll confess that I actually have played the first hour or two of the game (franchise?) this is based on before. However it was a pretty long time ago. So long in fact that I’m genuinely surprised someone decided to resurrect this from the grave for an anime adaption, but I guess if anyone was gonna do it, it would be Studio GONZO who’s been digging into the well of old video games to adapt for the last couple of years or so. In essence this show is based on a fantasy RPG involving being sent to another world where they have to defeat giant monsters. The catch, of course, is that doing so involves impregnating girls with magic babies in order to destroy them. It’s a premise so silly it feels like it’d be right at home with Darling in the FRANXX in terms of how much it wants to sell the idea that having kids is great, but weirdly this premiere is…lacking. With something so inherently over the top in nature, you’d expect the anime to completely revel in it and be as overtly horny as possible in adapting it, and while it’s not totally lacking in that area it feels a bit too conservative. A lot of the first episode just feels like the show going through the motions of watching someone else playing a video game, and although it at least has the decency to poke fun at that a bit, it doesn’t change that the direction feels blander than it should be. I suppose in fairness if this show HAD fully embraced it’s premise, it’d probably feel a little repulsive, but I’d at least be able to respect it’s commitment. I guess if you’re REALLY desperate for a fan-service show this season, it’ll work out for you, but I ended up being a lot more bored than I was expecting so I’m gonna have to give this a no.

Rating:: 

 

My Sister, My Writer

Synopsis: Yuu Nagami, a high school student aiming to become a light novel author has a little sister named Suzuka. Suzuka is an excellent student with good grades and great looks, but she’s very cold toward her older brother. Every year Yuu keeps failing at the preliminary rounds of the light novel contest, but one day Suzuka reveals a shocking truth. The flirty sibling romantic comedy that Suzuka wrote has won the light novel contest! To make matters worse, Suzuka doesn’t understand anything about light novels or moe so she begs Yuu to stand in for her under her pen-name, Towano Chikai!

First Impressions: It’s been a while since I’ve had to deal with the eternal curse of imouto shows, but I suppose our paths were destined to cross again, and my suffering was inevitable. Ever since Oreimo pulled a bait and switch from being a fun slice of life comedy about siblings to full on incest, imoto shows have been the bane of my existence and suffice to say this didn’t really change anything for me in that area. To this show’s “credit” the premiere dispells any pretext that this won’t ultimately end in incest as despite her tsundere attitude, it’s made extremely clear she’s horny for her brother, and it’s only a matter of time before MC-kun decides he’s down with that. Putting aside my personal distaste for incest though, this was straight up boring. Every story beat of the premiere is extremely obvious, to the point where you can easily predict where it’s going well before any of the “twists” happen, and that low energy writing is only further let down by the show looking kinda ugly, with character designs and “buy the blu-ray” fanservice shots that look like something from the late 00’s. Even if imoto shows are something you’re down for, I have a hard time imagining anything about this would catch your eye since stuff like Oreimo and Eromanga Sensei at least had decent production values going for them, and while this didn’t feel quite as soulless as Conception’s premiere this felt a lot more by-the-numbers than I was expecting too. Again, if you’re desperate for a fanservice show this season I guess you could do worse, but this is another big pass for me

Rating: Bad

 

Karakuri Circus

Synopsis: Masaru Saiga is a fifth-grade boy who aims to become a puppeteer. After Sadayoshi Saiga — the CEO of the giant home telephone maker Saiga and Masaru’s father — passes away, Masaru inherits 18 billion yen. Masaru is targeted for his wealth, and is saved by two people. Narumi Katō is a man who has studied Kung-Fu and has a weird illness called “Zonapha Syndrome,” and Shirogane is a silver-haired woman who controls the puppet “Arurukan” (Harlequin). Together, Masaru, Narumi, and Shirogane get thrown into various conspiracies by those who would try to steal Masaru’s fortune.

First Impressions: While I was certainly interested in what the series had to offer going in, I was pretty surprised that Ushio & Tora  turned out to be as strong as it was, and now stands as one of my favorite shonen anime. As such, it pretty much goes without saying that I was excited for Karakuri Circus, since it’s not only based on a manga penned by the same author, but has the same staff members that helped to make Ushio & Tora such a comprehensible adaption in spite of how much material it had to cram. Sadly that excitement turned to rage when I learned this show was destined to be an Amazon Prime exclusive for streaming, and the premiere has only helped to further elevate that rage because it was pretty fantastic. Trading in fights between yokai for fights between puppets is a bit of a weird trade, but puppeteers always seemed like a concept you could probably build a decent battle shonen around, and the fight we get in the premiere makes me think we’re in for a good time on that end. The main trio is also really likable so far with Narumi in particular managing to come off as a lot more big-hearted than his brash attitude would suggest and it makes for a decent foil with the more calm and polite Shirogane, even if the premiere makes it a little too obvious they’re destined to hook up. Production wise it’s pretty much on par with the look of Ushio & Tora so if you liked how well that was able to capture the look of 90’s shonen, this will definitely please you. My only real gripe here is knowing that Amazon’s involvement is going to make the likelihood of a dub, or even a physical release in general, one heck of an uphill battle, but while we wait for that to get settled, you should absolutely give this a watch.

Rating: Great

 

Merc StoriA: The Apathetic Boy and the Girl in a Bottle

Synopsis: Yuu, a young healer with the power to heal the hearts of monsters, receives a mysterious bottle from his father as a gift. When Yuu touches the bottle, Merc, a girl made of liquid, appears from it. Merc has no memories from before she met Yuu and wants to learn more about who she is, so the two of them set out on a journey through various countries. And thus begins the comical fantasy of Yuu, an apprentice healer with a fear of monsters, and Merc, the girl in the bottle.

First Impressions: This is the second video game adaption I’ve previewed but unlike Conception which was far more boring than it’s absurd premise would suggest, I was reasonably entertained by this. One point in this show’s favor is that it does a pretty fair job of disguising it’s origins and feels like fairly genuine, if extremely low-key, fantasy show. It helps that rather than having the usual trappings of a hero fighting giant monsters, the magic in this series is instead used to heal the hearts of monsters, and prevent them from causing harm. While I wouldn’t necessarily say that this premiere makes full use of that concept, it’s an interesting enough idea that it managed to catch my attention, and I’m curious what might be done with. The other point in the show’s favor is that the leads Yuu and Merc have a pretty fun dynamic and even though none of their antics were laugh out loud funny, they came off as more charming than I was expecting going in. All that said, this looks to be a pretty low-key affair both in tone and in terms of visual presentation, so it’s hard to say how long it’ll be able to maintain my interest, but I was happily surprised enough that for now it’s worth a couple more episodes.

Rating: Good

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And that basically wraps up my fall impressions. I know I missed a few things thanks to my internet being out over the weekend but I don’t really have the time to spare to do a ton of backtracking and I’m pretty content with what I managed to cover. So far this season hasn’t had many surprises in terms of what shows managed to catch my attention, but I suppose it’s fine to get that every once in a while, and fortunately there was a fair amount I was interested in, so it’s not like I won’t have anything to watch. Hopefully we’ll be able to end this year on a strong note, anime-wise, but until then, stay animated.

School buses are jamming up traffic and it’s too cold to turn my A/C on so it must finally be fall again. With that comes a bunch of new anime, and as is generally the case with the fall, there’s a lot of big titles going head to head. Working through all of them to find out exactly which ones are worthwhile is certainly gonna be an interesting task, especially with how streaming is affecting how much of this stuff we get at once, but it’s basically what I’m here for so let’s hop to it

Ratings Scale

Bad: Stay away far away from this one.  Not worth watching

Decent: Has some okay elements to it. Might be worth giving a  couple of episodes to see how it goes

Good: Fairly solid show. Should be worth keeping up with for now

Great: Really good show. Definitely worth seeing if you get the chance

Excellent: Really outstanding show. Absolutely worth following .

• All series synopsis from Anime Planet

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Double Decker- Doug & Kirill

Synopsis: The city state of Lisvalletta. Two suns rise above this city, and the people here live peaceful lives, but in the shadows crime and illegal drugs run rampant. Among them is the dangerous, highly lethal drug “Anthem” which casts a dark shadow over the city. The SEVEN-O Special Crime Investigation Unit specializes in cracking down on Anthem. This unit operates in two man “buddy” teams in what’s called the “Double Decker System” to tackle the problem. Doug Billingham is a seasoned investigator, and joining him is Kirill Vrubel, whose abilities are mysterious and unknown

First Impressions: While there’s been a lot of anticipation from the simulcast fandom over things like SSSS. Gridman, and Goblin Slayer, this one was probably my most anticipated non-sequel of the season. I’m a huge fan of Tiger & Bunny and I’ve spent pretty much every year since 2011, praying that Sunrise would get a clue and give us another season. Those prayers were answered…sort of as a sequel is apparently in the works, and this show is a spin-off that’s meant to be part of whatever it is they’re up to. It’s a strange situation to say the least but the good news is, even if you haven’t seen Tiger & Bunny this show seems to basically be it’s own thing and it’s pretty easy to jump into.

The premise is essentially a futuristic buddy-cop comedy following a dorky rookie named Kirill who wants to become a hero and a brooding veteran named Doug along side a few female co-workers who have pairs of their own. Given that Tiger & Bunny was more or less a buddy-cop show mixed with superheroes, a literal buddy cop show is an odd direction to go in, but it certainly fits that style well enough and the show’s got some pretty solid comedic chops, and some pretty slick animation on the action side of things. It also helps that the characters all seem pretty likable so far, and it even seems like the show might have some solid gay representation going by the ED song, which was kind of Tiger & Bunny’s sole Achilles’ heel for me. I’ve watched both episodes that are currently available so it kind of goes without saying I’m all in on this one, but if you’re hesitant on it because it’s connected to another show, I recommend giving it a shot.

Rating: Great

 

RErideD- Derrida, who leaps through time

Synopsis: In 2050 engineer Derrida Yvain is famous for his contribution to “Autonomous Machine DZ,” at his father’s company, Rebuild. But when he and his colleague Nathan discover a dangerous flaw in their creation, their warnings go ignored. The next day after Nathan’s daughter Mage’s birthday party, the group barely escapes an attack by unknown forces, leading to Derrida’s unwitting captivity in cryogenic stasis. Ten years later, he emerges in a world at war with the mechanical lifeforms he helped create. Now, he fights to survive his nightmare future to make good his promise to “Take care of Mage.”

First Impressions: Alright so I know the first four episodes of this have been made available as of the time I typed this, but these ARE supposed to be first impressions and plowing through four episodes just to give my initial two-cents seems excessive so I’m just going off episode 1. Having said all that I was kind of mixed on checking this out. On the one hand it’s helmed by director Takuya Sato of Steins; Gate fame and also has Yoshitoshi ABe, the character designer for Serial Expermients Lain attached to it, which were certainly strong enough staff members to draw my attention. On the other hand I didn’t hear particularly great things about the premiere screening so I was hesitant to set myself up for disappointment. For all that though, the first episode was…okay. As far as hard sci-fi plots go, nothing in particular stands out about the story and it hasn’t introduced any clear themes yet, but it’s not boring, and the episode ends on a strong enough cliffhanger that I felt compelled to see where it goes. Similarly, none of the characters stand out so far, the lead included, but none of them were particularly unlikable so it’s pretty watchable in that respect as well.

The real issue here though is that the show is pretty bland looking. While hard sci-fi shows aren’t necessarily obligated to look good, a strong visual aesthetic usually helps in making the worlds of those settings feel believable or exciting and this show has none of that going on. To make matters worse, the character designs look pretty simplistic in animation, and to the point where you’d never be able to tell someone as talented ABe was involved with this. Obviously none of these things will be deal breakers for anyone going into it totally blind, and it’s perfectly watchable but it does kind of feel like a waste of talent. But like I said, I was left curious to see where the story was headed so I guess I’ll be sticking around for at least one more episode, I just kinda wish this looked better

Rating: Decent

 

The Girl in Twilight

Synopsis: Constantly on the lookout for her next big adventure, the cheerful and kind Asuka Tsuchimiya is always ready to try new things with her high school friends from the Crystal Radio Club. One day, the group performs a ritual from an urban myth just for fun. However, several conditions had fallen into place to put the ritual in motion, opening the door to a new world of gold and jet black. In this world, Asuka finds a different version of herself and soon finds out that some doors were never meant to be opened.

First Impressions: I was a little interested to see this one by virtue of the fact that it has a notable visual novel writer attached to it, and I’m always down for potentially neat anime originals. That interest slightly died when it seemed like this show was going to fall into the hands of PonyCan USA but somehow it ended up in Sentai’s instead, and good thing too because it’s off to a pretty solid start. Much of the episode’s first half is spent introducing us to our lead heroines as they goof around and dabble in the occult and while none of them stand out quite yet, they come off as fairly believable teens rather than moeblobs which is always a plus. Of course things take a pretty drastic turn in the second half when the girls’ antics cause them to stumble into another dimension and our lead Akane, ends up meeting an alternate version of herself with a chip on her shoulder. It certainly caught my attention to say the least and unlike DErideD, this show actually looks pretty good and seems like it could maintain a decent sci-fi aesthetic. The only downside on that department is that it seems like it’ll use 3DCG for the action scenes, but the stuff we got here looked pretty solid by anime standards so hopefully it’ll be an asset and not a distraction. Story-wise it’s hard to say where any of this is going based on the premiere but it got enough right that I’m more than happy to give it another watch. Check it out.

Rating: Good

 

That Time I Got Reincarnated As A Slime

Synopsis: Lonely thirty-seven-year-old Satoru Mikami is stuck in a dead-end job, unhappy with his mundane life, but after dying at the hands of a robber, he awakens to a fresh start in a fantasy realm…as a slime monster! As he acclimates to his goopy new existence, his exploits with the other monsters set off a chain of events that will change his new world forever!

First Impressions: Welp it’s time for our seasonal dose of isekai, but this is one I was at least morbidly curious about, thanks to the clearly weird premise demonstrated in the title. For the most part I’d say this curiosity was pretty well rewarded. On the surface it’s not too different from other isekai stories, the protagonist starts off as an unnamed office worker who dies and ends up reincarnated into fantasy RPG world, and he’s granted abilties that make him pretty overpowerful, but it’s got quite a few things going for it. One is obviously the concept of having the protagonist as a non-human entity, and the show plays that up for all it’s worth (though going by the OP he’ll eventually gain some kind of humanoid form so he can have his inevitable harem), but it also has a pretty solid sense of humor with much of the episode’s second half centering around the protagonist forming an odd bur endearing friendship with a dragon that looks like he’d be the final boss of a Final Fantasy game. This is all aided by some surprisingly strong visual direction that gives the show enough extra flair that it actually feels like the staff involved are having fun with it, compared to how much a lot of other isekai stuff feels like it’s running on auto-pilot. I have no idea if this show will be able the amount of goodwill the premiere provided, but I was entertained enough that I’ll certainly give it another episode or two.

Rating: Good

 

Run With the Wind

Synopsis: Tokyo-Hakone Round-Trip College Ekiden Race or “Hakone Ekiden,” one of the biggest university marathon relay races in Japan. The race is held every year on January 2-3 and goes between Tokyo and Hakone and back, for a total run of of nearly 217.9 km (about 135.4 miles).

First Impressions: While I didn’t really know anything about the source material here, the staff attached to it was enough to catch my attention since there’s quite a bit of overlap with Haikyu and that’s a show I like a lot. That certainly shows in the visual presentation as the character designs ring quite a few similarities and the animation looks pretty solid so far which is definitely a plus for a sport like running which obviously requires a lot of motion. Far as the actual material goes I felt a little mixed. The episode made the weird decision shift around some  chronological events in what seemed to be a bid to introduce the show’s ensemble as fast as possible and while it didn’t totally kill my interest, there was a quite a bit of whiplash there. To it’s credit though the cast is pretty diverse as in addition to a few generic pretty boys we get a couple of gruffer looking ones, and even a black guy thrown into a mix which certainly isn’t what you’d come to expect from something clearly hoping to strike it with the fujoshi crowd.

Of course with a total of 10 dudes introduced this premiere doesn’t really have enough time to make them all stand out, but I do appreciate the diversity. Far as the story goes, nothing’s really grabbed my attention yet since the show has yet to make it’s case on why one of the leads is so driven to make it to the championships in track, but I imagine that won’t take long to get fleshed out. Right now the only thing seriously holding me to this one is the novelty of having a black guy as part of a bishie ensemble but I like sports shows, and nothing here seemed it would raise any serious red flags so at the very least I’m probably willing to give it another episode.

Rating: Decent

Rascal Does Not Dream of Bunny Girl Senpai

Synopsis: “Puberty syndrome – Abnormal experiences rumored on the internet to be caused by sensitivity and instability during adolescence. This year, Sakuta Azusagawa, a second-year student at a high school near Enoshima, meets several girls that are experiencing this “puberty syndrome.” For instance, he meets a wild bunny girl in the library. She turns out to be an actress on hiatus, Mai Sakurajima, who is also his senior at the school. For some reason, no one else can see this enchanting girl. How did she become invisible…?

First Impression: Alongside our seasonal dose of isekai is the seasonal world salad title light novel show, and this one looks to fill that void. Didn’t really know anything about this one aside from the wacky title and going by the first episode I’m not quite sure exactly what it’s aiming for. On the surface it seems to following in the footsteps of titles like SNAFU by having a protagonist who’s kind of an apathetic jerk getting involved with a female classmate who’s quiet and socially isolated, but there also seem to be a potential mystery going on regarding the heroines and the “Adolescent Syndrome” that seems to be cursing them. While there’s plenty of set-up here for the latter, much of the time here is spent introducing us to the protagonist who frankly didn’t really come off as endearing enough to hold my attention for 20 minutes and the chemistry between him and the main heroine didn’t quite do it for me either. More than anything though, nothing here really grabbed me one way or the other, and I’m honestly not that sure what I watched. It was fairly watchable though I guess so it might be someone else’s speed but I’m not sure if I’m that interested to see where this is going.

Rating: Decent

 

Between the Sky and Sea

Synopsis: Fish suddenly disappeared on Earth. The Ministry of Fisheries has initiated the experimental program of creating ‘Aquatic Orbs’, farming fish in encapsulated bodies of water in space. Six girls are selected as candidates to become fishers who will go into space to catch new species of fish. From Onomichi City to the cosmos, this is the story of aspiring girls aiming to be Space Fishers!

First Impressions: I knew literally nothing about this one going but somewhere along the way I was able to piece together this was a mobile game adaption and sure enough I was right on the money. Aside from stuff like Rage of Bahamut: Genesis, these tend to strike out more often than not when it comes to being entertaining but I actually found this to be pretty okay. The characters are pretty much the usual assortment of moeblob archetypes with nothing to make them feel distinct or close to actual women, but the premise of fishing in space was absurd enough to catch my attention and this managed to get some decent mileage out of that. The mechanics of said space fishing are pretty clearly based on a mobile app (something it rather shamelessly doesn’t bother hiding surprisingly enough)  but they still felt kind of neat regardless and if nothing else it made me kind of want to check out the mobile game this was based on. Can’t really say if this is absolutely worth a watch since I was mainly just entertained by the premise more than anything, but if that sounds amusing to you, this might be worth a peek. As for me, I’m not totally sure if I’ll go any further but the odds are better than with most other mobile game adaptions I’ve watched so if nothing else, it’s at least accomplished that much

Rating: Decent

 

Zombieland Saga

Synopsis: A typical morning. The usual music. Their normal lives. The peace these seven girls experience will suddenly be destroyed. By the living dead… zombies. A reality that they never wanted a part of, an amazing and terrifying zombie world. They all share one wish: “We want to live.” These girls will struggle through this saga, in order to achieve a miracle.

First Impressions: I was extremely curious about this show, because like most folks, I was wonder what the heck it was gonna be. The producers waited until the last possible moment to give us a staff list and a trailer and usually when a show is that vague in terms of promotion it’s either something extremely unexpected or it’s going through some serious production hell. MAPPA’s general track record made the likelihood of the latter unlikely so I was banking on the former and having walked away from this I honestly haven’t a clue what I just watched. The first few minutes tease the start of a typical idol show, then quickly swerves into a zombie apocalypse, only to end up teasing the possibility of zombies as a idol group, before (seemingly) settling in the idea of zombie idol girls doing death metal. If that sounds absolutely absurd, rest assured the act of watching it is even more bizarre, and the show went through so many shifts over the course of 20 minutes that my jaw was stuck on the floor almost the whole way through. Weird as it was there are two things I know for certain: 1) it was pretty funny and while not everything was laugh out loud hilarious, the timing for every punchline was downright incredible, 2) I’m absolutely down for more of…whatever this is. I’m not sure if anything I’ve said will properly prepare you for the experience but if at least part of it sounded amusing to you, I’d say give it a go.

Rating: Great

 

Jojo’s Bizarre Adventure: Golden Wind

Synopsis: Jotaro asks Koichi to travel to Naples to investigate a person known as Haruno Shiobana, whose real name is later revealed as Giorno Giovanna. The story follows Giorno in his goal to rise to the top of the Passione mafia group and turn it into a band of honorable thieves.

First Impressions: It’s been a long wait, but it’s finally time for some new Jojo’s. To be honest though I wasn’t totally sure how enthusiastic I was for this. Golden Wind has generally been regarded by Jojo’s diehards as one of the weakest entries, and the 6 or 7 chapters of the manga I skimmed through back when I still read manga scanlations didn’t really do much to keep my attention after the highs of Diamond is Unbreakable. All that said, more Jojo’s is still more Jojo’s and this premiere was pretty fun. Where as Diamond is Unbreakable had the aesthetic of a horror movie set in the suburbs, this seems to be more akin to a mafia drama, and our lead Giornno has already proven himself to be a lot more amoral than Josuke, with the matter of his connection to the Joestar bloodline only further complicating matters. It’s a pretty noticeable shift but the premiere has pulled it off pretty well and in spite of the fact that this season has gone through a pretty big change in directors, the in-house “style” of David Production’s take on Jojo’s is still as strong as ever, and manages to go from funny to terrifying without skipping a beat. The only big “negative” here is that compared to last couple of entries, this one is REALLY running on the assumption you’ve seen Diamond is Unbreakable and Stardust Crusaders so it’s not quite as newbie-friendly. However for all us Jojo’s fans out there, this seems like it’ll be a pretty good time.

Rating: Great

 

Hinomaru Sumo

Synopsis: A “small” new student, Ushio Hinomaru, appears before the weak little sumo club of Oodachi High School. The words “big” and “heavy” are the rules to this sport, which does not fit this newbie one bit, but Ushio surprises everyone. Ushio and the small sumo club climbs its way to the top with a goal to reach the highest rank, Hinoshita Kaisan.

First Impressions: Hinomaru Sumo has been running in JUMP for several years now but due to the lack of an anime adaption, and the fact that sumo’s such an unpopular sport that Viz would be pretty nuts to risk licensing the manga without one, I’ve never gotten the opportunity to check it out. Now that it has though, I was finally able to give it a shot and for the most part this was a pretty fun premiere. Ushio comes off as a fairly likable protagonist and while he’s come too far along in his physical stature for his dream of becoming the best sumo wrestler to work as an underdog story, the show drops some pretty strong suggestions that there’s more driving him than just a desire to win. The general aesthetic also seems to be leaning pretty hard into how much testosterone it can give off and while it’s not a standout in that respect, it does give the impression the sumo bouts could get pretty gritty. In terms of animation it just looks serviceable so far, but given this adaption is being done by modern-day GONZO, I didn’t have any major expectations about it looking good and so long it can stay relatively consistent it hopefully won’t hurt any of the matches. I wasn’t quite sure what to expect with this, but I walked away pretty entertained and while it’s hard to say if this’ll end up reaching the heights of some of favorite sports shows, I’m willing to give it the opportunity to impress me.

Rating: Good

 

UzaMaid!

Synopsis: Misha is an elementary school girl who lives with her father, having lost her mother at a young age. A new maid has joined their household, and on top of being an unusually muscular woman, she also has an excessive love for young girls!

First Impressions: This is yet another show I knew literally nothing about going in and I kinda wish I had so I could have stayed far, far away. At first glance this seems like it could be an innocent comedy involving a hyperactive maid who’s ex-military and a precocious little girl. That innocence goes right out the window when it quickly becomes apparent the maid is essentially a pedophile and most of the jokes are her creeping on a little girl who is rightlyfully angry and freaked out while the girl’s dad watches on in blissful ignorance. Between my current occupation and my general disgust for this kind of material, pretty much anything that makes a joke out of pedophilia is an automatic nope for me, and I wish I anime would stop with that. If I had anything nice to say about this it’s that the few minutes of it I managed to sit through were pretty well animated and so much in fact that I was kind of angry this much effort was put into something so gross, but the whole thing was so creepy I couldn’t even last the entire episode. Screw this.

Rating: Bad

 

Radiant

Synopsis: Seth is an aspiring wizard living in a pastoral village under the watchful eye of his mentor. Like all wizards, he is an “infected”—one of the few people that has survived contact with a Nemesis, creatures that fall from the sky and contaminate all they touch. His encounter gave him powers and led him to choose a path that seemed to be perfect—to become someone who hunts and fights the Nemesis. But Seth longs for a quest that goes beyond the simple hunt for monsters. He wants to find the place they come from, Radiant, and destroy it. Along with other wizards, he travels the world in search of Radiant, under the sinister eye of the Inquisition…

First Impressions: While I can’t say I was super eager about this one, I definitely wanted to give it a shot since I knew the original manga was penned by a French creator and anime adapting foreign comics isn’t something that happens every day. From everything I had heard though, it seemed like it was going to be a pretty basic shonen, but I generally like shonen so that wasn’t a big deal breaker for me. As for what I saw…yep it sure was a shonen. We’ve got everything from a loud idiot who wants to prove he’s the best like no one ever was, to the obligatory villagers who treat him like an outcast for being a constant screwup. Pretty much everything here is something the audience has likely seen before and it doesn’t helped that the anime is being directed by one Seiji Kishi whose work is so consistently mediocre that the quality of the show literally comes down to how good the source material is.  To it’s credit though, Seth can at least use magic somewhat, so there’s at least a chance it won’t pull the “he actually has the best power” bit that helps makes Black Clover insufferable to me. The only major standout here is the art design which isn’t amazing but offers a clean enough looking fantasy aesthetic that’s pleasant to look at, which is a little surprising considering NHK shows tend to look kinda shoddy. Nothing here really excited me in any particular way but it also seems pretty harmless for the moment and the fact that it ends on a cliffhanger gives me a bit of hope it might do something a little different. In the meantime though, I could probably use a Saturday morning cartoon so I’ll give this a couple more episodes to see if it can fit the bill.

Rating: Decent

 

Goblin Slayer

Synopsis: A young priestess has formed her first adventuring party, but almost immediately they find themselves in distress. It’s the Goblin Slayer who comes to their rescue–a man who’s dedicated his life to the extermination of all goblins, by any means necessary. And when rumors of his feats begin to circulate, there’s no telling who might come calling next…

First Impressions: Here we have the other big isekai of the season, and the one I was extremely nervous about. I’ve heard folks praising the light novels for years, but that praise has typically been in regards to how violent and unrelenting it is, which I guess might have been cool to teen me, but is generally something adult me couldn’t care less about. Still I figured I might as well give it a fair shake and the premiere was quite…something. Even without the title giving away the threat of the goblins, the framing of the first few minutes is extremely unsubtle about how screwed the party of adventures we follow are, and in a span of less than ten minutes things quickly escalate towards mob beatings and gang rape. Our heroine is saved from a similar fate (but not before a really uncomfortable close-up of her peeing herself in fear) by the titular Goblin Slayer who’s primary traits so far are that he’s ruthlessly efficient and…likes to hunt goblins I guess. Needless to say none of this appealed to me, and parts of it were outright gross, but for both better and worse I can totally see how this would appeal to a lot of edgy teens out there who find this sort of stuff to be “cool” and “shocking”. Studio WHITE FOX knows that too because the visual direction here is pretty stunning, and while the partial CG on Goblin Slayer is a little jarring, the overall presentation is enough that it would very much satisfy someone looking to sink their teeth into a violent action show. As for me though, I found this to be pretty vile and while to it’s partial credit, I was at least able to get through the whole first episode to critique it properly, this is basically one giant nope for me.

Rating: Bad

It’s a new week, but the wave of summer premieres scorches on. I ended up being unexpectedly busy for the last couple of days which put me a little bit be behind on premieres. As such the remainder of what I end up covering for impressions is gonna be a bit more random than usual so apologies in advance if it seems like I’m late on some of these. Anyway lets get to it!

 

Ratings Scale

Bad: Stay away far away from this one.  Not worth watching

Decent: Has some okay elements to it. Might be worth giving a  couple of episodes to see how it goes

Good: Fairly solid show. Should be worth keeping up with for now

Great: Really good show. Definently worth seeing if you get the chance

Excellent: Really outstanding show. Absolutely worth following .

• All series synopsis from Anime Planet

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Asobi Asobase

Synopsis: Olivia is a blonde-haired beauty who was born and raised in Japan, but can’t speak any English. Despite always acting serious and as an intellectual, Kasumi is a bespectacled girl with short hair, who also can’t speak English. Finally, there’s the pig-tailed Hanako, who’s cheerful but can’t seem to become a normie. The three middle schoolers end up making a “Players’ Club”?! The ultimately cute, ultimately fun and hilarious teenage girls’ comedy is about to begin!

First Impressions: I didn’t really know much of anything about this aside from some interesting looking previews, so i wasn’t expecting to be nearly as blown away by this as I ended up being. Wacky anime comedies are a dime a dozen and crazy anime faces are also pretty common these days, but this show is practically armed to the teeth with a solid combination of both and had me laughing through the entire premiere. The basic premise involves three high school girls who spend their time trying to find new and increasingly strange ways to pass the time. It’s the kind of comedy that runs purely on how weird it can get and it has that in spades. From pencil stabbing games to putting a swimming pool in their classroom, the things these girls do are pretty bizarre but they’re always funny and it helps that the chemistry between them is pretty great and I’m especially fond of Oliva, who pretends to be a foreigner to mess with her only friend only to have it backfire when she’s threatened into having to teach English. About the only issue I had here was that the episode’s last major joke got a little uncomfortable but it had just the right level of absurdity to it that I was laughing regardless. I didn’t know I needed this show in my life until I watched it, and while I certainly wasn’t expecting it to be nearly this impressive, this one is definitely the frontrunner for the season’s best comedy.

Rating: Great

 

Music Girls

Synopsis: Haru Chitose, Eri Kumagai, Sarasa Ryuoh, Kiri Mukae, Uori Mukae, Sasame Mitsukuri, Miku Nishio, Hiyo Yukino, Shupe Gushiken, Kotoko Kintoki, and Roro Morooka are the eleven members of “Music Girls,” an idol group produced by Pine Records. However, they’re a third-rate idol group that can’t seem to sell CDs at all. But even though they’re obscure and constantly in debt, the members and their producer, Ikebashi, are all trying their hardest. Ikebashi gets the idea that Music Girls needs a new member—an idol who can light a fire under them so that they can gras

p success!

First Impressions: Well I guess it wouldn’t be a new anime season if there wasn’t at least one new idol show and well…here we are. Idol shows generally aren’t my cup of tea, but I do like Love Live the same as most everyone else, so I’m always curious if anything’ll come along that gives off the same kind of vibe. Far as this show goes it’s…pleasant I guess. These shows are usually pretty inoffensive and this was about in the same vein as what I’d expect from that. We’re very quickly introduced to our cast of idols who all seem to have their own various quirks as well as our lead heroine who seems to be unusually talented when it comes to dance choreography but turns out to be a weak singer. Much of the episode is more or less spent building up to that last punchline, but I was fairly amused by it and it’s enough of a hook that it could potentially do something interesting with that. Production wise it doesn’t look super impressive since the character designs are a little on the generic side, but the dancing animation is pretty decent and they aren’t relying on CG for it so that’s always a plus I guess. Can’t say I was blown away by anything here but I wasn’t super bored, so I suppose there’s that. I don’t see this giving Love Live a run for it’s money and I don’t know if I’ll give it another episode or not but if you’re looking for a new idol show to sink your teeth into, this should probably do you fine

Rating: Decent

 

Phantom in the Twilight

Synopsis: The reverie of a girl who fights her destiny and the “Shadow Guardians.” The stage is modern-day London, in a world where the fears and anxieties of people give birth to inhuman shadows. A foreign student gets embroiled in an outlandish incident as soon as she sets foot on English soil. Seeking help in a city where she knows no one, she wanders into a quaint cafe that has quietly remained open in the dead of night: Cafe Forbidden. It is a place where the guardians of the border between human and shadow gather.

First Impressions: At first glance this seemed like it was going to be the vampire romance show of the season and since those have pretty much never been my thing, my expectations coming in were kinda low. However what I walked away with was quite different as it turns out this is actually a bishonen action show, which is something I actually am a lot more down for when done right, and this seems to be off to a pretty decent start. Ton manages to come off as a pretty likable heroine thus far and her role throughout the episode makes it clear that she’ll get to contribute to whatever crazy supernatural shenanigans happen later on which is certainly appreciate. I’m not quite as interested in any of the actual monster boys we’ve met thus far, but they all come off as pretty okay for the most part, and none of them seem predatory so it seems like this’ll steer clear of the trashier side of shojo stuff. On the downside the show has some pretty limited production values which slightly hurts its appeal as an action show but it manages to do pretty okay with what it has, and the animation was never awkward enough to look super distracting. I wasn’t expecting to like this show at all, but I walked away entertained and curious to see where its headed. Guess it goes to show that you can’t always judge stuff by preview images.

Rating: Good

 

Seven Senses of the Re’Union

Synopsis: Asahi’s life in reality ended simultaneously, when she died playing “Union”, a world-renowned online RPG. The members of “Subaru” went separate ways when “Union” shut down due to Asahi’s death. Six years later, Haruto logs onto a renewed version of “Re’Union” and reunites with Asahi who had died. Is she an electronic ghost? The “promise” the childhood friends made will unfold within the game.

First Impressions: Tired of all those pesky isekai shows? Re’Union has you covered with a throwback to…trapped in the game shows. Well I guess in fairness this is technically more “die in the game, die in real life” than anything since it seems like they can stop playing but you get the idea. Its been quite a while since we’ve had an SAO knock-off and the last one of those I enjoyed was Grimgar: Ashes and Illusions. This seems like a pretty earnest effort to recapture the ol’ SAO magic but honestly too much of the details surrounding the premise left me scratching my head for me to get invested much.

For one thing it’s mentioned early on that the game generally functions on perma-death in that if you lose all your health you lose your game account. Even without the apparent threat of death that’s brought up when a member of the core group is killed midway through the episode, that sounds like absurdly bad game design and I have a hard time imagining anyone would play a game you can’t ever play again if you lose at it. On top of that the whole condition about players requiring some special super sense is also pretty loopy and seems like the sort of thing that would raise alarm bells in real life. It’s kind of a shame those details weren’t thought through very well because I kinda liked the base idea of a member of the group dying young and the others carrying that pain with them into their teenage years. That seems like a pretty solid recipie for a potentially meaningful character drama, and maybe it’ll follow up on that. but with a setting this shoddy I don’t feel terribly confident about those odds. Maybe I’ll give this another go if I hear enough good things about it later on, but this seems like another skip for me.

Rating: Decent

 

Angolmois: Record of Mongol Invasion

Synopsis: In the 13th century, the Mongolian Empire rapidly expands across the globe. Later historians who studied the prophecies of Nostradamus would say that Mongolia was the birthplace of the “Great King of Terror”, Angolmois. And at last, the force of the Mongolian Empire would turn their attention toward Japan… 1274: The Bun’ei Invasion. This story is a fresh look at the great battle that rocked all of medieval Japan: the Mongol Invasion. It shows how the people of Tsushima panicked, struggled, and eventually rose up against the overwhelming forces of their enemy.

First Impressions: About all I really knew was that this was this looked like another historical drama, and since Golden Kamuy wrapped up not too long ago, I was certainly in the mood for one of those. Even having said that, boy howdy I wasn’t expecting it to be quite this strong. Much like Golden Kamuy, it’s centered around an era of Japanese history that anime hasn’t really covered which makes for an interesting learning experience on its own, and also like Golden Kamuy our protagonist seems to be a former soldier and an expert when it comes to fighting. Unlike Golden Kamuy though, this show looks well…good. While I very much enjoyed my time with Golden Kamuy there was no denying the show kind of looked like butt on the production front and it was mostly good in spite how it was put together rather than because of it. In comparison this has some solid, if not overly stellar animation, and the art direction is fantastic with the backgrounds really helping to capture the essence of this being a period piece. The filtered camera lens featured throughout the episode also helps with that a bit, though there were moments where it got a little distracting. All in all I walked away from this quite impressed and while this show wasn’t really on my radar going into the season. I’m totally gonna be watching this one week to week

Rating: Great

 

Lord of Vermilion

Synopsis: Tokyo, 2030. A high-frequency resonance is suddenly heard in a suburban area, and at the same time, the entire town is shrouded in a red mist. All living things that hear the sounds, human and animal alike, lose consciousness. The phenomenon is assumed to be an unidentified virus, so due to fear of a spreading epidemic, Tokyo is blocked off from the rest of the country. About six months later, all the people who had lost consciousness awaken as if nothing ever happened. However, strange incidents start happening on that same day, and the city becomes engulfed by a chain of cruel destinies.

First Impressions: I wasn’t really sure what to expect going into this, but this was the only show left of Funimation’s eventual simuldubs, and compared to some of the other non-sequels they’re doing, this seemed like it might be interesting. I was wrong. At first I assumed this was based off of a light novel, but it’s actually based off of a game, which makes a lot of the premiere’s choices more understandable while also elevating how frustrating they are. The show opens with an awkward flash forward about some inevitable bad stuff that’s going to go down, and while it’s pretty clearly meant to be a hook, the direction is so all over the place that I mostly just walked away from it wondering what I watched. From there we go back in time to be properly introduced to our MC-kun who’s about as interesting as a sack of bricks and aside from his relationship with his step-brother he isn’t really given much to do before the apocalypse happens and he suddenly wakes up 5 months later to Tokyo in chaos. From there MC-kun decides to check on his foster dad, gets stabbed, and gets some kind of nifty new power before the credits roll. In case you’re wondering why I’m doing so much summarizing it’s because there really wasn’t anything else to this and I was honestly pretty bored watching it. This feels like a pretty heavy case of lame video game adaption and in addition to not making me want to watch more of this show, I sure as heck don’t feel interested in checking out the game it’s based on. For what it’s worth the show doesn’t look awful, and nothing about the material really raises any alarm bells but you can probably do better for supernatural shows this season, and I’m gonna be doing the same.

Rating: Bad

 

Grand Blue Dreaming

Synopsis: After moving out on his own to a seaside town, Iori Kitahara makes a college debut he never anticipated. A new chapter of his life unfolds, full of diving with beautiful girls and shenanigans with a gaggle of lovable bastards! Idiot-expert Kenji Inoue and au naturel authority Kimitake Yoshioka bring you a glorious college tale filled with booze-fueled antics!

First Impressions: This was one of the more anticipated shows of the season in my section of the anime interwebs, and while I wasn’t super excited for it myself, I was pretty curious. Thankfully that curiosity was well rewarded as this turned out to be pretty funny. It’s rare to get shows about college age characters in anime rather than high schoolers so it’s always nice when we do, and this show’s brand of comedy is a mix of crudness and absurdity that feels very akin to something like Prison School or Osomatsu-san. Sadly this doesn’t seem to be quite as sharply directed as either of those shows, but the jokes still hit their mark more often than not, and I got enough laughs to be thoroughly entertained throughout my experience with the premiere. Aside from the production looking a bit bland outside of crazy facial expressions my only real hangup is that frankly none of the characters are particularly likeable thus far, but this is the kind of comedy where that isn’t particularly necessary in order to work and I’m sure I’ll warm up to at least one of these nutjobs eventually. In the meantime I’ll be tuning in for more.

Rating: Good

 

Revue Starlight

Synopsis: After receiving a mysterious invitation to audition for a coveted spot with, Starlight, a popular musical revue troupe, star-struck contestants begin honing their talents and competing against each other for a chance of a lifetime. Among the hopefuls are childhood friends, Karen and Hikari, who once promised each other that they would take the stage together. With each contender working tirelessly hard to win, it’s the girls’ passionate dedication to their lifelong dream that’ll truly transform their performances as the curtains rise.

First Impressions: And finishing out my impressions, is the show I was the most…curious about. At first glance this seemed like it was probably going to be some kind of idol thing, and the character designs being more or less in line with what I’ve come to expect from idol shows didn’t really help with that. On the other hand all of the previews gave the impression that it might be something a bit more ambitious than that so it was definitely on my radar of things to check out. As it turns out though, what I ended up watching was stranger than I could have possibly imagined. For the first 15 minutes or so it appears to be something of a typical idol thing with a group of girls attending a music school in the hopes of someday becoming professional actors with the only noticeable distinction being that the overall direction and framing is more in line with that of a classical shojo like say Revolutionary Girl Utena. That framing turns out to be pretty important because the last 5 minutes suddenly goes full on Kunihiko Ikuhara as our heroine finds herself transported to a stage where the other girls are duking out in the spotlight, complete with transformation sequences, heavy machinery and classic European uniforms. It pretty much goes without saying that the show had my full attention after that, and combined with some of yuri undertones sprinkled throughout the episode, gives the impression this really is going to aim for the same brand of madness as something like Utena or Yurikuma Arashi. Since Ikuhara is more or less my favorite anime director by default I’m totally down for something akin to his style, and while it’s hard to say how this’ll end up comparing to his works, I’m incredibly excited to see what else this show has up its sleeves

Rating: Great

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And that’s basically it for my summer impressions. There wasn’t really a whole ton of stuff I was excited for coming into this season, but I’ve walked away with quite a few things I’m interested in keeping up with. Hard to say how many of these shows will work out in the long run, but I’m certainly willing to stay optimistic, and even if they don’t, there’s still enough holdouts from spring to keep me going for a while. Till next time: stay animated.

Summer’s here, which means, ice cream, heat waves that make me pray for death, and of course a ton of new anime. To be honest I can’t say I’m particularly excited about this season’s lineup since only a couple of things have really peaked my attention, but as is generally the case when it comes to feeling that way, lower expectations means there’s hopefully plenty of room to be surprised. With that in mind it’s time to beat the heat and dive into some new shows

(Also as a quick note, I’m sorry I haven’t really posted anything since the start of the spring season. I meant to have a couple of reviews out but things kept getting in the way. Hopefully having more free time for the summer means I’ll be able to tackle a few of them)

Ratings Scale

Bad: Stay away far away from this one.  Not worth watching

Decent: Has some okay elements to it. Might be worth giving a  couple of episodes to see how it goes

Good: Fairly solid show. Should be worth keeping up with for now

Great: Really good show. Definently worth seeing if you get the chance

Excellent: Really outstanding show. Absolutely worth following .

• All series synopsis from Anime Planet

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Hanebado

Synopsis: Despite her great potential, Ayano Hanesaki would rather avoid badminton than play it. But, when she meets Nagisa Aragaki, a third year who spends every waking moment perfecting her game, she’s inspired. Encouraged by their coach, Tachibana Kentarou, Ayano and Nagisa will hit the court and rally against opponents and rivals with amazing skills!

First Impressions: Since there wasn’t really too much on my radar in general this season, Hanebado didn’t really catch my attention in previews but sports are generally a pretty reliable genre in anime, and this one is off to a strong start. A lot of sports anime narratives are generally about an individual or a team overcoming obstacles on the way to becoming champions and tend to embrace the positivity of working hard towards achieving a higher goal. This is not that show. Instead it’s more a story of the kind of resentment that can be found when an athlete comes face to face with someone who outshines them in every aspect and the frustration of hitting a wall that seems impossible to overcome. This is all expressed through our heroine Nagisa, a girl who still seems to be reeling in from the shock of being defeated by a natural born talent and has been taking it out on her teammates ever since. It’s certainly heavier subject matter than most sports anime tend to start off with but the direction of the first episode captures that mood pretty well as we see how those feelings affect both her team and Nagisa herself as well as sprouting the seeds of how she might begin to bounce back from it. It helps that the show has some absolutely stellar character animation (certainly unexpected given that Linden Films has a track record for embarrassingly bad looking productions), and some of the badmitton exchanges we see throughout the episode are so fluid, it’s almost impossible to imagine the show will be able to keep it up for very long. I wasn’t expecting to like this as much as I did but everything about this premiere feels promising, and this definitely feels like something to keep an eye on

Rating: Great

 

Island

Synopsis: Urajima, an island far from the mainland. The people who live there lead carefree lives. But five years ago, the island’s three great families suffered a series of misfortunes, and succumbed to suspicion. The people of the island cut off all contact with the mainland, and began a slow decline. The key to saving the island lies in three girls who belong to the three families. But they are bound by old traditions, and are conflicted. On that island, a lone man washes ashore. The man claims to be from the future, and he begins a solitary struggle to change the island’s fate.

First Impressions: I didn’t really know anything about this going in other than that some of it’s content might be potentially problematic, and sure enough this show opens on what looks like a sex scene involving a loli. Needless to say it didn’t get off to the best start for me, and while nothing else in the episode is mercifully as repulsive as that, what we’re left with is 20 minutes of blandness. The plot here seems to involve our MC-kun having lost his memories and ending up on a mysterious island, with only the memory that he performed some kind of time travel. This seems like it could have been a somewhat interesting setup but it’s kind of wasted on the fact that our MC-kun for the show is a bland pervert who doesn’t really stand out in any particular way and much of this premiere involves him encountering a series of prepubescent looking girls he’s likely gonna bang at some point. There’s nothing truly awful here outside of the opening scene but unless you’re really into time travel mysteries there’s also nothing here that really feels like it’ll grab your attention. It is pretty nice looking as has come to be expected from stuff produced by feel, but nothing else stands out, and the seeds of potential grossness doesn’t leave much room for optimism. Gonna give this a pass.

Rating: Bad

Mr. Tonegawa Middle Management Blues

First Impresssions: I’m a really big fan of the Kaiji anime, and it’s mix of high energy suspense thriller and social commentary about the dregs of society made going through both seasons of the series a pretty memorable experience. Since this was a spin-off staring season 1’s most compelling antagonist I was kind of interested in checking it out, though my interest wined a bit in knowing it’s a gag series rather than a more expanded look at the world of Kaiji. Those woes seem to have been pretty justified in the wake of the show’s premiere which is…passable. I appreciate that it recapped season 1 of Kaiji for any newcomers and is trying its best to be as accessible as possible, but even with that the actual comedy of the show is a bit lacking. While the show does try to maintain the overall style of the previous Kaiji anime adaptions, Kaiji’s sense of humor only really works in that you kind of have to laugh at how utterly absurd some of the reactions can get when the characters are dealing with the insane setups for some of the show’s death games. This doesn’t quite have that and opts for more standard jokes instead which honestly feels like kind of a waste. It’s not awful, and someone else might get some enjoyment out of it, but I can’t personally see much reason to give this a watch unless you’re already invested in the franchise. I’ll see how the rest of the season looks for Tuesdays but for right now this is probably a pass.

Rating: Decent

 

The Thousand Musketeers

Synopsis: The whole world was devastated by the nuclear war. Under the strong rule of the World Empire, people are all suppressed and deprived of their own lives. A resistance team secretly keeps fighting to break the suppression while everyone is forbidden to possess any force of arms. The team arms themselves with “antique guns” that were left as works of art, and the incarnations of those antique guns are called “Musketeers” appear and join the team, as if they responded to the soul of the resistence. In their battles with the incarnations of contemporary guns who represent and are dispatched from the Empire, the “Musketeers” turn their “Absolute Noble” mode to give a powerful boost to themselves, and bring hope to the world.

First Impressions: And here we are with our first fujoshi show. These are always kind of hit or miss for me since my interest tends to depend on if the setting or writing is strong enough to break past the barrier of me not really me the target audience for them. This particular series is highly reminiscent of the Touken Ranbu franchise which featured a bevy of bishonen  who were incarnations of swords wielded by famous real world swordsmen. However for this show instead of sword boys its gun boys, and where as Touken Ranbu involved time travel shenanigans, this seems to be post-apocalyptic in some fashion. While that’s all well and good I wasn’t particuarly big on the first Touken Ranbu anime, Touken Ranbu: Hanamaru, since it was pretty slice-of-life ish and I couldn’t keep track of the chatacters, and this series seems to be following the same kind of tone. The first episode introduces us to a ton of characters, none of whom felt particularly interesting to me outside of some having outrageously feminine looking character designs, and any set up in regards to world building or establishing the setting is mainly sacrificed to stuffing as many characters into this premiere as possible. As you can tell by my rambling I lost interest pretty fast, but like with previous seasons I’m willing to admit when my problem a show is mainly that I’m just not the audience for it, and this is another case of that. I’m sure it’ll find traction with the fujoshi audience and I hope they enjoy it, but as for me, this isn’t something I see myself keeping up with.

Rating: *shurg*

 

How Not to Summon A Demon Lord

Synopsis: An elite but socially-stunted gamer finds himself in another world, inhabiting the body of his character Diablo. But despite his powers, his awkwardness keeps getting in the way–so he decides to pretend to be a Demon Lord and soon finds himself with a pair of slaves: a well-endowed elf and a cat girl. Together, they struggle with everything from interpersonal relationships to diabolical beast battles!

First Impressions: It’s time for our first isekai of the season and it’s a time I’ve kind of learned to dread. Isekai LN adaptions are typically the pits with a few good exceptions, and this one in particular gave me a lot to be concerned about. I knew coming in that this one featured MC-kun enslaving the two key members of his harem as part of the hook, and while it hasn’t yet used it for anything incredibly gross it’s basically a matter of when rather than if, and the recent crop of slave girls popping up as the new fetish in anime is one I find outright repulsive in light of how it always glosses over the fact that well…slavery is awful. Putting aside that soapboxing though there isn’t really much else here to be optimistic about. The series has some of the most ridiculous boob physics I’ve seen in a while and it’s so stacked with busoms that even the big evil endgame monster has giant knockers. It’s pretty jarring to say the least and it doesn’t help that the show’s resident MC-kun is about as boring as expected from the lot, and while his demon lord persona did almost get a chuckle out of me a couple of times, it was pretty swiftly negated when he uses it to “not really” sexually harass his catgirl slave. The nicest thing I can say is that the show looks pretty fine visually if not stellar and the character designs aren’t terrible despite the ridiculous boobs but unless you’re the kind of person who chows down on horny isekai no matter what the quality, you’ll probably be better served elsewhere.

Rating: Bad

 

Banana Fish

Synopsis: Nature made Ash Lynx beautiful; nurture made him a cold ruthless killer. A runaway brought up as the adopted heir and sex toy of “Papa” Dino Golzine, Ash, now at the rebellious age of seventeen, forsakes the kingdom held out by the devil who raised him. But the hideous secret that drove Ash’s older brother mad in Vietnam has suddenly fallen into Papa’s insatiably ambitious hands–and it’s exactly the wrong time for Eiji Okamura, a pure-hearted young photographer from Japan, to make Ash Lynx’s acquaintance…

First Impressions: There weren’t too many things that immediately excited me from the summer lineup, but this was definently one of the few shows I was curious about. I know the manga is a pretty beloved classic both as a gritty crime story and as an actually well done gay romance story. Going by the first episode that reputation seems to be pretty well earned as the premiere is bursting with style and uses some slick cinematic direction to really capture the essence of the show’s urban setting and making it feel like a crime movie. Ash and Eiji also both seem like pretty interesting leads thus far and while we spend more time with the former, the episode paints a pretty good idea of their respective personalities, and helps in giving an idea of what might end up attracting them to each other. To top it all off, the animation in the premiere is stacked as heck and there’s some really good action sequences that I’m almost certain the show won’t be able to keep up. My only concern so far is that some of the material might end up feeling dated since the manga is kind of old by this point but the show does give some indication that it might modernize things a little and I’m curious to see what it does on that front too. All in all Banana Fish had a stellar premiere and while it definently seems too good to have fallen into the hands of Amazon, I’ll put up with them if it means getting more of this

Rating: Great

 

Angels of Death

Synopsis: Most girls that wake up in the home of a serial killer would panic, but not Ray. In fact, her meeting with the killer Zack is actually quite convenient because her only wish is to find a good way to die.

First Impressions: I didn’t really know too much going into this other than that it’s apparently based off of some kind of game (and said game is available in English so I may look it up later) but the trailer certainly had an interesting visual style going for it so I was pretty curious to see what this was about. This first episode is incredibly (and more than likely intentionally) vague on plot as all we know is that our heroine Rachael has ended up in a mysterious hospital after witnessing a murder and each floor of said hospital is inhabited by some kind of crazy serial killer. Yeah, this is pretty nuts, and it certainly seems to know the fact given that we spend a fairly good chunk of the time watching Rachael fleeing from a guy who literally walks around with a scythe and a hoodie. At the same time though, while it would be easy to dismiss it as overly edgy nonsense, the visual direction manages to evoke a sense of dread that actually manages to make a lot of the various scenes throughout the episode feel genuinely creepy rather than silly and I walked away from it feeling pretty curious about what else it may have in store. It’s possible it won’t be able to keep that balance up and’ll end up steering a bit too far into the edge, but it has my attention for at least the next couple of weeks

Rating: Good

 

Harukana Recieve

Synopsis: Oozora Haruka is a high school second-year who’s just moved to Okinawa. Haruka is generally cheerful and optimistic, but there’s one thing she feels insecure about: she’s taller than most other girls. Higa Kanata, her cousin of the same age who meets her at the airport, also has one hang-up: she had to quit her beloved beach volleyball in the past because she was too short. Through some twist of fate, these mismatched cousins find themselves paired up as a beach volleyball team. How will this duo play together in a sport where the presence of one’s teammate is more important than anything?!

First Impressions: Summertime means girls in bikinis and to be honest I hadn’t really looked up anything about the show outside of base level premise so I assumed it was essentially meant to be just that. However while this premiere certainly has a fair deal of “plot” it skews less towards a fanservice show disguised as a sports show and more of a moe show disguised as a sports show. As someone who enjoys more straightforward sports shows,  I can’t say either combination would have caught my attention outright, but the latter has certainly worked out for me in other shows. Far as this one goes though it’s…fine I guess. The four girls we’re introduced to all neatly fit in expected moe archetypes but aside from a pretty serious case of sameface going on, the show at least suggests that there’ll be some drama later down the line for them. Similarly while neither the direction or animation are nearly dynamic enough to make this work as an actual sports show, there’s enough effort put in that it at least feels like it’s trying. Personally though while there wasn’t anything particuarly wrong about the execution here, nothing about it really grabbed me either, and while I wasn’t outright bored, nothing really made me feel compelled to see what happens next. This certainly wasn’t an awful premiere but for right now, I’m honestly pretty sure I won’t be coming back to this.

Rating: Decent

 

Chio’s School Road

Synopsis: Miyamo Chio, a first-year at the completely ordinary high school Samejima Academy. Chio just wants to get through her school life without standing out too much, but for some reason, all kinds of obstacles await her along the path she takes to school. Her long-time friend Nonomura Manana, who’s trying to quit being an otaku; the flawless Hosokawa Yuki, who occupies the top caste in the school; and lots of nameless people about town find themselves in Chio’s path as she employs the (useless) techniques she’s acquired from her Western video games in her daily efforts to get to school.

First Impressions:  Going by the premise, I figured this show was going to end up being a short and thus not really worth the effort of typing about but turns out it’s a full length show after all so here I am. This is yet another series that centers around a core joke, the joke here being the strange things our heroine Chio does on her way to school, and how much enjoyment you’ll end up getting out of this mainly depends on how much the show can really stretch said joke. Going by the premiere though it seems like they may be able to make it work. Chio’s pretty relateable as far as introverted nerds go and the crazy things she ends up doing remind me of some of the more awkward things I pulled in high school when i wanted to avoid talking to people. Not all of the gags here land but when they do they’re pretty solid and it managed to keep a smile on my face for most of its runtime. The only negative so far is that the overall production seems a little limited for this particular brand of zany comedy, but it works pretty well with what it has, and there’s some pretty good faces sprinkled in. Hard to say how this season will end up looking as far as good comedies go but this seems like a pretty solid contender and one that I’ll keep up with.

Rating: Good

 

Planet With 

Synopsis: Souya Kuroi is a high schooler living a peaceful life despite having no memories of his past. One day, however, his town is attacked by one of the mysterious Nebula Weapons. Together with the cat-like “Sensei” and the gothic lolita Ginko, Soya gets dragged into a battle against… seven superheroes who protect the town! What is Soya’s reason to fight? The answer lies in his memories.

First Impressions: Satoshi Mizukami is perhaps one of the best manga authors you’ve likely never heard of. He has an incredibly strong knack for telling incredibly human stories through a very bizarre lens and the two of his works that have managed to make their way over to the west, Lucifer and the Biscuit Hammer and Spirit Circle, are both manga I consider to be masterpieces in their own right. While none of his manga have managed to make their way over to animation, I was pretty excited to learn that he was helming an anime original project and  it made this my most anticipated show of the season by far. Going by the premiere it is very much in line with what I’ve come to expect from Mizukami’s writing: our story follows the tale of an amnesic boy named Soya, living with a giant cat and a made girl when a weird looking UFO and heroes with giant robots show up. However rather than having to fight the UFO, Soya finds himself opposed to the heroes instead, and they seem to have a connection to his missing memories. It’s as weird as it sounds, but the episode more or less manages to run with it, and it’s already showing traces of Mizukami’s strength at writing characters as we briefly get the backstory of one of the heroes and manages to provide a good idea of what drives him over the course of a few minutes. The only serious negatives I have so far is that Mizukami’s general sense of pacing gets a little jumpy in terms of how it translates into animation, and the production itself is pretty conservative looking. Even with those hiccups though, I’m glad to finally see something Mizukami related get animated, and come what may, I’m totally down to see what brand of weirdness he has in store for this story.

Rating: Great

 

Cells at Work

Synopsis: Strep throat! Hay fever! Influenza! The world is a dangerous place for a red blood cell just trying to get her deliveries finished. Fortunately, she’s not alone … She’s got a whole human body’s worth of cells ready to help out! The mysterious white blood cell, the buff and brash killer T cell, the nerdy neuron, even the cute little platelets—everyone’s got to come together if they want to keep you healthy!

First Impressions: While David Productions is more or less known as the Jojo’s studio at this point, they do in fact do other projects, and this latest manga adaption happens to be one of them. Of course it might be hard to tell watching the actual premiere here though because the director of Diamond is Unbreakable is in charge of this adaption, and there’s definently quite a bit of Jojo’s level absurdity to be had here. The premise of “what if the cells in our body were actually people” certainly isn’t a new concept (we all remember Osmosis Jones for better or worse) but it’s not one I’m particularly a fan of since stuff about the inner workings of the body almost always involves a high level of gross-out humor which I despise. Fortunately instead of focusing on the weird and sometimes gross things the body does to stay healthy, this opts to bit various kinds of blood cells against diseases, and the results are pretty funny. It helps that every kind of cell we meet throughout the episode is framed as a different archetype with a red blood cell being a clumsy go-getter while one of the white blood cells could pass for Jotaro Kujo’s long-lost brother. The comedy itself also relies on the bizarre shonen-esque escalation of how these battles against diseases fare going from massive violence, to bacteria literally being shot out of a sneeze missile. It was a surreal experience to say the least but it certainly kept me amused, and it also looks good enough production-wise that there’s probably not too much room to worry on how much it may have to compromise to sell a joke. I’m generally not a fan of “inside the body” scenarios, but this was fun enough that it may prove to be the exception

Rating: Good

Woo boy. The last few days have been pretty busy for me, and that’s kind of limited my time for anime, but just because I’ve slowed down doesn’t mean the premieres have, and there’s still been a hefty amount of premieres in just the last few days with plenty more to come. Going through most of these still seems like a pretty daunting task but hey, I’ve made it this far so might as well keep this train running. Let’s do this.

Ratings Scale

Bad: Stay away far away from this one.  Not worth watching

Decent: Has some okay elements to it. Might be worth giving a  couple of episodes to see how it goes

Good: Fairly solid show. Should be worth keeping up with for now

Great: Really good show. Definently worth seeing if you get the chance

Excellent: Really outstanding show. Absolutely worth following .

• All series synopsis from Anime Planet

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Gurazeni: Money Pitch

Synopsis: Bonda Natsunosuke (26, single), is a left-handed relief pitcher for the professional baseball team, the Jingu Spiders. He became a pro right after high school and now in his 8th year makes 18 million yen a year, and is not what you’d call a “first rate player.” “I don’t know how many years I’ve got left to play after 30.” “Only a few can become coaches or commentators after they retire.” “Pro baseball players need to make their money while before they retire!” Despite the harsh realities, Bonda always repeats the same phrase: “There’s money buried in the grounds.”

First Impressions: This wasn’t on my radar at all and I didn’t even know it existed till CR announced having it, but I like the sports show formula a lot so I figured I might as well give a shot. However it turns out this isn’t really a sports show, or at least not a sports anime in the traditional sense. Instead the focus of this series is more on the financial aspects of being a professional athlete and the need to stand out in order to have any hopes of retiring on a decent salary. It’s a unique angle to be sure and one told through our protagonist Nanba, a relief pitcher who scrapes by on the lower end of the major leagues. Seeing this from that kind of perspective certainly helps to hammer home how unforgiving the pro sports scene can be as there’s a moment where he pretty much has to send a new player straight back to the minor leagues in order to earn his keep, and it makes for some intriguing commentary. At the same time though, the show is perhaps a little too focused on exploring that financial aspect, and as a result Nanba doesn’t feel all that interesting on his own by the time the episode is through, and slightly awkward CG for some of the in-game scenes isn’t helping this much on the visual front. This is yet another middle-of-the-road premiere for me so whether or not I go any further likely depends on how many other potential Friday shows it has to compete with. For now though, it might be worth taking a peek at.

 

Hinamatsuri

Synopsis: Nitta Yoshifumi, a young, intellectual yakuza, lived surrounded by his beloved pots in his turf in Ashigawa. But one day, a girl, Hina, arrives in a strange object, and uses her telekinetic powers to force Nitta to allow her to live with him, putting an end to his leisurely lifestyle. Hina tends to lose control of herself, wreaking havoc both at school and in Nitta’s organization. Though troubled, he finds himself taking care of her. What will become of this strange arrangement? It’s the beginning of the dangerous and lively story of a nice-guy outlaw and psychokinetic girl!

First Impressions: This was yet another thing that wasn’t particularly on my radar so I wasn’t really sure what to expect here. As it turns out, this is something of an oddball comedy involving a father-daughter dynamic between a yakuza member, and a kooky psychic girl. If that sounds weird, the show is pretty much agrees with you, as it doesn’t waste anytime in establishing that premise, and forgoes any kind of actual setup. Normally that would be to the show’s detterent and it sort of is, but even though it brings our two leads together in a mostly unexplained fashion, the dynamic between them is funny enough that it quickly becomes irrelevant and I got quite a few chuckles over how easily Hina wraps Nitta around her finger and how bizarre her reactions are to basically everything around her. Funny as it is though, this sort of thing only really works when the relationship can be equally sincere and the show works well enough on that angle too,  as Hina’s clearly some sort of bio weapon, and Nitta is the first adult she’s met who doesn’t just want to use her as a tool, which could make for something cute, albiet standard. I sure didn’t know what I’d be getting here but I walked away pretty happy with what I got so this seems like something I might keep up with for a while.

Rating: Good

 

Persona 5: The Animation

Synopsis: Ren Amamiya is about to enter his second year after transferring to Shujin Academy in Tokyo. Following a particular incident, his Persona awakens, and together with his friends they form the “Phantom Thieves of Hearts” to reform hearts of corrupt adults by stealing the source of their distorted desires. Meanwhile, bizarre and inexplicable crimes have been popping up one after another… Living an ordinary high school life in Tokyo during the day, the group maneuvers the metropolitan city as Phantom Thieves after hours. Let the curtain rise for this grand, picaresque story!

First Impressions: This was definitely the most anticipated show of the season by a long shot for most anime fans but I can’t say I was quite as excited personally. While I totally dug the Persona 5 game and its story could translate into an anime pretty easily if handled right, I was pretty skeptical about this due to how the Persona 4 anime turned out. That one also seemed like it could translate the game into a solid anime pretty easily, but it instead focused more on pandering to the game’s pre-existing audience than telling a story, and combined with some of Aniplex’s executive shenanigans resulted in something that while okay on its own, felt like a massive waste of potential. Fortunently this adaption has one thing in its favor and its a change in director as rather than being helmed by Seiji Kishi who at this point has become pretty well known for mediocre video game adaptions, this is instead being helmed by Masashi Ishihama who gave us From the New World, which was an absolutely stellar adaption of the novel it was based on. That difference makes itself pretty apparent in this premiere on the visual front as besides the obvious fact of this being a lot better animated than Persona 4’s anime was, this is a lot more sharply directed, with some solid camera work during the opening heist scene, and some really effective scene transitions that help the episode to maintain a swift flow. Unfortunately I can’t quite say I feel as confident about the execution on the storytelling front as the premiere goes through the earliest events of the game pretty robotically, and hasn’t really done much to convince me the protagonist be Rei won’t made as much of a self-insert as possible in order to pander to the fans of the game. Still its probably a bit too early to judge how it’ll fair on that front and there’s always the possibility it’ll get a little bolder with time. I’m probably gonna end up keeping up with this either way since I well…liked the game, but I really hope this adaption will do enough to stand on its own merits

Rating: Good

 

Sword Art Online Alternative: Gun Gale Online

Synopsis: In the world of guns and steel that is Gun Gale Online, LLENN has been a devoted, female solo player. She is obsessed with two things: donning herself entirely in pink and honing her skills with consistent game play. She soon discovers her love for hunting other players (a.k.a. PK), soon to be known as the “Pink Devil.” Meanwhile, LLENN meets a beautiful yet mysterious player, Pitohui, and the two click right away. Doing as she is told by Pitohui, she enters the Squad Jam group battle.

First Impressions: So allow me to preface this with something I’m sure will shock no one who’s followed me on Twitter for more than 10 minutes: I don’t like SAO. In fact I’d go so far as to say I basically despise it as what I’ve seen of it failed to live up to the promise of the show’s premise and the climax of its first “arc” was such a gigantic slap in the face that I refused to go any further. Even so, I was actually pretty interested in checking this out, the main reason being that rather than being penned by the franchise’s author Reki Kawahara, this spinoff was instead handled by Keiichi Segawa, the mind behind Kino’s Journey. Since I actually do like Kino’s Journey, I was curious to see what Segawa’s take on the franchise would be and the result was pretty solid. Right away its easy to tell that this series is being handled by a different writer as where the game world was more of an afterthought and the focus was more on the characters (inconsistent as the handling was in that respect) this instead puts quite a bit of emphasis on the actual game world. While it doesn’t go into outright info dumping in explaining the mechanics, every bit of this opener is obsessed with making Gun Gale feel like well…a game and puts a lot of emphasis on strategizing and making use of the environment to the point where it actually does feel like you’re genuinely watching skilled players at work. Of course that means that if you aren’t particularly interested in the gaming aspect then there isn’t too much to latch onto in this premiere since it seems like the proper character introductions are being saved for next week. But even if you aren’t the execution is solid enough that I think you might at least be able to get some enjoyment out of the spectacle itself. This isn’t quite among the strongest premieres of the season, but it certainly kept my attention and while I almost never thought I’d hear myself say this again: I’m probably gonna keep watching Sword Art Online. Hopefully this time around I won’t regret it.

Rating: Great

 

Devil’s Line

Synopsis: Tsukasa, a college student, is rescued from an attack by a devil, one of many vampires that can blend in among the human population. Anzai, her savior, is a half-devil who exploits his supernatural gifts as a member of a shadowy police task force that specializes in devil-related crime in Tokyo. As Anzai continues to keep guard over Tsukasa, the two quickly forge a tentative bond—one that Anzai fears will test his iron-clad rule of never drinking human blood…

First Impressions: Well it wouldn’t be a full season of anime without a vampire show in here somewhere and well…here’s our vampire show. I’m not really the target audience for these so most of the time I skip over them unless given a compelling reason to do so, but given this was the first show that Sentai Filmworks announced would be getting a simuldu-I mean “dubcast” I figured I’d give this a peek. Given the sheer amount of vampire anime at this point, having a distinguishing gimmick is kind of essential, and in this show’s case the gimmick is that the desire to drink blood is something akin to a drug addition and vampires have to stave off said addiction to live normally. We find out about this through our heroine Tsukasa and one of her close friends who’s fallen so in love with her that he’s gone around raping and killing random women to avoid the urge to do the same to her. That as you might imagine was the point where I kind of had to shake my head at the show, and its attempt to try and make this guy sympathetic didn’t help much either. So…yeah I wasn’t really into this but I figured that’d be the case so it’s not a particularly big deal. It’s a decent enough looking show that I imagine it’s actual audience will be mostly satisfied but now that my curiosity’s been satiated I’m gonna move on.

Rating: Bad

 

Cutie Honey Universe

Synopsis: Cutey Honey is an android created by Prof. Kisaragi. Within her is the ‘Fixed System of Air Elements’, a device that can create anything out of air. The evil organization Panther Claw desires this device. While trying to steal it, they kill Prof. Kisaragi. Now furious, Honey makes a vow to get revenge, and destory the Panther Claw.

First Impressions: Cutey Honey is one of those things I’ve heard about for years but never really saw in context. Having recently been baptized in to the weird mind of Go Nagai through winter’s Devilman Crybaby and enjoying the experience, I figured a new Cutie Honey series would be a good opportunity to dip my toes into the franchise. Sadly I can’t quite say this show was particularly made for newcomers as basically everything about this premiere assumes you know the basics of Cutey Honey and forgoes any form of character or setting introductions and just assumes you already know the details about Honey and her backstory. Since Cutey Honey is basically about as iconic in Japan as most of the big superhero comics are in the states, I can sort of understand the approach but it did sort of suck as someone coming in blind. Thankfully it’s not too hard to follow regardless though what I watched was something. The horny nature of some of Go Nagai’s work is about as well known as their amount of edge, and even before watching this I knew Cutie Honey was among the hornier of Nagai’s works. Even so, I wasn’t expecting it to be quite this horny, as it features everything from aggressive lesbians, to clothing damage, and a rather odd instance of BDSM. It was pretty overwhelming to say the least and perhaps a tad uncomfortable in some places, but it certainly kept my attention, and its sort of easy (for better or worse) to see how this influenced authors of later generations. Sex aside, this is solid looking production given Production Reed is a pretty small studio and while its not quite gorgeous, it does have some pretty nice visual direction, and both theme songs are pretty catchy. I can’t really say there was too much in this premiere that appealed to me personally, but it definitely didn’t make me any less curious about Cutie Honey so if nothing else, I may keep up with this for that.

Rating: Decent

 

Golden Kamui

Synopsis: In the early twentieth century, Russo-Japanese War veteran Saichi “Immortal” Sugimoto scratches out a meager existence during the postwar gold rush in the wilderness of Hokkaido. When he stumbles across a map to a fortune in hidden Ainu gold, he sets off on a treacherous quest to find it. But Sugimoto is not the only interested party, and everyone who knows about the gold will kill to possess it! Faced with the harsh conditions of the northern wilderness, ruthless criminals and rogue Japanese soldiers, Sugimoto will need all his skills and luck—and the help of an Ainu girl named Asirpa—to survive.

First Impressions: And here we have another highly anticipated adaption and one actually was fairly excited about. I’ve heard great things about the Golden Kamui manga over the last couple of years and very much enjoyed what I read of the first couple of chapters from a while back. Combined with a director who’s already had some experience with period pieces such as Gosick, this seemed like it would have all the makings on a really solid show. As far as the first episode goes though I’d say it…mostly lives up to that potential. The material itself is strong, and while we’re thrown into the whole gold hunt setup pretty quickly, the episode still manages to establish Sugimoto as a compelling if somewhat ruthless protagonist, and the dynamic between him and Asirpa already seems like it could be a lot of fun. The big issue here unfortunately, lies in the production itself. Given that Geno Studio is fairly new, and was more or less built off the corpse of the now defunct Manglobe (whose own productions were pretty inconsistent) I can’t say that I was expecting this to look gorgeous, but I was expecting it to look at least passable enough to get by. It mostly succeeds in that area too (albeit with quite a bit of corner-cutting), but with the unfortunate monkey’s paw of giant 3DCG bears. Like I said with Fist of the Blue Sky, 3DCG usually just gets a shrug from me in most circumstances, but the 3DCG used for the bears is too photorealistic to properly blend in with the painted looking 2D backgrounds, and combined with the thick lined character models, the result is a bizarre looking mess whenever all three elements are on screen at once. Fortunately these bears are disposed of by the end of the episode, and I can at least hope that the rest of the show’s animals won’t look that way, but it is a kind of annoying concern for what’s otherwise a perfectly fine premiere. Luckily the material here is good enough that I’m pretty sure this issue shouldn’t be a complete turnoff to most viewers, but I figured I might as well give fair warning. As for me, I’m gonna keep watching and hoping that we’ve seen the last of those monstrosities.

Rating: Good

 

Stein;s Gate 0

Synopsis

First Impressions: I’ve generally made it my business not to go over sequels anymore when doing these since it seems kind of pointless but this is a unique enough case to make an exception (and to be honest I wasn’t really sure exactly what this was before diving in). It’s been many a year since I watched Stein;s Gate (about 6 to be exact which is actually kind of terrifying) and while I found the first half of the show to be a little too self-indulgent and slow, the consistent payoff of it’s second half made it a very enjoyable watch for me, and turned it into one of 2012’s standouts, even if it wasn’t exactly my favorite show from that year. That said, I’d be lying if I said I ever really wanted more Stein;s Gate. Convoluted as the story was, it more or less wrapped up perfectly and I didn’t really see the need for it to be revisited in any capacity but it seems it made far too much money for one series to be the end so here we are. I hadn’t actually paid attention to anything surrounding this beforehand so I didn’t know if it was a spinoff or a sequel, but it seems that it’s a little bit of both.

This one starts off in the middle of a bad route where Okabe apparently fails to save Kurisu and his continual failure to save her over multiple timelines has caused him to retire from time travel shenanigans entirely. Suzuha however hasn’t given up on her quest, and with the signs of the end times approaching, it seems like Okabe won’t be able to stay out of the game for long. Needless to say anyone coming into this blind, might as well give up as this requires you to at least remember the events of the first half of the show, and since again it’s been about six years since I last watched this series, I myself had to spend about half the episode trying to remember who all these characters were. Even as a “sequel” though, going this route seems strange since well…the story wrapped up nicely the first time. I suppose this is sort of the only way they could do more of it and have it make sense but it does seem like a kind of cynical exercise. Joke’s on me though, because I’m still pretty curious where this is gonna go regardless and exactly how much mileage they’ll end up getting out of this. It seems baffling to me we’re getting another 24 episodes of this but I guess I’ll be going along for the ride.

Rating: Good

 

Last Period: the journey to the end of despair

Synopsis: “I’m never going to give up!! For that reason, I became a Period!!” Evil demons known as “Spiral” -made of souls who died in agony- threaten the people of the world. In order to stand up against Spirals, people founded the “Arc End”. Individuals whose skills are recognized are admitted to Arc End to become “Period” to fight for peace. Hal, who failed the Period admittance test 38 times, was accidentally admitted as an “Assistant Period” in Arc End 8th Squad. Forming a team along with other new members, Gazel and Liese, he is finally able to take his first step towards reaching his goal!

First Impresssions: This was another blind watch and one that turned out to be a mostly pleasant experience. From what I can gather this is based off of gatcha game, and rather than going for any kind of serious plot, this is instead more of a loving parody of fantasy games, and one that seems intent on riffing into the nature of gatcha games in general. I’ve personally never played any gatcha games (unless Xenoblade Chronicles 2 counts) and kind of refuse to so i can’t exactly say this concept really appeals to me, but I have enough passing awareness that I got a few chuckles out of those jokes. It helps that its particular brand of self-awareness is more light-hearted than an overhanded parody which makes it kind of relaxing, but the lack of edge also means that it could get pretty boring if you’re not really in the mood for it. Fortunently I mostly happened to be so this premiere hit a decent enough sweet spot for me. I’m not super pumped about watching more of this, but I could always use something simple and quiet so it might be worth a couple more goes

Rating: Decent

 

Doreiku the Animation

Synopsis: 24 people enter a survival game. Each has a device called an SCM (slave control method), which can make their opponent into their slave. Each person has their own reason for participating in the game.

First Impressions: I was a little apprehensive about checking this one out since everything about it’s premise sounded like it would be pretty gross. But like with Devil’s Line this is another one of Sentai’s picks for a dubcast and combined with my morbid sense of curiosity I felt at least a bit compelled to give this a peek. Weirdly enough I walked away from this premiere feeling pretty…okay. Much like with Kakeguri, this show combines games of chance with sexual desire, but where as Kakeguri was actually pretty chaste for how over the top it was, this leans much more into the sex related side of that deal and wants to be taken a little more seriously. That as you might imagine, makes this a considerably less fun show than Kakeguri but it’s first game has some pretty decent direction going for it, and while it’s definitely concerning that said opening game is the result of sexual assault, I suppose I can at least give the show credit for not sexualizing it since I honestly wasn’t expecting even that much. A lot of my feelings here are the result of low expectations but since I was really expecting to be repulsed by this show, the fact that I wasn’t is a reaction I’m still trying to process. It certainly wasn’t over the top enough to make for a fun trash show though, so I’m not sure if I have any desire to give it another episode. For now I can at least say it’s far from the grossest premiere of the season. Looks like Magical Girl Site will hold that crown

Rating: Decent

 

Wotakoi: Love is Hard for Otaku

Synopsis: Narumi Momose has had it rough: every boyfriend she’s had dumped her once they found out she was an otaku, so she’s gone to great lengths to hide it. When a chance meeting at her new job with childhood friend, fellow otaku, and now coworker Hirotaka Nifuji almost gets her secret outed at work, she comes up with a plan to make sure he never speaks up. But he comes up with a counter-proposal: why doesn’t she just date him instead? In love, there are no save points.

First Impressions: And finishing out my spring anime impressions we have Wotakoi. It took a while for this premiere to finally be snatched from the jaws of Amazon’s incompetence but it was well worth the wait because it is without a doubt the strongest opener for a comedy out of all this season’s offerings. A workplace comedy between a fujoshi and a game otaku sounded like something that could potentially be a good time but I still can’t say I was expecting it to be quite this well…relatable. I’ve always been a little back and forth as to how much of my nerdy tendencies I feel comfortable displaying at work so I could relate to both Narumi’s desire to keep things on the down-low and appear normal, and Hirotaka just straight up whipping out his handheld during a lunch break as that’s also become a pretty regular part of my routine. So as you can probably imagine, I got a lot of laughs out of those little moments and it helps that both of the leads come off as almost immediately likable and they have a pretty solid chemistry going to the point where their sudden hookup at the end of the episode is equal parts hilarious and completely believable. The show itself is pretty good looking too, and the opening theme in particular has some of the most bubbly character animation I’ve ever seen, and helped to set the mood before I even really got started with this. So…yeah this show’s a definite keeper. It might suck having to battle through the trenches of Amazon for this every week, but if the rest of the show is as good as this opener, it’s a battle I’m more than willing to wage.

Rating: Great

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And looks like that’s it for Spring stuff. There’s certainly no shortage of shows this season, and while there aren’t a ton of must watches this time around, there’s enough variety here that you’re almost guaranteed to come across something that gels with you, there’s already quite a few things I’m probably gonna keep up to date with. Time will tell if the quantity of shows here will get to be a little too overwhelming, but till’ then: stay animated.

It’s that time of the year again…sort of. We’re technically still a week out from the actual start of the Spring anime season, but since Crunchyroll decided to give out an early preview of one of their premieres, I figured I might as well get a head start on this. This is looking to be one of the most packed seasons of anime I’ve ever seen as just about everything and its grandma looks to be coming out in Spring, and if even half of it ends up being watchable it could most certainly destroy me. Even so I’ll do as many first impressions as I can, and I’m determined to do so even if I’ll probably regret it two weeks from now. Let the suicide tour begin!

Ratings Scale

Bad: Stay away far away from this one.  Not worth watching

Decent: Has some okay elements to it. Might be worth giving a  couple of episodes to see how it goes

Good: Fairly solid show. Should be worth keeping up with for now

Great: Really good show. Definently worth seeing if you get the chance

Excellent: Really outstanding show. Absolutely worth following .

• All series synopsis from Anime Planet

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Magical Girl Ore

Synopsis: Saki Uno is a high school girl and rookie idol who has a crush on Mohiro, her best friend’s older brother. When Mohiro is kidnapped by demons, Saki hastily makes a shady contract to be able to transform into a magical girl, which transforms her body into that of a handsome man.

First Impressions: I feel as though I’ve been seeing the main visual for this thing floating around the internet for the last couple of years now, with no sign of when it would actually be a thing. Seems as though it’s finally here though, and it’s certainly…something. Magical girl parodies aren’t exactly new territory at this point and Cute High Defense Force Love did just about every gender bender joke with the genre that I could think of, but that series turned out to be pretty funny, and this seems like it’ll do a good job of following in its footsteps. The gimmick of having girls turn into muscular magical boys seemed like it would kind of one note, but the show gets a lot of mileage out of it by playing up to the raunchier side of magical girl shows rather than how Cute High mostly stuck to riffing Sailor Moon, leading to some pretty unexpected jokes and giving it a little more of an edge. On the downside, the animation is a little choppy (though given this was previewed before the official broadcast date it’s possible it could get touch

ed up a little before then) and the extra bit of edge means the show is a little lacking in sincerity which is kind of essential for a proper parody. It’s possible that last one could get fixed over time though, and there’s enough laughs here to make it plenty entertaining in the meantime. Hard to say how much steam this one’ll actually have in the long run but for now, it certainly has my attention.

Rating: Good

 

Ge Ge Ge no Kitaro

First Impressions: Ge Ge Ge no Kitaro is apparently a pretty big deal in Japan, and is considered something of a classic there, but it’s also something that’s never quite made it’s way to the west so I had what to expect from this (other than the hope that it would be decent, if only because Dragonball fandom is so angry over it being Super’s replacement). Having walked away from the first episode, I have to say I was pretty impressed. Horror is an aesthetic anime often struggles with and I sure wouldn’t expect a kids’ show to handle it well, but while nothing here is particularly frightening, the direction exudes a creep factor that a lot of other shows have kind of stumbled on. The yokai designs are pretty simplistic, but the framing gives them a clear sense of menace, and the unsettling feeling also extends to the protagonist Kitaro who comes off as equal parts helpful and distant in his apparent job as a yokai exterminator. Adding onto things is the fact that the actual production itself looks well…decent. Toei shows have gained an rather infamous reputation over the years for being shoddy looking, and Dragonball Super suffered a lot for the early part of its run, but this came out of the gate looking pretty respectable, and the action animation towards the end is nothing to snuff at. On the downside this seems like it could go into repetitive monster-of-the-week territory pretty fast, and that could end up wearing out its welcome, but for an introduction into an unfamiliar franchise this works pretty well, and I’ll certainly be sticking around for a while.

Rating: Great

Uma Musume: Pretty Derby

Synopsis: The concept begins with Uma Musume (Horse Girls), girls endowed with excellent running capability, and who aim to become top idols and compete in the national sports entertainment show “Twinkle Series.” Players take the role of both teacher and trainer for the girls in the Nihon Uma Musume Training Center Gakuen (Japan Horse Girls Training Center Academy) and help them make their debut.

First Impressions: So this show has had something of an interesting backstory as it was announced as Cygames second anime project after the success of Rage of Bahamut a couple of years, and had been stuck in production limbo ever since. I was beginning to think we’d never actually see this weird thing, but after all that…waiting I guess, it’s finally here and its certainly strange. Idol shows, moe, and monster girl shows are all varying niches of their own in anime (even if some will tell you otherwise) and while there’s certainly been various mixing of these niches I don’t think I’ve ever encountered a show that actually had the audacity to do all three simultaneously (especially with the addition of being something of a sports show). You’ve got horse girls running late to school with carrots in their mouths instead of bread, you’ve got horse girls training for horse track races, and you’ve even got horse girls putting on extensive live shows with apparently no time to practice choreography. All of this sounds like it’d be a wonderfully wacky time in concept but in execution it’s just kind of cute and not much else. Part of the problem with trying to do so many things simultaneously is that the show runs into problem of trying to juggle too many things at once, and doesn’t get the amount of time needed to properly revel in its absurdity. Thus the end result is a monster girl show that feels a little too much like standard moe, and a sports show that seems to have idols tacked on because, why not? I can’t say anything in this premiere was a gigantic turn-off but in a season as stacked as this one, first impressions are a lot more important than usual. Perhaps I’ll give this another go if Sundays seem light, but I’m not sure if I’ll be going ahead any further with it.

Rating: Decent

 

Kakuriyo- Bed & Breakfast for Spirits

Synopsis: Aoi is a female college student who inherited the ability to see spirits from her late grandfather. She prides herself on her cooking, and one day while feeding some agricultural spirits, a god and the master of the “Tenshinya” appears and takes Aoi away. He says that due to her grandfather’s debts, she must become his bride. Aoi hates this idea and instead declares that she will pay back her grandfather’s debt by working at the Tenshinya.

First Impressions: I wasn’t really aware of anything about this going in, and just glancing at the key visual I kind of assumed this was based off of a shojo manga or an otome game. In  truth it’s based off a light novel series which is kind of neat considering those usually star blatant male inserts, so a female lead is an interesting change of pace. That however is probably the most interesting thing about the show just going off the first episode. While Aoi thankfully isn’t a total blank slate, we’re barely given time to be introduced to her before getting thrown into the show’s premise and the shows premise unfortunately happens to involve her literally being trapped into an arranged marriage she knew nothing about. Given that bit, her ability to see spirits, and her being thrown headlong into the world of ayakashi, this sort of comes off as a discount version of The Ancient Magus’ Bride, but where as the marriage scenario in that was a backdrop thing that’s tossed to the wayside pretty quickly and Chise’s emotional state beforehand help to ease the discomfort a bit, the undertones here give the impression that’s going to be a lot more in the forefront of this show. On the brightside Aoi’s at least not willing to be sold off without a fight, and the show’s already introduced another ayakashi who doesn’t seem to have any particularly creepy motives so hopefully it can at least run with that for a while. As far as the technical front goes, nothing about this stands out particular (kind of par the course for modern GONZO) but it looks decent that nothing there should be an immediate turn-off. While I’ve put a lot of emphasis on the uncomfortable setup the show otherwise seems okay and it’ll probably make the whole thing less creepy as it goes on, but as I said before with Uma Musume, first impressions are gonna be pretty important this season due to sheer volume, and on that front, this show is likely another pass for me.

Rating: Decent

 

Fist of the Blue Sky- REGENESIS

Synopsis: It is just before WWII, Kasumi Kenshiro hides as a quiet, absent-minded professor teaching literature at a small women’s college in Tokyo. Once the 62nd Grand Master of Hokuto Shinken, “God Fist of the North Star,” and known has Yan Wang, or “the King of Death,” who preserved the peace in the “City of Devils.” A fighter of thugs and drug dealers, Kasumi seeks anonymity and a quiet life until the death of his lover, and former brothers, forces him to return to Shanghai to fulfill his destiny and avenge the deaths of his associates.

First Impressions: I’m a pretty big fan of Fist of the North Star, and I’ve always been curious to check out its prequel series, Fist of the Blue Sky, so a new anime adaption seemed like as good an opportunity as any to do so. Having actually watched it through, I mostly walked away with a giant shrug. Part of what made Fist of the North Star an entertaining watch was the simplicity of its setup as Kenshiro wandered a post apocalyptic world, helping the innocent and punching bad guys into play-doh. This looks to be a little more complicated that as we’ve got some kind of conflict between Chinese mafia gangs, and another plot-line involving a mysterious little girl and her bodyguard. While nothing here was super difficult to follow, the lack of a clear focus did make it a lot less engaging than i was hoping, and it takes till the end of the episode for these threads to connect. Of course the actual issue here is the animation which is done courtesy of 3DCG anime studio, Polygon Pictures. 3DCG anime is already something that causes a lot of backlash on its own, and while I’m personally pretty neutral on it and Polygon is generally one of the better studios in that field, handing them a martial arts action show probably wasn’t a good idea. The animation is frankly clunky looking, even by their worst standards, and while that can normally be offset by how CG can benefit fight scenes, there aren’t really any to be had in this premiere so audiences are left with 20 minutes of clunky CG models mostly talking. I can’t say this is gigantic disappointment but I was hoping for a bit better and while my curiosity might compel me to give this another episode, if you aren’t already interested in Fist of the North Star, this seems like an easy skip.

Rating: Bad

 

Gundam Build Divers

Synopsis: The Gunpla Force Battle Tournament is a big event held in GBN once per year. Competing in the final round are Avalon, led by the champion Kyoya Kujo, and the elite 7th Panzer Division led by the cunning Rommel. Starting with Kyoya’s Gundam AGE II Magnum, a variety of Gunpla take to the field to determine which is the strongest force!

First Impressions: Gundam Build Fighters was actually my first real entry into the Gundam franchise (fight me) and I had a blast watching it since it turned out to be the crazy super robot show I never knew I wanted. It’s sequel, Gundam Build Fighters Try wasn’t quite as good, but I have enough love for the concept that I was more than willing to check out this new iteration. So far though this one seems to have dialed things down a bit as where the previous Build shows were a little more over the top, this seems a little more grounded which is slightly disappointing. Equally disheartening is that this seems to be a much rougher production than either of its predecessors as while they weren’t quite on the same level of quality as a full-blown mainline Gundam show, they were still pretty polished, and very pretty looking for kids shows. This in comparison has a lot more off model shots and some notable animation shortcuts, and since this is the first episode where the show is supposed to look at its best, that’s a little concerning. Having said all that I’m here for one thing: to watch giant robots punch each other. In that respect, the episode delivers as the first big fight of the series at least has enough direction going for it to make up for the shoddier animation, and even with my nitpicks, it didn’t take long for me to get swept up the atmosphere of watching these Gundams duke it out. So…yeah I’ll probably keep up with this for a while. It’s certainly no Gundam Build Fighters, and it might not even end up being a Build Fighters Try but so long it gives me the super robot fights I crave, I’ll be lining up to take a big sip of that every week.

Rating: Good

 

Legend of the Galactic Heroes- Die Neue These

Synopsis: The war between the monarchical Galactic Empire and the democratic Free Planets Alliance has raged ceaselessly across the galaxy for over a century, with the fleets of both powers having fought countless battles. Currently the conflict revolves around the strategic Iserlohn Corridor, one of only two passages of space through which the two forces can access each other. Here the Empire has built the nigh-impregnable Iserlohn Fortress, whose deadly weaponry has thwarted repeated efforts by the Alliance to capture her. Phezzan, a neutral mercantile state, controls the other corridor. The long war has resulted in an indecisive stalemate, but there are two men from the two worlds who will change everything: Wen-Li Yang, a gifted strategist from the Alliance who wants nothing more than to retire and be a historian; and Reinhard von Lohengramm, a man from the Empire whose ambition knows no bounds. Their loves, struggles, triumphs and failures play across an interstellar stage of intrigue, war and death.

First Impressions: Ever since I decided to pick up Viz’s release of the original Legend of the Galactic Heroes novels, I’d been really looking forward to this adaption since if handled properly, could make for a pretty good anime of the year competitor. Of course since then, I’ve burned through a decent portion of the 80’s OVA and when I learned that this version was going to start off with 12 episodes and 3 movies, I couldn’t help but feel a little apprehensive about the possibility of it being rushed. Fortunately, this first episode did a lot to dissuade those fears as it actually covered a lot less material than I was expecting, even under my ideal scenario. This premiere gives us a brief backdrop into the universe that surrounds this series, and the three major powers fighting over it before thrusting us into its first major battle and introducing us to one of our two main leads, Reinhardt. While a lot of this episode mixes between Reinhardt sitting around strategist and occasionally showing the aftermath in the battle itself, it maintains a consistent enough flow to never feel boring and it’s aided by a sturdy looking production. While CG battleships can be something of a mixed bag when it comes to visual execution, they actually blend in pretty well and it allows for the battles to have the sense of scale I had envisioned when I read the first novel. It also looks like it’ll hold up pretty well in terms of music as while competeting with the orchestral score of the 80’s OVAs was always going to be something of a losing battle, this makes a pretty solid effort, and the opening theme is something that’s probably going to be stuck in my head for a while. On the downside the other lead of this show, Yang, somehow ended up getting robbed of screentime for the entire episode, which is a little annoying on a personal level since he’s the best character, but hey I guess it just means he’ll get to steal the show next week so there’s that. I realize nothing I’ve said here is particularly helpful to newcomers so I’ll just say that if you’re in the mood for big space battles, and pretty boys (as well as some well timed political insights) you’ll be in for a good time. Go give it a watch

Rating: Great

 

Lupin the 3rd Part V

Synopsis: In the new series, Lupin III will travel to France — the home of his grandfather and namesake, Maurice Leblanc’s master thief character Arsène Lupin.

First Impressions: So in many respects, this one was actually my most anticipated show for this season. Lupin the 3rd pt 4 was my first entry into the franchise and I was blown away by how stylish and consistently fun in managed to stay over the course of its 26 episode run. Since this latest iteration has the same director, it pretty much goes without saying that I was really excited to check it out, and having the theme being centered around technology is an interesting take for a franchise that’s been around as long as this one and its off to a rip-roaring start in that respect as Lupin trying to work around the constant visibility of social media is a neat setup for his thieving shenanigans. Interestingly it does seem as though this version actually does hold some kind of connection to pt 4 as well as possibility some of the earlier incarnations, but much like the others this is pretty standalone and requires no previous knowledge to be able to jump in and have a good time. It’s a good thing too because in much like pt 4 before it, this is a really nice looking production and in addition to some slick animation, this premiere features what is quite possibly one of the coolest car chases I’ve ever seen on a TV animation production schedule. Sadly I kind of expect this to fall under the radar given the amount of bigger franchises and new series it has to compete with this season, but for what it’s worth this is hands down the best premiere I’ve seen thus far, and I highly recommend checking it out.

Rating: Excellent

 

Tokyo Ghoul: RE

Synopsis: Haise Sasaki has been tasked with teaching Qs Squad how to be outstanding investigators, but his assignment is complicated by the troublesome personalities of his students and his own uncertain grasp of his Ghoul powers. Can he pull them together as a team, or will Qs Squad first assignment be their last?

First Impressions: I really like the Tokyo Ghoul manga, and while people were pretty divided on its original anime adaption, I had a lot of respect for how it handled the material, even if the execution was murkier in Root A. Having said all that, I can’t say I was particularly excited for this. I’ve only read a little of the Tokyo Ghoul: RE manga and I’d normally be more than happy for an easy opportunity to see more of that material, there’s quite a few things holding back my optimism. For one thing, the anime diverged pretty heavily from the manga with its final episode, and while that normally wouldn’t be too big an issue for what’s just supposed to be an adaption, this is keeping in step with the manga’s continuity instead, meaning the anime’s ending is more than likely going to be retconned and it’s going to leave any anime only watchers seriously confused. My other point of contention is that for all its speedbumps the first anime series held up well on its own thanks to the efforts of its director Shuhei Morita who ended up being replaced for this iteration. For the most part the first episode hasn’t really done much to dissuade those fears. The obvious retcon is already in place, and the visual direction has been dialed back a bit from horror vibes to something a little more shonen-y. The bright spot here is that the material itself is pretty good. Whereas the first series focused on the perspective of the Ghouls, this one instead focuses on the perspective of the investigators that hunt them, with one of said investigators being Kaneki who seems to have somehow lost his memories. Its an interesting enough hook to keep things engaging and while I can’t say I’m super invested in the mystery surrounding Kaneki, I’m at least curious to see where it goes. All my groaning aside, I’m invested enough in TKG that I was probably gonna watch this even if it sucked, and while I still can’t help but feel a little irritated at how muddied the whole situation surrounding this show is, hopefully the actual material will be solid enough to ease those frustrations

Rating: Good

 

Real Girl

Synopsis: Hikari Tsutsui is a high school boy who is satisfied with the virtual girls he encounters in anime and games. He does not have many friends and he lives in his own world. One day, when he is stuck on pool cleaning duty, he is approached by Iroha, a “real girl” who is showy and popular with boys.

First Impressions: I’ve been hearing a few interesting things about the manga for a while, so I was somewhat curious about  the anime adaption for this. A romance between an otaku and a “normal” girl seems like it’d be pretty standard fare for anime at this point, but somehow or other it kind of isn’t (well at least without some kind of harem or power fantasy clause) so it makes for an interesting setup. The premiere is largely focused on getting us into the headspace of the male lead Tsutsumu who kind of strattles the line between annoying and sympathetic in his self-deprecation, with just enough of the latter to be fairly likeable. While the circumstances leading to him getting involved with Iroha are kind of contrived even by anime standards, the emotional circumstances of him coming out of his shell over the course of the episode are mostly believable enough to compensate, and the dynamic between the two of them is kind of cute. Unfortunently the show is held back by a pretty lackluster looking production as it’s noticeably ugly looking, and while its not totally devoid of direction, there isn’t quite enough of it to make up for the empty backgrounds and off model character shots. This made it a pretty uneven premiere to be sure, but I walked away with just enough interest that I kind of want to see where this is headed, so unless it gets flooded in the wave of other shows this season, I’ll probably give it another episode or two.

Rating: Decent

 

Tada-kun Never Falls in Love

Synopsis: Mitsuyoshi Tada, who has never known love, is taking pictures of the cherry blossoms in full bloom when he meets Teresa Wagner, a transfer student from Luxembourg. Upon arriving in Japan, she got lost, separated from her travel companion. Mitsuyoshi helps her and brings her to his grandfather’s coffee shop.

First Impressions: While this probably isn’t one of the more anticipated anime originals of the season it was one of the ones I was the most interested. Monthly Girls Nozaki-kun was a pretty fun shojo comedy so a series with pretty much all the same staff carrying over seemed like it’d be a good time. Although whereas Nozaki-kun was mostly a comedy and it’s romance angle was part of the punchline, this looks to be a little more sincere on the latter front while still carrying over a quick paced sense of humor. The result is mostly plesant and I got a few good laughs out of it. While none of the characters particularly standout so far, the show makes them likable enough, though between the two leads, Teresa is probably the more compelling of the two even if I kind of wish they were stalling on the obvious “twist” that she’s some kind of royalty. I can kind of do without the annoying best friend character but aside from him this seems like it could be a cute little romcom and it was certainly a plesant premiere. There’s no shortage of big shows this season but if you’re in the mood for something a little more low-key, this may do you fine.

Rating: Good

 

Megalo Box

Synopsis: A desolate land stretches out from the city of poverty. A motorcycle speeds recklessly, blowing clouds of sand and dust. The rider is the protagonist of this story – he has neither a name nor a past. All he has is his ring name, “Junk Dog” and a technique for rigging MEGALOBOX matches with his pal Gansaku Nanbu, which they use to support their hand-to-mouth lives. JD is bored, resigned, and unfulfilled. Yuri has been the reigning champion of MEGALOBOX for the past few years. He has the skills and presence of a true champion. This is a story of JD and his rival, Yuri.

First Impressions: And here’s yet another anime original that I was kind of curious about. The only thing I really knew about this going was that it’s supposed to be some kind of anniversary project for the boxing manga classic Ashita no Joe, while also apparently being it’s own thing (unless it involved robotic boxing arms and no one told me). It’s certainly a strange prospect to be sure, but the end result led to a pretty solid premiere. This seems to be continuing the recent trend of throwbacks to the grungy 90’s OVAs aesthetic as every aspect of this show oozes that sense of style, from the jazzy soundtrack to the artstyle that seems to be deliberately filtered to make the show look less modern. That 90’s vibe also applies to the show’s protagonist as well since Junk Dog is the sort of quiet tough guy who’s basically designed for folks who grew up on those kinds of anti-heroes and his struggle between trying to get by and his aspirations of becoming a real boxer seems like the perfect setup for a classic slum underdog story. Sadly it looks like it’s going to be another episode until we can see if the show has the animation and visual direction fully needed to match its boxing elements since we hardly get anything here, and while I wouldn’t expect full on Hajime no Ippo levels of action choreography, getting even a couple of intense matches could make for a fun treat. So far this show is mostly an exercise in aesthetic but it happens to be an aesthetic I’m down with so until the show gives me reason to think otherwise, it’s probably gonna be a safe watch for this season.

Rating: Great

 

Dances with the Dragons

Synopsis: Jushiki, a system for reproducing natural phenomena and paraphysical acts such as the creation of matter, allows humans to wield a power which they once feared as “magic.” Its mastery has brought advancements to all fields of life, while facilitating the extermination of the once-rampant “Dragons” and “Others.” Gaius and Gigina, two combat-type jushiki wielders, run an office in a chaotic frontier town called Eridana, and make a living using their art to solve problems and collect bounties. One day, a dragon-hunting job falls into their laps. But the job is just the start of a plot that goes far deeper…

First Impressions: So I didn’t know much about this going in other than it was apparently an LN adaption and that it has a pretty wacky title. What I walked away with was an…experience to say the least. Infodumping and light novel adaptions basically go hand in hand at this point and I normally just roll my eyes at the technobabble but this episode opens up one of the most incomprehensible pieces of exposition in recent memory and doesn’t get any easier to follow from there. By the end of the episode the only things I was really able to piece together is that our heroes are a pair of bishies who fight dragons and in addition to apparently having a hot elf girlfriend, one of them has what is hands down the most unfortunate light novel name I’ve ever seen: Gayus (the jokes almost literally write themselves). There’s also some kind of political craziness going on behind the scenes but the show doesn’t really offer any real clarity on it nor does it really do a good job of really introducing us to our leads aside from the whole hot elf GF thing. On the positive side it is quite pretty looking and the action animation is solid but I can’t say anything else about it seemed particularly appealing. It might make for a fun trash show but aside from that I’d say give this one a pass

Rating: Bad

 

The wave of new anime continues as the Winter season hits it’s second week, and more premieres are coming down the pipeline. So far it doesn’t seem like this season will test the limits of my sanity, but there’s still plenty more to check out, so might as well get started

Ratings Scale

Bad: Stay away far away from this one.  Not worth watching

Decent: Has some okay elements to it. Might be worth giving a  couple of episodes to see how it goes

Good: Fairly solid show. Should be worth keeping up with for now

Great: Really good show. Definently worth seeing if you get the chance

Excellent: Really outstanding show. Absolutely worth following .

• All series synopsis from Anime Planet                                                                                      ———————————————————————————————–

Karakai Jozu no Takagi-san

Synopsis: Nishikata is a middle school student who has suffered humiliation due to being teased by Takagi, the girl who sits next to him. Since then, he has vowed to one day do the same to her and succeed in teasing her.

First Impressions: So this is a show I was a little more aware of going in, but I also wasn’t sure how much it was going to grab my attention. It’s premise is essentially based off of one joke and since I’m already kind of rooting for Nishikata to eventually succeed in getting one over Takagi, it’s hard to say how much mileage the show is going to get out of that one joke for me. For what it’s worth though, this premiere was certainly cute and the dynamic between Nishikata and Takagi works well enough that I’m hoping the two of them will eventually be more honest about their obvious crushes on each other even if that’s probably not going to happen here. It also managed to get a couple of chuckles out of me so, I might keep going if there isn’t much else to watch on Mondays, but since I’m not currently sure if this will actually be able to maintain my interest for a full 12 episodes, I’m currently on the fence with it.

 

Basilisk: The Ouja Ninja Scrolls

Synopsis: The battle for succession that continued for three generations of shogun in the Keichou era culminated in a gruesome battle of ninja arts between the Kouga and Iga clans. Amidst a rain of flower petals, a man and woman who had decided to live for love were separated once again, beautiful in their transience.

First Impressions: Of all the sequels coming out this season, this one is the weirdest. The original Basilisk anime was a manga adaption by Gonzo, and was essentially if Romeo and Juliet was about ninjas and the feud between their two families escalated into a battle royale. Needless to say that show ended pretty violently, so I was really surprised it got another series, and this already looks like it’ll be a similar setup. The main difference this time though (aside from the more generic character designs) is that the Romeo and Juliet ninjas of this story happen to be siblings which is uh…more than a little questionable (and no the weirdness of it being acknowledged by the other characters doesn’t make it any less so) and this first episode is largely just setup as it’s dedicated to showing off the various powers of these soon-to-be-dead warriors. I can’t exactly say that there’s anything in this premiere that would really be enticing to newcomers, and the actual character introductions here are pretty weak, but watching ninjas fight to the death again is bound to be entertaining if nothing else, so if my Mondays stay light, this’ll probably make for an decent distraction.

Rating: Decent

 

• After the Rain

Synopsis: 17-year-old high school student Akira Tachibana is a girl who barely expresses herself. She harbors a secret crush on Masami Kondou, the 45-year-old manager of the family restaurant she works at part-time.

First Impressions: This was a title that I was kind of interested in checking out, but was also simultaneously very apprehensive about. While I wasn’t sure about the exact details behind it, I knew coming in that the basic premise was about a high school girl’s attraction to a middle aged man, and it’s not exactly a scenario that I imagine most folks are comfortable with, myself included. Having said that though, this first episode sure made a for a strong case in the show’s favor as it does a fantastic job of getting us into Akira’s headspace purely through her actions as we get an immediate feel for how isolated she feels thanks to an as-of-yet explained event, and the way in which she goes about dealing with her crush is equal parts cute and down to earth. Kondou himself comes off as pretty likable for the amount of time we spend with him, and the overall direction of the show feels downright pleasant, as it’s packed with solid character animation, and some shots that were so gently framed, I seriously forgot this was a WIT production. Of course, none of this really negates the fact that the show’s premise is a hard sell, and I’m still kind of worried about exactly what direction it’ll go with this, but this was such strong premiere that uncomfortable scenario aside, I’m willing to go along for the ride.

Rating: Great

 

Marechen Maedchen

Synopsis: Hazuki Kagimura is a normal girl who is usually alone. With her relationship with her new family not going so well, she retreats every day to the world of stories and books. One day, after school, one of the library’s bookshelves sends her to another world with a magic school, where she meets Shizuka Tsuchimikado. She finds out that girls (called “mädchen”) who attend the school are selected by old fairy tails and folk stories to wield their magic, and are taught how to wield it in the school. The school has girls who are chosen by such stories as Kaguya-hime no Monogatari, Issun-boushi, Der Freischütz, Shuten-douji, The Little Matchstick Girl, The Gigantic Turnip, Arthurian legends, and The Ramayana. Hazuki herself is chosen by the Cinderellastory. She begins her new life at the school to become a magic user, and be friends with Shizuka.

First Impressions: This was another title I was vaguely aware of coming in, and one that I was interested in checking out. The idea of a magical girl show based on fairy tale heroines sounded like a fun premise, and it was easy to imagine what kind of crazy ideas they could run with it. Unfortunately the show I actually watched, turned out to be a pretty boring waste of 23 minutes. While “isolated losers with no friends” is a pretty common staple for main characters, Hazuki is quite possibly one of the single blandest anime protagonists I’ve ever encountered. Nothing about her personality comes off as particularly exciting or even endearing, and her obsession with books feels more like a wacky anime trait than an actual part of her character, and since that IS supposed to be one of the defining factors of her character that we’re given here, there’s not really much of anything to go on. To make matters worse, in addition to our ultra boring protagonist, the show is pretty bland looking too, with the character designs being pretty cookie cutter, the visual direction virtually non-existent, and the OP theme having some of the most embarrassingly lazy clip-show animation I’ve ever seen for an anime opening (and given Magus Bride’s second opening for this season is also a lazy clip show, that’s saying a lot). I guess if you’re REALLY interested in the show’s supposed premise (which it doesn’t even elaborate on much in this premiere) it might be worth sticking it out longer, but I’m slamming this book shut.

Rating: Bad

 

Death March to the Parallel World Rhapsody

Synopsis: “Satou,” aka Ichiro Suzuki is a programmer in the middle of a death march. He was supposed to be taking a nap but somehow wakes up in another world… What lies before him is what looks like the menu screen of the game he was working before his nap. He’s at a complete beginner stage at level 1. However, he had three “Meteor Showers” which could level a whole map. Suddenly, a whole group of lizardmen appears in front of him. In order to survive, Satou uses Meteor Shower, his level jumped to 310 and he became extremely wealthy. Whether it be dream or reality, Satou’s journey was now beginning.

First Impressions: After a couple of seasons worth of absence,  a new “trapped in a video game” has decided to grace us with its presence. This one apparently stars a 29-year old man, working a thankless job as a game designer, and if that seems too realistic for a light novel protagonist, rest assured that he’s only a grown adult for the first 9 minutes of the show, after which he’s transported into the game he was working on and becomes 16 again, with all the in-game powers of a demi-god. I’ll admit I was pretty disappointed that the show didn’t actually decide to follow through on staring an adult protagonist (he still sounds like an adult when he’s thinking to himself, but it’s just not the same) but the show actually does seem to have a trick or two up it’s sleeve. The biggest point in its favor so far is that rather than having the main character be insanely overpowered purely for the sake of a convenient power fantasy, he has in fact become SO overpowered that a test of his powers nearly kills him, and he seems to actually be something of a danger to his new environment since he can casually shrug off dangers that would be disastrous for anyone else. I have no idea if the show is going to actually follow through on this idea, and I’d be very surprised if it did, but the novelty of it was more than enough to keep me entertained the entire time. It’s also a pretty decent looking show for what it is, and I really appreciate the use of darker colors in the MC’s real-world life to establish how much his job sucks. I’m probably giving this more credit than it deserves, but this was certainly an amusing enough premiere and I’ll likely keep going with this until I get bored.

Rating: Good

 

Hakata Tonkotsu Ramens

Synopsis: At first glance, the city of Fukuoka seems like a peaceful one, but under the surface, crime is running rampant. The city’s Hakata ward is home to the professionals of the underworld: professional killers, detectives, informants, professional revenge seekers, those skilled in torture, and more. And according to urban legend, even a “killer of professional killers” exists in the city. When stories of the men in the underworld are told, a “professional killer murder” appears.

First Impressions: When I was checking out the lineup for this season, I didn’t give this one too much thought aside from its weird title, but this one could turn out to be interesting. It’s been a little while since we’ve had a “carnival of killers” show, and this premiere is largely about establishing all the different assassin factions based in this one city, and giving us the circumstances that allow the show’s two leads to meet. By far the most interesting thing about this premiere was how it managed to tie the individual factions  together, and it could make for a fun Baccano-esque scenario, though I certainly wouldn’t expect this to be anywhere near as strong as that show was. Aside from that, I can’t say anything here was particularly impressive, but the show seems to be a lot more grounded than the premise would suggest, and I appreciate it’s more casual take on the seedy underworld of it’s setting rather than reveling in how dark it can be. Visually it’s a pretty by the numbers show, but it looks passable enough, and the music has a nice jazzy-vibe that fits aesthetic of the show. This certainly isn’t the most exciting premiere this season, but it more or less does what it needs to, and there’s enough potential for me to stick with it for a while.

Rating: Good

 

Hakyu Hoshin Engi

Synopsis: A once thrived kingdom, In—now governed by an evil hermit, Dakki, and her party—is in a chaotic status with its people suffering Dakki’s oppressions. Seeing this, The Hermit Band took it seriously and planned a “Hoshin Plan” which is assigned to an apprentice hermit, Daikobo, who gathered partners, captured and sealed all evil hermits, and planned to establish a new kingdom. On the other hand, the strongest and an In- royal hermit, Bunchu, stood up against Daikobo to protect the old kingdom with all his might. Thus, the death battle among invincible hermits begins…

First Impressions: Of all the new shows coming out this season, this was probably the one that intrigued me the most. Ushio & Tora turned out to be a really excellent shonen throwback, so the idea of another classic shonen getting a revival seemed like something right up my alley. Sadly, though I’d have to say that this premiere is a mess. While my familarity with the manga only stretches as far as a handful of chapters I read way back when, I knew coming into this that it came to a grand total of 23 volumes, and since this is only slated for about 24 episodes, they were obviously going to have to cut a lot of material. Given that Ushio & Tora worked out well despite having to do the same thing, I wasn’t too worried about notable pacing issues, but it seems that rather than cutting out material to fit the story within the show’s episode count, the staff chose to do the exact opposite of that and are rushing through the plot at breakneck speed in order to fit in as much as they possibly can.

That approach works about as poorly as it sounds as this first episode moves a mile a minute, and things happen so quickly that it’s hard to keep track of what’s happening in any given scene, and it gets to the point where I almost couldn’t tell who was talking with who. It’s a real shame, because the material I was able to piece together seemed interesting enough, and the show actually looks like a very polished production with gorgeous backgrounds, and some color visual direction, but things move so quickly that the show doesn’t give enough time to appreciate any of it. Sacrifices were to be expected when it came to the amount of material the staff had to compress, but this premiere felt like it should have been spread out into 2 or 3 episodes, and if it’s coming out of the gate this troubled, I’m scared how the rest of it’ll turn out. I might give this another episode out of sheer curiosity, but I can’t imagine either new or familiar audiences being happy with this, and this feels like it’s going to be a project under siege.

Rating: Bad

Killing Bites

Synopsis: Killing Bites are underworld duels between human-animal hybrids. One beast who knows no fear will fight in this animalistic world full of fear and insanity. This ultimate battle of the beasts will shock you to your core!

First Impressions: All I really knew about this one coming in is that it had something to do with furry girls and ultraviolence, so I suppose I shouldn’t have been surprised this was on the trashier side of things. The first minute of the show features attempted rape, and things don’t really get that much more wholesome from there, as the actual furry people duels teased in the show’s premise are on the gruesome side of things, and since Amazon seems to have the uncensored version available for streaming, it’s literally full frontal when it comes to fanservice. In any other season this might be my go to choice for trashy entertainment, but since Devilman Crybaby was filled to the brim with ultraviolence and sex while also being ya know…good, I feel kind of spoiled now, and this felt a lot more shruggy than it probably otherwise would have been as a result. This is another one where I honestly can’t say whether or not I’ll give it another episode, but I guess if you’re in the mood for crazy trash, this is the place to look this season.

Rating: *Meh*

 

Darling in the Franxx

Synopsis: Set in the distant future, the land is ruined and humanity establishes the mobile fort city Plantation. Pilots produced inside Plantation live in Mistilteinn, also know as the “birdcage.” Children live there knowing nothing of the outside world or the freedom of the sky. Their lives consist of battling to carry out missions. Their enemies are mysterious giant lifeforms known as Kyouryuu, and the children pilot robots called Franxx to face off against them. For the children, riding the Franxx proves their existence. A boy named Hiro is called Code:016, and he was once known as a prodigy. However, he has fallen behind, and his existence seems unnecessary. Not piloting a Franxx is the same as ceasing to exist. One day, a mysterious girl known as “Zero Two” appears before him. Two horns grow out of her head.

First Impressions: And ending out my first impressions for this season, we have what was probably it’s most anticipated show. Studio Trigger shows tend to get people excited, and generally for good reason, but for one reason or another I ended up not paying too much attention to this in terms of previews and came in completely blind. That may have been for the best as this premiere is certainly solid, but moreso in flash than substance. 2D mecha animation is something of a dying breed these days, but this show is out to make as strong a case for it as possible because it comes roaring out of the gate with some awesome looking robot designs, and equally cool looking monsters. The animation here is spectacular, from the action to the character movements, is incredible and really feels like it’s hearkening back to Gainax’s most acclaimed mecha shows like Gurren Lagann and Eva. As far as the actual story itself goes it’s…kind of hard to say how it’ll go thus far. We spend most of the episode in Hiro’s headspace as we learn that he doesn’t like the feeling of being another cog in the apparently messed-up system that governs the world he’s in but the exact details behind his current isolation are a mystery, and the exact details of the show’s premise go largely unexplained (though with the amount of unsubtle sex metaphors making up some of it’s terminology I can make a few guesses), making the visual flair it’s strongest hook. Fortunately that’s a pretty strong hook. and while it’s hard to say if this’ll actually cover any new territory as far as mecha stories go, it at least seems like it has a story to tell. I wasn’t quite as blown away by this as would generally be expected of new Trigger things, but it certainly looks cool, and there’s enough potential on display that this a pretty easy recommendation if you’re looking for something big to get excited about this season besides Devilman.

Rating: Great

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And that’s it for my Winter impressions. Aside from my disappointment with Hoshin Engi, I have to say that so far this seems like it could be a pretty decent season. There’s some pretty comfy shows to check out this time around, and a couple of things that seem like they could have some serious potential. Of course it’s hard to say if any of that will stick, but hey if it doesn’t, Devilman Crybaby has ensured that there’s at least one show from the season that’s bound to stick everyone’s heads for a while. Until next time, stay animated

It’s the start of a new year everyone, and that means a year of new discovers, new political scandals, new potentially world ending disasters, and most important of all, new anime. The winter season is generally a pretty sleepy one, and the division with certain anime streaming services could easily make this worse, but there’s actually quite a bit of potentially interesting stuff this season, and there’s always the possibility of a sleeper hit or two. As always there’s quite a bit of stuff to get through, so let’s get to it.

Ratings Scale

Bad: Stay away far away from this one.  Not worth watching

Decent: Has some okay elements to it. Might be worth giving a  couple of episodes to see how it goes

Good: Fairly solid show. Should be worth keeping up with for now

Great: Really good show. Definently worth seeing if you get the chance

Excellent: Really outstanding show. Absolutely worth following .

• All series synopsis from Anime Planet

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A Place Further Than the Universe

Synopsis: Scenery that we have never seen. Sounds that we have never heard. Scent that we have never smelled. Food that we have never tasted. And the surge of emotion that we have never experienced. This is the expedition of recollecting the pieces torn apart and sensation left alone. When we reach that place, what will we think? Howling, 40 degree angle. Raging, 50 degree angle. Shouting, 60 degree angle. A wilderness beyond the heavy sea. The furthest south, far from civilization. At the top of the Earth. We will find lights through the girls’ eyes to live tomorrow.

First Impressions: This one kind of fell under the radar for me, as while it looked kind of interesting, I assumed it was probably going to be a cute girls doing cute things kind of deal. What I got instead seems to be something that could actually turn out to be really exciting. The feeling of having never done anything adventurous in life that helps to kick off this story is something I can relate to pretty easily (I’m quite boring in case you couldn’t tell) and the premiere does a great job of capturing that desire to do the impossible while also leaving me immensely curious as to how our two heroines will actually make their supposed journey to the Antarctic. In addition to it’s solid hook, the show also has a pretty nice visual aesthetic going for it, as while its director Atsuko Ishizuka is generally known for her use of bright and outlandish colors in her shows, this has a much more muted look to it, and it serves the angle of realism that the show is apparently going for. I sure wasn’t expecting much from this one, but it looks like our first new anime of the year is actually off to a solid start

Rating: Great

 

Ms. Kozumi Loves Ramen

Synopsis: Koizumi is a high school girl who looks like a cool beauty at first glance, but actually has an unexpected side of her that loves ramen.

First Impressions: This is another show I didn’t give much attention to in previews, but Winter’s generally a decent time for anime comedies, and going by the incredibly stylish OP song, this seemed like it could be pretty entertaining. The actual show itself on the other hand, left me feeling a little mixed. It’s premise seems very straightforward as it centers around a girl named Kozumi who’s passionate about ramen, and another who follows her everywhere because she thinks she’s cute. On the surface that seems like an okay enough setup for a comedy, and the ramen itself is detailed enough to make for some solid food porn. The problem lies in that Kozumi’s admirer is basically a stalker, and despite being turned down at the end of each of the premiere’s three shorts, the “joke” is that she can’t take no for an answer, and keeps trying to hang around Kozumi anyway. This could kind of work if the show gave the impression that Kozumi tolerated her enough that she might gradually warm up to her or something, but she’s clearly disinterested and it just makes the stalker girl’s antics come off as more pestering than endearing. Maybe I’ll consider giving this another shot if the season seems light on good comedies, but right now this looks like something I’m gonna take a pass on.

Rating: Bad

Laid-Back Camp

Synopsis: Rin enjoys camping by the lakeshore, Mt. Fuji in view. Nadeshiko rides her bike to see Mt. Fuji, too. As the two eat cup noodles together, they behold the beautiful scenery around them.

First Impressions: Continuing the trend of things that fell under the radar for me was this show, which coming in seemed like it probably wasn’t going to be for me. Series about cute doing cute things have to have a really strong hook to maintain my interest, and while it certainly wasn’t a hook I expected, cute girls doing camping trips seems like something I can get behind. I myself am a former Boy Scout and go on yearly trips with my dad’s troop so I know a pretty good deal about camping and the show manages to capture that feeling surprisingly well. From accurately setting up an A-tent to acknowledging how much of pain it can be to start campfires, the attention to detail was really impressive and it really felt like the kind of experiences I’ve had going on weekend camping trips. It helps that the show has a nice visual atmosphere as while the character designs are pretty standard as far as moe goes, the backgrounds really capture the rustic beauty of nature, and the last shot of Mt. Fuji towards the end pretty much nailed it home. As far as the characters themselves go, so far nothing about them stands out to me enough to assume they’ll be much more than the usual moe archetypes, but the two girls we’re introduced to so far are likable enough, and the show feels so relaxing that I can probably get over that if it can maintain the overall aesthetic of this premiere. I sure didn’t have any real interest in this one coming in, but while it’s brand of moe just happens to be attached to something I’m actually familiar with, it captures said thing well enough that I’m more than willing to give it a few episodes.

Rating: Good

 

Katana Maidens~Toji no Miko

Synopsis: Since the ancient times, the Kannagi priestesses have used their swords, or Okatana, to exorcise the creatures known as Aratama that brought chaos upon the world of man. These maidens were known as Tojis. They are a special task force within the police. They are allowed to have their Okatana on their person because they are government officials, but they mostly consist of middle school and high school girls who go to one of five training schools throughout the country. Though they mostly live normal school lives, if they are given a mission, they take their Okatana and unleash their powers, fighting to protect the people. This spring, the top Tojis from five schools across the country have been gathered for a customary tournament where they will use their abilities and fight for the top position. As the many Tojis trained and prepared for the upcoming tournament, there was one girl who was even more determined than the others on improving her swordsmanship. What lies before the end of her Okatana?

First Impressions: So I’ll be completely honest in saying that decided to watch this show literally immediately after going through the first 5 episodes of Devilman Crybaby and checking out the first ep of Maid in Abyss on Prime Video since Anime Strike finally kicked the bucket. That seems to have been a pretty poor decision because despite having spent 23 minutes of my life on this show’s premiere, I couldn’t really tell you anything that happens in it. It’s among the latest in the moe action show genre that seems to have gradually become a thing over the years and the plot has something to do with girls with swords fighting ugly CG monsters and apparently having rough internal politics. Even though my mind was admittedly elsewhere while watching I can’t say that anything about this really grabbed me. The characters introduced so far seem like the general archetypes you’d expect from this type of show and while it’s certainly not the ugliest looking show around, it’s pretty bland on a visual front, and that made it’s occasional instances of awkward CG stand out more. In fairness, the show seems harmless enough, and if moe action shows are your jam, then I guess you might get something out of it, but for right now, I have enough to watch for this to be an easy pass.

Rating: Decent

 

Junji Ito Collection

Synopsis: The works of one of the most famous Japanese horror manga artists, Junji Ito, finally gets animated! This will be an omnibus animation where each episode will star different protagonists such as the famous Tomie, Soichi, and Fuchi!

First Impressions: Junji Ito is known throughout the world as a master of horror manga, so idea of an anime adapting some of his best short stories certainly seemed interesting enough. The premiere kicks off with a short story about a creepy boy named Souchi who goes around placing curses on people he doesn’t like. It’s an interesting story in and of itself but admittedly it didn’t really work too well as a horror story, and the visual direction, while competent, didn’t do much to make any of it particularly scary. However I was a little more impressed with the second short, as even though it only went on for about a minute, it at least ended on a grotesque enough visual to make me feel like we could be in for some neat stuff later on. I’ve been curious about Junji Ito’s works for a long time, so it’s pretty much a given that I’ll keep up with this, but while I certainly wasn’t bored by this premiere, I’m hoping the next episode has some better stories to adapt.

Rating: Decent

 

Record of Grancrest War

Synopsis: The fantasy action light novel series takes place on a continent ruled by chaos. The chaos breeds disaster, but the Lords of the continent have the power of “Crest” (a Mark of the Saint) that can calm the chaos and protect the people. However, one day the rulers throw away their creed of protecting the people, and instead start to fight each other with their powers to gain dominion over each other. The novels center on Silka, an isolated mage who scorns the Lords for abandoning their creed, and a wandering knight named Theo, who is on a journey to train to one day liberate his hometown, which is under tyrannical rule. Silka and Theo make an everlasting oath to each other as master and servant, and work together to reform this continent dominated by wars and chaos.

First Impressions: So I knew going in that the author’s previous series, Record of Lodoss War (or more specifically it’s OVAs) has generally been held up by the anime community as something of a classic, and while I haven’t gotten around to that one yet, it certainly helped to put this show on my radar. I can’t exactly say that this premiere blew me away, but it certainly holds a decent amount of promise. The show’s fantasy setting seems a little on the generic side, and the rough looking quality of the production right out the gate certainly doesn’t help with that, but it makes up for these deficiencies in other areas. One point in it’s favor is that it at least does a semi-admirable job of making its magic elements stick out from the rest of the show visually, and it manages to avoid feeling too infodump-y when it comes to exposition, which is always something I’m happy to see dodged when it comes to LN adaptions. The thing that really works for me so far though is the dynamic between it’s leads, as while they meet under some pretty contrived circumstances, the chemistry between them works well enough to make me curious about what they plan on accomplishing together, while leaving plenty to be explored for both. Overall this was a perfectly competent premiere and while I can’t exactly say this show is a standout, it looks like it’ll scratch my fantasy itch just fine

Rating: Good

 

Sanrio Boys

Synopsis: The project’s premise follows Kouta Hasegawa, a high school boy that loves the yellow Pom Pom Purin dog. By mere coincidence, he ends up attending the same school as Yuu Mizuno, a boy who likes the bunny My Melody. Yuu tells Kouta that there’s nothing to be ashamed of for liking Sanrio’s cute characters. Together, Kouta, Yuu, Shunsuke Yoshino, Ryou Nishimiya, and Seiichiro Minamoto learn to accept their love of the characters instead of feeling embarrassed.

First Impressions: I’ve said this before in previous seasons but male idol shows generally aren’t my kind of thing for all the reasons you can probably guess and even the ones with a decent hook usually have to go the extra mile to impress me. So needless to say I was pretty surprised when I walked away from this premiere satisfied. I suppose the biggest point in this show’s favor is that rather than throwing out all the bishies to the audience at once, the first episode is instead laser focused on the protagonist and how his love of cute things helped to make him into an introvert. Nothing about his story is particularly unique, and it was pretty easy to guess where its big dramatic turn was headed, but it was told just well enough to make me feel for him, and that certainly works out better for me than most male idol things I’ve tried. It also helps that the show has some surprisingly solid animation for its genre, and the visual direction is pretty effective too, helping to give it something of a more distinct look compared to its competition. It’s entirely possible the rest of the show is going to be a lot more ensemble focused, and said ensemble could just be the usual archetypes for this kind of series, but enough about this premiere impressed me that I’m willing to go along with it for a while longer.

Rating: Good

 

Pop Team Epic

Synopsis: The self-described “crappy anime” centers around two 14-year-old girls, the short Popuko and the tall Pipimi. The story summary on the anime’s website quotes William Shakespeare’s Tweflth Night play, “There is no darkness but ignorance.”

First Impressions: I’m not even sure what to write here honestly, and I probably shouldn’t even bother. Nothing I could write would accurately depict the kind of experience this show is, and anything I’m capable of saying would spoil it. Just…go watch it I guess?

Rating: WHHHHHHHHAAAAAAAAAAAAATTTTT??!!!!!!!

 

Citrus

Synopsis: Yuzuko Aihara, a high school girl whose main interests are fashion, friends and having fun, is about to get a reality check. Due to her mom’s remarriage, Yuzu has transferred to a new, all-girls school that is extremely strict. Her real education is about to begin. From Day One, happy-go-lucky Yuzu makes enemies, namely the beautiful yet stern Student Council President Mei. So what happens when a dejected Yuzu returns home and discovers the shock of her life: that Mei is actually her new step-sister who has come to live with her? Even more surprising, when Mei catches Yuzu off-guard and kisses her out of the blue, what does it all mean?

First Impressions: Well I knew going in that this was a yuri show, and giving that explicitly yuri based titles tend to be on the trashier side of things, I tempered my expectations accordingly. Having actually watched the first episode, I can’t exactly say it wasn’t what I expected but it was definently better than I thought it would be. For one thing the show surprisingly well directed. It knows its audience is here to see girls making out, and lays out the fanservice accordingly while never getting so explicit that it affects the context of whatever’s happening. The show also looks pretty good, given that yuri titles tend to look like lower end productions, and it helps in making the episode’s sexual moments to be a bit more effective. Of course while there’s certainly a lot of nice window dressing here, it’s still a pretty trashy affair, and the first episode even ends in a makeout session, so if you were somehow hoping for an earnest lesbian romance, you’re probably gonna have to look elsewhere. As for me, I wasn’t really expecting much, and I still kind don’t, but the overall presentation in this premiere was just competent enough, that I’m willing to take a plunge on another episode.

Rating: Decent

 

Slow Start

Synopsis: 16-year-old Hana Ichinose who unbeknownst to her classmates was a year late in enrolling into high school. Although it may not seem like a big deal, it is a big deal to her. She wants to catch up with everyone else someday.

First Impressions: Me and moe have had something of a rough relationship over the years, as “cute girls doing cute things” is not my cup of tea, but it has also generally gotten better about knowing how to throw in some kind of hook for wider audiences. This show however, feels as though I’ve somehow gone back in time 10 years because it almost the literal personification of stereotypical moe. The character designs have the absurdly big eyes that people used to poke fun at, the artstyle is pretty bland, and the girls themselves are walking archetypes to the point where the heroine’s defining trait is literally that she looks too young to be in high school. If there’s one bright spot here it’s the character animation, which is so good in some instances that it almost feels outright offensive given that the characters themselves don’t really display enough personality to justify it. I had thought moe was past being this by the numbers but I guess I was wrong. As always, I’ll be fair in saying that if cute girls doing cute things is you’re jam, this should do a perfectly adequate job of filling your needs, but I personally need a little extra spice in my cute girl shows, and this was just too much of a slow start to keep my interest.

Rating: Bad

 

Kokkoku: Moment by Moment

Synopsis: In order to save her brother and nephew who have been kidnapped by a mysterious religious group known as the Genuine Love Society, Juri and her family cast a spell using a stone hidden by her grandfather to enter the world of stopped time known as Stasis. However, when they infiltrate the kidnapper’s base, they’re met by other people who can also move about freely. With grotesque creatures lurking about, will they be able to escape the parallel world and return to their normal lives?!

First Impressions: Since I assumed this was going to be locked under the recently defunct Anime Strike, I didn’t pay any attention this one in previews, but now that I actually CAN watch stuff on Amazon without the double paywall, I figured I’d give this a shot. This is the first series by Geno Studio, aka the zombie version of the anime studio, Manglobe and for a first show this seems…pretty middle of the road. We spend most of this first episode getting used to the main character and her family, the latter of whom come off as intentionally unlikable, and from there it transitions into the setup for a strange sci-fi thriller involving the ability to stop time. As the show has yet to really clue us on on what the premise will actually involve, the premiere is very much on the slow side of things, and middling production values don’t really help it stand out visually with the exception of some strange looking 3DCG when demonstrating the effects of stopping time, and it’s outrageously cool opening theme. This seems like it’s going to be one of those cases where I can’t really give my two cents on the show until I actually know what the heck it’s about, and since that’s apparently going to require at least one more episode, I guess it has my attention for now

Rating: Decent

 

Mitsuboshi Colors

Synopsis: In a certain corner of a certain park in a certain Ueno area of Tokyo exists the secret base of the “justice organization” called “Colors.” A group of three elementary school girls lead Colors, and the members of the group roam the park day and night (actually just until evening) to protect the peace of the park.

First Impressions: I feel like someone in Japan must have heard me complaining about how boring Slow Start was, because every ounce of this show feels like the superior version of that. I may not be big on the premise of cute girls screwing around for 20 minutes, but “kids being kids” is one of my favorite forms of slice of life shows (part in part why Ed, Edd n Eddy remains my favorite cartoon of all time) so little girls, screwing around and generally just being goofy kids, is something I am absolutely down for. There’s always something magical to me about seeing how much excitement little kids can make out of mundane activities, and both of this episode’s two shorts do a really great job of demonstrating the different personalities of the main trio while also making, some of the most believable little kids I’ve ever seen in anime. Their interactions with one of the town’s lazy cops made for some consistently solid jokes, and I walked away from this premiere feeling way more entertained than I was expecting. If the rest of the series can be as charming as this first episode one, than this is absolutely gonna be a keeper for me.

Rating: Great

 

School Babysitters

Synopsis: Ryuichi and Kotarou are brothers who lost their parents in an airplane crash. They’re taken in by the chairman of Morinomiya Academy, who lost her son and daughter-in-law in the same crash, on one condition: Ryuichi has to babysit the kids at the daycare room in the school! This room was opened to help the school’s teachers who had kids to take care of, but it suffers from a lack of staff until Ryuichi becomes the first member of the babysitter club formed to solve that problem.

First Impressions: Well I guess this must be the season where children take over anime because here comes another show about little kids. At first glance this seems like a show dedicated to showing off how cute little kids can be, and as someone who’s actually helped out in a few preschool classes, I’ll admit I’m a pretty good target for this sort of thing, and much like with Mitsuboshi Colors, I was impressed with how well this was able to make the kids feel like well…kids. What I wasn’t expecting though, was for this show to actually have a pretty solid emotional hook. While the two brothers losing their parents in the beginning of the episode is shot through so quickly that it almost feels like an excuse for this premise to exist, it turns out to actually be a deliberate measure as Ryuichi doesn’t really realize the impact that the loss of his parents has had on him, until he’s in a situation where he realizes he’s the only one left who can look after his little brother, and the scene hit so hard that it had me tearing up a little bit. It’s hard to say how much that feeling of loss is going to end up ultimately playing into this show, and I really hope it does, but if it doesn’t it at least has a strong cuteness factor going for it, and that makes this a pretty good pick up for me.

Rating: Great

The fall anime rollout continues as a pile of new premieres comes out of the woodwork. So far the season’s been off to a pretty solid start with a couple of standouts, some decent looking stuff and only a couple of real stinkers. Now let’s see how well it can keep up that momentum

Ratings Scale

Bad: Stay away far away from this one.  Not worth watching

Decent: Has some okay elements to it. Might be worth giving a  couple of episodes to see how it goes

Good: Fairly solid show. Should be worth keeping up with for now

Great: Really good show. Definently worth seeing if you get the chance

Excellent: Really outstanding show. Absolutely worth following .

• All series synopsis from Anime Planet                                                                                      ———————————————————————————————–

Code: Realize ~Guardian of Rebirth

Synopsis: I want you to touch me. I want to feel your warmth. Claudia is a girl who possesses a toxin that melts everything she touches. Feared as a monster, she spent her days in isolation. One night, just as she is about to be captured by the British army, she meets a man who calls himself the gentleman thief, Arsène Lupin. She arrives at London, where she meets many people and experiences many things. In her adventures with Lupin, she comes close to discovering the truth about her body and her missing memories. What is the truth that this so-called “monster” of a girl finds?

First Impressions: This show is our second otome game adaption of the season, but where Sengoku Night Blood felt a little too auto-piloty and dull for how goofy it’s premise could have been, this one seems thankfully seems to be trying a little harder. The premise this time centers around the protagonists from classic British novels teaming up to protect a mysterious waif from the government and some nebulous evil organization, and the show properly capitalizes on that goofiness with Arsene Lupin being a showboat tsundere and Victor Frankenstein publicly regarded as a terrorist despite apparently being a sweetheart. Aside from those crazy asides there’s not a whole ton to this one, but it kept me relatively entertaining, and the female lead feels a bit less like an insert character compared to Night Blood so there’s at least the hope the story might try to build some actual chemistry between her and her harem. The direction also leans in favor of this one making an attempt to sell some kind of story so all in all it feels like a pretty workable premiere. How long I stick with this probably depends on how much mileage they can get out of the novel character inserts, but for the time being, I can give it a few more episodes

Rating: Good

Two Car

Synopsis: Yuri Miyata and Megumi Meguro are two girls who enter the world of competitive motorcycle sidecar racing on Miyake Island. While they are the complete opposites of each other, and often butt heads, they complement each other well during races. The team will fight other motorcycle sidecar teams from all over Japan, each with their own opposing traits, such as honor student and working student, sadist and masochist, and a funny man and straight man.

First Impressions: Slapping moe on top of different genres has been a trick that anime’s been pulling quite a lot recently, and this isn’t even the first time it’s been racing related. However while I haven’t seen any of the other moe racing titles, the general reception has been pretty negative so I wasn’t sure what to expect coming into this one. What I actually got was pleasantly surprising as the first episode managed to capture all of the appeal of a good sports anime, and makes the racing feel as exciting as possible despite some of the obvious visual limitations. It helps that the episode also does a solid job of introducing us to our two heroines and does a great job of selling their dysfunctional friendship and making the dynamic between them feel totally believable. So far the rest of the racer girls just feel like a checklist of popular archetypes from goth lolis to mature lesbians, but hopefully the show will manage to expand on them as it goes further in, I wasn’t expecting to enjoy this one as much as I ultimately did, but it was a pretty pleasant premiere and I’m certainly up for more of it.

Rating: Good

The Ancient Magus’s Bride

Synopsis: Chise Hatori has lived a life full of neglect and abuse, devoid of anything resembling love. Far from the warmth of family, she has had her share of troubles and pitfalls. Just when all hope seems lost, a fateful encounter awaits her. When a man with the head of a beast, wielding strange powers, obtains her through a slave auction, Chise’s life will never be the same again.

First Impressions: I’ll be blunt here. There pretty much wasn’t any way I wasn’t going to like this show. The manga’s come highly recommended by folks whose opinions I generally trust, and I recall really enjoying the bits of it I skimmed through a few years ago back when I used to read scanlations. The real question is how MUCH I was going to like this show, and the answer is quite a lot. The premiere does a wonderful job of introducing us to our depressed heroine Chise, and while we’re never given any specific details as to how she ends up in her current situation, we’re given just enough information to get an idea of how rough her life was before giving herself away to Elias, and I’m already looking forward to learning more about her. That of course speaks nothing for the show’s fantasy world which is of course going to be the biggest draw for most people. Admittedly even without being that familiar with the source material I was a bit apprehensive about Wit Studio handling this given that this seemed like it could really use a fantastical visual aesthetic, and their stuff generally looks too clean to properly handle that sort of thing. I can’t say this premiere completely removed those feelings as some parts of it looked a little too anime for what I was hoping to get (looking at you fairies) but the overall presentation creates a solid sense of atmosphere and sells the fantastical nature of its setting as both beautiful and dangerous. All in all this premiere was pretty much what I was hoping I’d get and while I’m a little nitpicky on how this is being drawn, everything about it works so well that it’s really hard not to get sucked in. I’m in this one for the long haul

Rating: Great

 

Anime Gataris

Synopsis: Just as soon as she enters Sakaneko Private High School, Asagadani Minoa is dragged into the anime club by her classmate, Kamiigusa Arisu, even though she knows next to nothing about anime. A classmate, Kouenji Miko, along with other anime-loving senpais, quickly turn her into an anime fan. Fighting off the incessant shut-down threats of the student council, and completely oblivious to the coming apocalypse, the anime club talks about anime in the club, at Akihabara, at anime Meccas, and at hot springs.

First Impressions: A lot of international fans tend to make this mistake, but anime isn’t really as big in Japan as you’d think. They’re certainly surrounded by it more, but outside of household stuff that everyone knows like One Piece or Sazae-san, it’s a niche thing the same way it is in the rest of the world. Given that, a series about a girl with only an extremely casual interest in anime suddenly finding herself thrust into an anime club sounds like a pretty fun premise, and while the show seems to have a bit too much anime style wackiness for how grounded of a premise this should be (did we really need super flamboyant teacher man?), and wasn’t as funny as I’d hope something like this could be it seems amusing enough to at least have a bit of fun with this idea. All of this…is what I would like to say but the the last 3 minutes or so of the show suddenly shifts gears by introducing a talking cat and some kind of magical beret that can stop time. It comes off as pretty weird, even on top of some of the out of place wackiness that was already in there to begin with, and I left unsure of exactly what kind of show this is going to be. At the same time though, it’s so out of left field that it did leave me genuinely wanting answers as to why it’d suddenly pull this sort of stunt, so I guess much like MMO Junkie, I’ll be giving this another episode if only to see what the heck the actual show will be.

Rating: ???

 

A Sister’s All You Need

Synopsis: Itsuki is a novelist and “modern day Pygmalion” who works day in and day out to create the ultimate younger sister. He’s surrounded by various other characters: a beautiful genius writer who loves him, his big-sisterly classmate from college, a fellow male writer, a sadistic tax accountant, and his editor. They’re all looked after by Itsuki’s perfect younger step-brother, Chihiro, who has a serious secret.

First Impressions: I’ve been a hardcore anime fan for roughly 12 years, and in that time I’m come across my share of irredeemable trash. In all that time however, I’ve never seen a show actually attempt to stockholm syndrome the audience into accepting it until now. The first 90 seconds of this premiere is the comprised of the grossest “imouto/little sister” fantasies imaginable, and to the point where I’m sure even real life creepers would cringe a little. It’s all mercifully revealed to be something of a bizarre fakeout though, as we then transition to a less gross, but still kinda gross story about a light novel writer with an extreme imouto fetish and his fellow author friends, one of which happens to include his jokes around about wanting to get in his pants . Admittedly her antics and the semi-decent conversation the group has while just lazing around with each other was almost tolerable enough to trick me into getting over those first 90 seconds, but then the show reveals the MC’s junior is horny to the point of acting sniffing his dirty undies, and the show has the gall to immediately try and shift into being a “sincere” romance between the two of them. I don’t think I’ve ever experienced a level of whiplash this fierce but this show certainly accomplished it, and while that might seem like an endorsement to at least watch this first episode before checking out. Do yourself a favor and don’t. Transitioning from the quality of the show from the  lowest circle of Hades to purgatory was a clever ploy, but even with that in mind, this isn’t worth giving the time of day. I need some brain bleach.

Rating: WELCOME TO PURGATORY

 

Evil or Live

Synopsis: In this modern society, a new kind of “illness” is striking young boys and girls; Loneliness, disbelief and outrage push this generation to get more or more attached to Internet and technologies. The experts called those symptom “Net Addiction”. To prevent that, a certain Rehabilitation Facility has been set up to “Lead the young man back to the right path”. Enrolled to treat is addiction, Hibiki had no idea that this Rehabilitation Facility is nothing more than a prison. In this place where it’s not permitted to escape, how will Hibiki challenge despair in this hell?

First Impressions: And to close on my fall show impressions, we have our obligatory Chinese co-production of the season. As always I approach these with a sense of dread since with the exception of A Centaur’s Life (which never quite lived up to its premise) they’ve generally been pretty awful. This show however is truly special. And when I say “special” I mean this may well be the single most pretentious anime I’ve ever seen, and given I’ve seen upwards of 500 shows, that’s saying a heck of a lot. This series is based off the wonderfully archaic premise of young people being so addicted to the internet that they can barely function and have to be sent to a special facility to be rehabilitated. If this sounds like a 50-60 year old man’s idea of “edgy social commentary” rest assured that this plays out exactly like that, and I could almost literally feel the author yelling “these young people and their gosh darn internet!” though my screen.

To “add” to all of this, we have the show’s visual direction, which is shot in letter-boxed format for whatever reason and occasionally incorporates shots from real world environments and some other crazy visual cues, which feels like it’s supposed to give the show a look to match the weight of it’s “message” but it just makes the show seem even more full of itself than the writing already does, and these tricks don’t do much to match the low-end character designs and choppy animation that continually plagues every chinese co-production that’s come out to this day. All of this comes together to result in a show that’s convinced it’s the smartest thing ever made, and in the face of such bold stupidity I couldn’t help but be amused. Everything about this premiere is dumb and terrible, but it’s ridiculous that I’m genuinely curious to see how far it’ll go in it’s soapboxing and it’s certainly entertaining if nothing else. It’s rare that any of these chinese co-productions leaves me genuinely  wanting for more but this is such a unique brand of bad, that I can’t help but be curious about where it’s headed. I’ll probably regret strapping myself in for this one, but you’ve won me over . Evil or Live. I look forward to mocking you for weeks to come

Rating: A-MAZ-ING

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And that’s it for my first impressions this season. I was honestly ready to write off 2017 as the weakest year of anime I’ve seen since I started keeping up with seasonal stuff, but fall might really be able to turn it around. There’s a lot of extremely promising stuff this time, and I’ve only really come across a couple of things that really rubbed me the wrong way. It feels like it’s been a long time since I started off an anime season with this positive of an outlook but it really seems like they’ve got all the bases covered this time, and if even half of these shows manage to avoid imploding on themselves, this could turn out to be an extremely memorable one. Only time will tell how it all pans out so till then, stay animated.